Ideal for a festival orchestra with players at different levels, this piece is based on the medieval melody "L'Homme Arme", depicting a sword-wielding warrior. The middle section features a violin solo as a lullaby reflecting the armed man's war experiences. The final section celebrates the armed man walking in the light of peace and liberty with the South African song "Simbayama".
For 4 string orchestras and untuned percussion - Grade 3.5, 2, 1.5 & 1
In this musical composition, festival orchestras consisting of musicians of varying levels of expertise can come together and showcase their talents. The piece is composed for four-string orchestras and un-tuned percussion and draws inspiration from the mediaeval tune "L'Homme Arme", which tells the tale of a warrior brandishing his sword. The middle section of the composition features a beautiful violin solo, where the warrior, now quiet and contemplative, reflects on his experiences on the battlefield. The final section is based on the South African song "Simbayama" and is a joyous celebration of the warrior walking towards peace and liberty, leaving behind the darkness of war.
For 4 string orchestras and untuned percussion - Grade 3.5, 2, 1.5 & 1
Brahms adapted 21 Hungarian Dances for two pianos and later for a symphony orchestra. The 1st Dance has a brooding nature, while the 2nd Dance is characterized by wild changes in tempo and mood. Either could make a rousing finale.
This music piece is based on an old English hymn that depicts a journey to hope, titled To the Palace of Light. It has a solemn beginning, turbulent middle, and faster, jig-like ending. Elements of the hymn can be heard throughout, making it a great choice to end a concert or festival.
Gobi Desert warriors, led by Genghis Khan, ride to China. The music's eighth notes, dissonant chords, and pounding melody vividly portray their might in battle. A calm pentatonic section shows them resting at night before moving mercilessly to the next fight.
Pleyel, a renowned musician and entrepreneur in early 19th century Paris, wrote a beautiful piece for two violins in the late Classical style. The piece follows the sonata form and features a brooding first theme contrasted with an impish second theme played in staccato quavers. The movement ends with a lively duel between the violins, adding vibrancy and passion to the piece. Your orchestra will love it!
The Ming Dynasty (1368–1644) was a remarkable period in China’s history, characterised by extensive exploration and the expansion of trade routes to Europe, Africa, and the Indian Ocean, which resulted in a nearly doubled population. The Imperial Court became a hub for the arts, showcasing a diverse range of talents in literature, music, painting, sculpture, and ceramics. Artistic representations often depicted the calming lotus and dynamic horses, symbolising both serenity and strength, while music featured sustained notes and energetic rhythms that echoed these themes.