Latin-American music is vibrant! This piece is an extended tango that will make musicians sway. The title, "Reminiscences of Buenos Aires," evokes images of non-stop dancing in the Argentinean capital. String effects such as pizzicato, tremolo, glissando, and lifted-down bows add colour to this pulsating score. Invite audience members to dance while you play for a unique experience.
The music of Latin America is unparalleled in its vibrancy and energy. This particular piece is an extended tango that will have the musicians swaying and moving as they play their instruments. Titled "Reminiscences of Buenos Aires," this composition conjures up images of lively parties and non-stop dancing in the vibrant capital of Argentina. The score is already full of pulsating rhythms, and additional string effects such as pizzicato, tremolo, glissando, and lifted-down bows add an extra layer of colour and texture to the music. Why not take things a step further by inviting some members of the audience to dance along with the music? It would certainly make for a memorable and unique experience.
Get ready for an adventure! This dynamic piece takes you on a journey where the high-pitched first position harmonics, sul ponticello, and arco/pizz create a sea-faring atmosphere. The repeated quavers keep the sense of a voyage underway. Each section of the ensemble eagerly awaits their turn to play the gorgeous melodies that abound in this dynamic work.
Carl Bohm (1844 - 1920) was a renowned composer and teacher for violinists. His famous pieces, "Moto Perpetuo" and "Galop," showcase double semiquavers and highlight the cellos in the latter. The work is shared around for everyone to shine.
These two South American-inspired tangos feature chromatic scales, harmonics, syncopated rhythms, and a range of textures. The main tunes and accompaniments are easy to play and share within the ensemble. Cello plays a high A.
Canon in D by Johann Pachelbel is a beautiful piece for string orchestra. This arrangement includes optional adaptations to suit different instruments and grade levels. A universally cherished work, now more inclusive!
Inspired by "The Rime of the Ancient Mariner", this festival piece is for eight-string orchestras and percussion. It starts with a wall of sound, then a mournful melody, and a lively jig-like section. Only Orchestra A needs to play percussion.
For eight string orchestras and percussion - Level 4, 3, 2, 1.5, 1
This is an excellent intro to Early Music. Arbeau's second piece was later used in "Capriol Suite" by Peter Warlock. To add authenticity, improvise and add bass drum or tambour parts.