The circus is thrilling! The Carousel waltz shares the melodic line. In Siberian Tigers, players can project a robust tone and imagine the majestic tigers. Happy-Sad Clowns contrasts major and minor tonalities.
As the sound of trumpets fills the air, the crowd roars with excitement. The circus is a place of wonder and joy, where people of all ages come together to experience the thrill of the show. The Carousel, a waltz that shares the melodic line between its parts, is a simple yet elegant piece that teaches young musicians the art of playing off the beat. In Siberian Tigers, the strings of the instruments are struck with force to produce a robust tone that echoes the strength and majesty of the tigers that roam around in the minds of the players. Meanwhile, Happy-Sad Clowns contrasts the joyous tones of a major key with the melancholic notes of a minor key, taking the audience on an emotional journey through the familiar finger patterns of the players.
Originally for string quintet, this piece was arranged by Boccherini for guitar and string quartet. Castanets add a Spanish touch. Boccherini explored diverse textures and string effects within the Classical Period. The music's elegance and vibrancy captivate players and audiences alike.
These two South American-inspired tangos feature chromatic scales, harmonics, syncopated rhythms, and a range of textures. The main tunes and accompaniments are easy to play and share within the ensemble. Cello plays a high A.
This rhapsodic work by Vittorio Monti captures the vibrant elements of Gypsy music and has been popularized in film and pop music. The arrangement includes two versions: one showcases each orchestra section, while the other features a solo violin supported by accompanying strings.
Listen to the two versions included in this product below:
Lords of the Loch is a festival piece for string orchestra, quartet, and optional string ensemble. It's inspired by Finlaggan, a Scottish loch with islands once ruled by lords known for producing and exporting harps.
Intense and emotional, the music evokes feelings of desperation, anxiety, and frenzy. The dark tones of G minor and rapid rhythm create a menacing atmosphere. The hammering rhythm eventually overtakes a noble melody played by the cellos.
In Greek mythology, the Furies brought the dead to the Underworld and were part of the legend of Orpheus. August Nolck's piece was originally for cello but is now perfect for developing string players' timing precision. The perpetual motion promotes refined right-hand movements and offers opportunities for section solos.
The music is filled with lively melodies and counter-melodies that dance around the orchestra. The middle section features a string quartet solo interrupted by tutti utterances. The work offers a wide range of textures, dynamics, and haunting tunes that will captivate both players and audiences alike.