Daniel Steibelt (1765-1823) composed elegant pieces that embody the Classical period's poise and vivacity. His piece includes an Andante section with beautiful melodies and an Allegro con brio section that presents a fun challenge for students. The E minor middle section highlights the first violins' talent and is perfect for String Orchestra Grade 2.
Daniel Steibelt (1765 - 1823), a brilliant and accomplished pianist from the 18th and 19th centuries, created a set of charming and elegant compositions that perfectly capture the poise and vivacity of Classical period music. The Andante section of the piece enables the strings to showcase their legato playing, which produces a beautiful and sonorous melody. The Allegro con brio section presents a fun challenge for students as they lift their bows and play the lively crotchet-minim theme. The E minor middle section is an excellent opportunity for the first violins to display their talent and dexterity, as the melodic line is effectively shared throughout. This piece is perfect for String Orchestra Grade 2 and is a beautiful addition to any repertoire.
This work is a companion to “Bells of Ghengis Khan”, featuring insistent rhythms and pounding fifths that create a sense of impending conflict. The middle section depicts soldiers reflecting upon their loved ones before the battle resumes, with victors’ shouts heard towards the end. The piece uses techniques such as harmonics, tremolo, and pizzicato to add richness to the tone colours.
Intense and emotional, the music evokes feelings of desperation, anxiety, and frenzy. The dark tones of G minor and rapid rhythm create a menacing atmosphere. The hammering rhythm eventually overtakes a noble melody played by the cellos.
Brahms adapted 21 Hungarian Dances for two pianos and later for a symphony orchestra. The 1st Dance has a brooding nature, while the 2nd Dance is characterized by wild changes in tempo and mood. Either could make a rousing finale.
Showcase your beginner strings and concert band in an orchestra with this fun rondo piece written in the Hungarian style. The wind, strings and full orchestra each have their own chance to shine, and the manageable note values and pitch repertoire make it perfect for novices.
The music is filled with lively melodies and counter-melodies that dance around the orchestra. The middle section features a string quartet solo interrupted by tutti utterances. The work offers a wide range of textures, dynamics, and haunting tunes that will captivate both players and audiences alike.
Albeniz's piece was originally written for piano, showcasing Spanish passion and brilliance. It alludes to a legend from Asturias, with Moroccan influences. The use of string techniques adds intensity to this haunting work.