Xanadu is the third and final work in the series containing The Bells of Ghengis Khan and Battle at the Great Wall. Kubla Khan, the grandson of Ghengis Khan, was by contrast a leader who was interested in the finer aspects of living such as literature, music and calligraphy. Clashing chords, piquant harmonies and a wide range of accessible string effects will ignite much enthusiasm in younger players.
The French court of the 17th and 18th centuries was renowned for its grandeur and beauty, envied by all composers in Europe. These three works embody that spirit.
Hand-picking cotton is a gruelling task. 19th-century rural Americans sang to support each other. This piece starts with different players for each bar, evoking the image. The "Praising Song" celebrates the end of a tough day. An elementary ensemble will shine playing the double quavers, pizzicati, and syncopated beats.
This piece has three movements that explore different aspects of heat. It uses various techniques, such as pizzicato, legato melodies, staccato quarter notes, and double eighth notes, which are easy to manage for young players. It's a fun piece for any occasion!
Ideal for a festival orchestra with players at different levels, this piece is based on the medieval melody "L'Homme Arme", depicting a sword-wielding warrior. The middle section features a violin solo as a lullaby reflecting the armed man's war experiences. The final section celebrates the armed man walking in the light of peace and liberty with the South African song "Simbayama".
For 4 string orchestras and untuned percussion - Grade 3.5, 2, 1.5 & 1
This set of twelve short pieces is for basic orchestras and helps young musicians learn important string techniques. The pieces incorporate hissing, slapping of instruments, foot stomping, and improvisation to make playing in a string ensemble more enjoyable.
The Thirty Concert Pieces – Cello (Grade 1) with CD by Stephen Chin contains 30 accessible pieces for beginning cello players. Designed for Grade 1, the collection develops technique, rhythm, intonation, expression, and performance confidence.
Albeniz's piece was originally written for piano, showcasing Spanish passion and brilliance. It alludes to a legend from Asturias, with Moroccan influences. The use of string techniques adds intensity to this haunting work.