Georg Philipp Telemann (1681 - 1767) is recognized as the most prolific composer of all time. He composed over 3000 pieces during his lifetime, including 1043 cantatas, 46 passions, 40 operas, over 100 concertos, 700 orchestral suites, and volumes of chamber music. The following 4 movements exemplify his elegant style and ability to craft appealing melodies, making them an excellent resource for ensembles to practice useful string techniques.

For String Orchestra Grade 1.5

Schubert's Sonatina Op. 137, No. 1's Allegro molto movement, originally for violin and piano, has been arranged for strings, making it more accessible.

Composer Franz Schubert was a skilled violinist who wrote over 12 string quartets by age 19. His first three violin sonatas, including Sonata No. 1 in D major, D 384, were later published as Sonatinas in 1836. The charming piece of music is relatively easy to perform.

Schubert's "März 1816" sonata has an intimate atmosphere, perfect for a small ensemble. It features three movements: Allegro molto, Andante, and Allegro vivace. The Allegro molto is a lively and fast-paced movement, followed by a slower, more contemplative Andante. The piece concludes with a rousing Allegro vivace.

Bach, known for his exceptional music, was also a devoutly religious man. These two pieces of music serve as a testament to his faith. The arrangements highlight different sections of the ensemble as they take turns playing the beautiful melodies.

1. When Thou Art Near

2. Jesu, Joy of Man's Desiring

For String Orchestra Grade 3

Carl Bohm (1844 - 1920) was a renowned composer and teacher for violinists. His famous pieces, "Moto Perpetuo" and "Galop," showcase double semiquavers and highlight the cellos in the latter. The work is shared around for everyone to shine.

For String Orchestra Grade 2.5

The Iching, a series of texts created by Emperor Zhou in the 9th century BC China, helps interpret thoughts and dreams. Its orchestral representation features an energetic section that paints a vibrant life in ancient China and concludes with thrilling cascades of repeated sixteenth notes.

The music is filled with lively melodies and counter-melodies that dance around the orchestra. The middle section features a string quartet solo interrupted by tutti utterances. The work offers a wide range of textures, dynamics, and haunting tunes that will captivate both players and audiences alike.

For String Orchestra Grade 3.5