Daniel Steibelt (1765-1823) composed elegant pieces that embody the Classical period's poise and vivacity. His piece includes an Andante section with beautiful melodies and an Allegro con brio section that presents a fun challenge for students. The E minor middle section highlights the first violins' talent and is perfect for String Orchestra Grade 2.
1. Andante
2. Allegro con brio
Daniel Steibelt (1765 - 1823), a brilliant and accomplished pianist from the 18th and 19th centuries, created a set of charming and elegant compositions that perfectly capture the poise and vivacity of Classical period music. The Andante section of the piece enables the strings to showcase their legato playing, which produces a beautiful and sonorous melody. The Allegro con brio section presents a fun challenge for students as they lift their bows and play the lively crotchet-minim theme. The E minor middle section is an excellent opportunity for the first violins to display their talent and dexterity, as the melodic line is effectively shared throughout. This piece is perfect for String Orchestra Grade 2 and is a beautiful addition to any repertoire.
1. Andante
2. Allegro con brio
Canon in D by Johann Pachelbel is a beautiful piece for string orchestra. This arrangement includes optional adaptations to suit different instruments and grade levels. A universally cherished work, now more inclusive!
In Greek mythology, the Furies brought the dead to the Underworld and were part of the legend of Orpheus. August Nolck's piece was originally for cello but is now perfect for developing string players' timing precision. The perpetual motion promotes refined right-hand movements and offers opportunities for section solos.
For String Orchestra Grade 1.5
These majestic fanfares have inspired for centuries. Precision-crafted parts ensure easy playability and share main melodies amongst the ensemble. Roll out the red carpet!
1. Prince of Denmark's March
2. Fanfare Minuet
3. The Trumpets
For String Orchestra Grade 1.5
The music is a journey through the Mists of England, the lush green fields of Ireland, Wales's sublime beauty, and Scotland's invigorating highlands. The tunes and textures are vibrant, wistful, and unforgettable, making them perfect for any performance. Your players will be humming them long after the rehearsal is over.
Listen to #1 – Mists of the Winter Solstice
Listen to #2 – Road to County Derry
Nicolo Paganini was an exceptional violinist, and this particular piece is the final one in a series of caprices that represent the pinnacle of violin technique. It has inspired other great composers such as Rachmaninov. This arrangement preserves the melody, harmony, and structure, allowing players of all levels to experience and appreciate the beauty of Paganini's work.
For String Orchestra Grade 3.5
"Good-bye Budapest" is a traditional Hungarian czardas-style music piece. It begins with a haunting melody and languid strings, which then transition into a joyous free-for-all with various orchestra sections taking turns. A melancholic solo violin rendition is followed by the return of the czardas in D major, culminating in a ferocious presto. The music showcases a range of emotions, from introspection to frenzied joy and melancholy to ferocity.
For String Orchestra Grade 3
Whether dancing freely, creating something inspiring, or powering through a gym class, moving positively inspires this work, supported by driving rhythms, contrasting textures, and melodic lines.
Schubert's Sonatina Op. 137, No. 1's Allegro molto movement, originally for violin and piano, has been arranged for strings, making it more accessible.
Composer Franz Schubert was a skilled violinist who wrote over 12 string quartets by age 19. His first three violin sonatas, including Sonata No. 1 in D major, D 384, were later published as Sonatinas in 1836. The charming piece of music is relatively easy to perform.
Schubert's "März 1816" sonata has an intimate atmosphere, perfect for a small ensemble. It features three movements: Allegro molto, Andante, and Allegro vivace. The Allegro molto is a lively and fast-paced movement, followed by a slower, more contemplative Andante. The piece concludes with a rousing Allegro vivace.
