Arcangelo Corelli (1653 - 1713) was a Baroque composer who set the standard for musical composition in his time. This piece is based on the last of his opus five violin sonatas, which includes twenty-four variations on the Spanish melody "La Follia". The arrangement presents five variations after the theme is introduced, with each upper-string section playing the tune fully against Corelli's original figurations. The main theme returns in an opulent manner.
Arcangelo Corelli (1653 - 1713), a celebrated Italian composer of the 17th century, left an indelible mark on Baroque music. His compositions were highly influential, and his style was emulated by many of his contemporaries. This arrangement is based on the twelfth and final sonata from Corelli's Opus 5 collection of violin sonatas, which is a set of twenty-four variations on the popular Spanish melody "La Follia". The piece begins by introducing the theme, followed by five variations that feature Corelli's original figurations played by each upper-string section against the full rendition of the tune. The main theme returns at the end, presented in a lavish and grandiose manner, bringing the piece to a satisfying close.
Pleyel, Haydn's student, had exceptional musical talent. The Duet Opus 8 no. 2 is a delightful and accessible piece highlighting different parts of the ensemble, showcasing diverse musical techniques like spiccato quavers, slurred string crossings, and martel crotchets. It's a great starting point for those who want to appreciate Classical music.
This piece of music is intended for a string orchestra with a difficulty level of grade 3.
This piece gradually expands harmony from a unison note, highlighting interesting texture. Younger musicians learn dissonance through gentle tonal clashes, while elementary players explore different bow speeds and lengths. It's a great introduction to the power of a string orchestra.
This suite of three unique pieces is perfect for beginners looking to improve technique and musicianship. Dedicated to Andrea Messenger OAM and the Western Suburbs String Orchestra community, inspiring young musicians everywhere.
The music is filled with lively melodies and counter-melodies that dance around the orchestra. The middle section features a string quartet solo interrupted by tutti utterances. The work offers a wide range of textures, dynamics, and haunting tunes that will captivate both players and audiences alike.
Citadels, or walled fortresses, were built for centuries to defend civilizations from invaders. This music explores the imagery of a strong, passionate, and fiercely protective community. The middle section creates an atmosphere of a still yet edgy night. The main theme eventually fades away as the invaders recede.
Originally written for wind ensemble and later arranged for pianoforte, these charming movements have been carefully placed to give the sense of a fully integrated work. Some elements of this work are similar in vein to Mozart's famous "Eine Kleine Nachtmusik." Advanced intermediate players will enjoy the challenges of spiccato quavers, martele crotchets, measured tremolo, and lifted upbows, which are a must for developing precision and clarity in a more advanced string ensemble.
Pleyel, a renowned musician and entrepreneur in early 19th century Paris, wrote a beautiful piece for two violins in the late Classical style. The piece follows the sonata form and features a brooding first theme contrasted with an impish second theme played in staccato quavers. The movement ends with a lively duel between the violins, adding vibrancy and passion to the piece. Your orchestra will love it!
These two South American-inspired tangos feature chromatic scales, harmonics, syncopated rhythms, and a range of textures. The main tunes and accompaniments are easy to play and share within the ensemble. Cello plays a high A.
