The Wars of the Roses was a conflict between Lancaster and York from 1455 to 1487. Composer Walter Frye wrote music during this time, including "Alas, Alas, Alas is my Chief Song," which inspired this Fantasia. The piece depicts the storms of battle and blends antiquity with contemporary style.
The Wars of the Roses was a brutal and protracted conflict that raged between two rival branches of English Royalty, the House of Lancaster and the House of York, from 1455 to 1487. Amidst the chaos and bloodshed, composer Walter Frye was creating exquisite church and secular music that captured the spirit of the times. This Fantasia is a musical tribute to Frye's song "Alas, Alas, Alas is my Chief Song," which is believed to be a poignant reflection on the despair and tragedy of war. The piece features a number of highly spirited sections that vividly depict the storms of battle, with soaring melodies and thunderous percussion. The blend of antiquity and contemporary style in this composition is sure to captivate both your orchestra and audience, transporting them back to a bygone era of chivalry, honour, and conflict.
These quirky pieces are trinkets that can spark young musicians' imaginations. They cover many techniques, such as pizzicato, staccato, harmonics, and rapid eighth notes, which can help beginning orchestras build their skills in a fun way. The memorable tunes often shared around the orchestra will indeed have your students begging for more!
Carl Bohm (1844 - 1920) was a renowned composer and teacher for violinists. His famous pieces, "Moto Perpetuo" and "Galop," showcase double semiquavers and highlight the cellos in the latter. The work is shared around for everyone to shine.
Brahms adapted 21 Hungarian Dances for two pianos and later for a symphony orchestra. The 1st Dance has a brooding nature, while the 2nd Dance is characterized by wild changes in tempo and mood. Either could make a rousing finale.
The Gloria from the Latin Mass is a joyful and energetic piece for orchestra and two-part choir, inspired by the homage to God. It is easy to play, with alternative instruments covering several parts. Male voices can sing the two vocal parts an octave lower. Each orchestra section is featured in the interludes, and the piece concludes with a lively flourish.
"Two pieces, one idea: work hard, play hard. "The Volga Boatmen" has a shared melody and well-crafted counter-melodies. "Two Guitars" is fun and infectious, exploring spiccato quavers."
These two South American-inspired tangos feature chromatic scales, harmonics, syncopated rhythms, and a range of textures. The main tunes and accompaniments are easy to play and share within the ensemble. Cello plays a high A.
This piece gradually expands harmony from a unison note, highlighting interesting texture. Younger musicians learn dissonance through gentle tonal clashes, while elementary players explore different bow speeds and lengths. It's a great introduction to the power of a string orchestra.
