The Wars of the Roses was a conflict between Lancaster and York from 1455 to 1487. Composer Walter Frye wrote music during this time, including "Alas, Alas, Alas is my Chief Song," which inspired this Fantasia. The piece depicts the storms of battle and blends antiquity with contemporary style.
The Wars of the Roses was a brutal and protracted conflict that raged between two rival branches of English Royalty, the House of Lancaster and the House of York, from 1455 to 1487. Amidst the chaos and bloodshed, composer Walter Frye was creating exquisite church and secular music that captured the spirit of the times. This Fantasia is a musical tribute to Frye's song "Alas, Alas, Alas is my Chief Song," which is believed to be a poignant reflection on the despair and tragedy of war. The piece features a number of highly spirited sections that vividly depict the storms of battle, with soaring melodies and thunderous percussion. The blend of antiquity and contemporary style in this composition is sure to captivate both your orchestra and audience, transporting them back to a bygone era of chivalry, honour, and conflict.
Bach, known for his exceptional music, was also a devoutly religious man. These two pieces of music serve as a testament to his faith. The arrangements highlight different sections of the ensemble as they take turns playing the beautiful melodies.
These majestic fanfares have inspired for centuries. Precision-crafted parts ensure easy playability and share main melodies amongst the ensemble. Roll out the red carpet!
The Midnight Serenade starts with faint calls of the night. The haunting melody is shared throughout the piece over a waltz-like accompaniment. Dark Train is a dynamic composition based on a simple three-note ostinato, with whistle effects that excite younger players.
Feel the rush with this piece! The music's edgy rhythms and meter changes create a sense of urgency and desperation, like a frantic pursuit. A lyrical middle section offers a moment of respite before the thrilling journey resumes.
This original composition for string orchestra is filled with dynamic rhythms and fiery melodic motifs, which will bring an electrifying energy to any concert program!
The Gloria from the Latin Mass is a joyful and energetic piece for orchestra and two-part choir, inspired by the homage to God. It is easy to play, with alternative instruments covering several parts. Male voices can sing the two vocal parts an octave lower. Each orchestra section is featured in the interludes, and the piece concludes with a lively flourish.
These works are perfect for the beginner string ensemble player. They continue the earlier publication titled "A Dozen Dazzlers." They feature unison, simple parts and call-response writing and prepare the players for the greater demands of a full-string orchestra. All parts have been meticulously crafted for ease of playing and to focus on essential ensemble skills such as pizzicato, legato, staccato, and harmonics. These attractive pieces will ignite the students' imaginations.