Arcangelo Corelli (1653 - 1713) was a Baroque composer who set the standard for musical composition in his time. This piece is based on the last of his opus five violin sonatas, which includes twenty-four variations on the Spanish melody "La Follia". The arrangement presents five variations after the theme is introduced, with each upper-string section playing the tune fully against Corelli's original figurations. The main theme returns in an opulent manner.
Arcangelo Corelli (1653 - 1713), a celebrated Italian composer of the 17th century, left an indelible mark on Baroque music. His compositions were highly influential, and his style was emulated by many of his contemporaries. This arrangement is based on the twelfth and final sonata from Corelli's Opus 5 collection of violin sonatas, which is a set of twenty-four variations on the popular Spanish melody "La Follia". The piece begins by introducing the theme, followed by five variations that feature Corelli's original figurations played by each upper-string section against the full rendition of the tune. The main theme returns at the end, presented in a lavish and grandiose manner, bringing the piece to a satisfying close.
Pleyel, a renowned musician and entrepreneur in early 19th century Paris, wrote a beautiful piece for two violins in the late Classical style. The piece follows the sonata form and features a brooding first theme contrasted with an impish second theme played in staccato quavers. The movement ends with a lively duel between the violins, adding vibrancy and passion to the piece. Your orchestra will love it!
A thrilling adventure with spies, detectives, and super sleuths trying to stop world domination. The catchy tune and unique harmonies will delight students. The piece features pizzicato, harmonics, and string crossing. Structured in rondo form, each section of the orchestra makes an appearance.
A musical arrangement for strings, percussion, and voice with four memorable Australian folk tunes that are easy to sing along to. The vocal part can be sung by a soloist or choir, and the lyrics are included. The piece can also be played as an instrumental work.
The French court of the 17th and 18th centuries was renowned for its grandeur and beauty, envied by all composers in Europe. These three works embody that spirit.
The Gloria from the Latin Mass is a joyful and energetic piece for orchestra and two-part choir, inspired by the homage to God. It is easy to play, with alternative instruments covering several parts. Male voices can sing the two vocal parts an octave lower. Each orchestra section is featured in the interludes, and the piece concludes with a lively flourish.
Whether dancing freely, creating something inspiring, or powering through a gym class, moving positively inspires this work, supported by driving rhythms, contrasting textures, and melodic lines.
Join the Barcelona party! This piece captures the fun and energy of the Spanish city with catchy rhythms and authentic flavour. Your ensemble will love it.
"Arctic Fire" is a mesmerising composition that takes the listener on a journey of tonal surprises. The sound of the first violin harmonics is piercing and ethereal, evoking the image of blowing ice in a desolate Arctic landscape. The piece features effective textures and shifts in melody, with even the bass having a significant solo. It's a powerful composition that inspires musicians to let their imaginations soar.
