Ideal for a festival orchestra with players at different levels, this piece is based on the medieval melody "L'Homme Arme", depicting a sword-wielding warrior. The middle section features a violin solo as a lullaby reflecting the armed man's war experiences. The final section celebrates the armed man walking in the light of peace and liberty with the South African song "Simbayama".
For 4 string orchestras and untuned percussion - Grade 3.5, 2, 1.5 & 1
In this musical composition, festival orchestras consisting of musicians of varying levels of expertise can come together and showcase their talents. The piece is composed for four-string orchestras and un-tuned percussion and draws inspiration from the mediaeval tune "L'Homme Arme", which tells the tale of a warrior brandishing his sword. The middle section of the composition features a beautiful violin solo, where the warrior, now quiet and contemplative, reflects on his experiences on the battlefield. The final section is based on the South African song "Simbayama" and is a joyous celebration of the warrior walking towards peace and liberty, leaving behind the darkness of war.
For 4 string orchestras and untuned percussion - Grade 3.5, 2, 1.5 & 1
La Tempesta di Mare is the overture to Salieri's opera, Cesare in Farmacusa. It narrates the journey of the young Julius Caesar as he sails through a treacherous storm to Farmacusa, near Sicily. The plot is filled with pirates, gypsy lovers, and, of course, Roman gods, providing much entertainment for audiences of that time.
Intense and emotional, the music evokes feelings of desperation, anxiety, and frenzy. The dark tones of G minor and rapid rhythm create a menacing atmosphere. The hammering rhythm eventually overtakes a noble melody played by the cellos.
Simple music pieces with call-response writing can help beginners become confident playing in a full-string orchestra. Downloadable recorded accompaniments let students practice at their own pace. Teachers can use these pieces to transition students from solo playing to joining a string orchestra.
"Good-bye Budapest" is a traditional Hungarian czardas-style music piece. It begins with a haunting melody and languid strings, which then transition into a joyous free-for-all with various orchestra sections taking turns. A melancholic solo violin rendition is followed by the return of the czardas in D major, culminating in a ferocious presto. The music showcases a range of emotions, from introspection to frenzied joy and melancholy to ferocity.
The music is a journey through the Mists of England, the lush green fields of Ireland, Wales's sublime beauty, and Scotland's invigorating highlands. The tunes and textures are vibrant, wistful, and unforgettable, making them perfect for any performance. Your players will be humming them long after the rehearsal is over.
Originally written for wind ensemble and later arranged for pianoforte, these charming movements have been carefully placed to give the sense of a fully integrated work. Some elements of this work are similar in vein to Mozart's famous "Eine Kleine Nachtmusik." Advanced intermediate players will enjoy the challenges of spiccato quavers, martele crotchets, measured tremolo, and lifted upbows, which are a must for developing precision and clarity in a more advanced string ensemble.
We all love our pets, and each day brings new adventures! “Presto Puppies” features rising scale patterns and surprising dissonances, while “Cantabile Kitties” captures the subdued essence of our feline friends with major seventh intervals that evoke a kitten yawning. “Con Brio Birdies” portrays birds’ chatter through repeated quavers and gentle dissonances. The suite also showcases various techniques, including harmonics and different pizzicato styles.