Vivaldi wrote many concertos for different instruments, including one for mandolin and strings. The composition's formal structure remains unaltered, but some intricate figurations have been tweaked. The music creates a dialogue between the orchestra's sections as they share the melody. The Baroque string crossings and harmonic progressions make the piece enjoyable to play.
For String Orchestra Grade 3
Vivaldi was a prolific composer who created an impressive catalogue of concertos for a vast array of instruments. The piece, originally composed for mandolin and strings, showcases his virtuosity in crafting complex, ornate figurations. Although some of these figurations have been slightly adapted, the fundamental harmonic and formal structures of the composition remain unaffected.
The music features a delightful sense of dialogue between different sections of the orchestra as they share the melodic line, creating a rich and dynamic texture. Furthermore, players will relish the opportunity to perform the customary Baroque string crossings, which require precision and skill, as well as the familiar harmonic progressions that underpin the music. Overall, the piece exudes an effervescent energy that is characteristic of Vivaldi's style and will undoubtedly captivate both performers and listeners alike.
For String Orchestra Grade 3
This arrangement of a popular spiritual is perfect for younger players. The melody is shared, making it easy for even the least experienced to participate. Clashing notes represent the train's whistle, while easily managed syncopated notes add spice and energy.
For String Orchestra Grade 1
Daniel Steibelt (1765-1823) composed elegant pieces that embody the Classical period's poise and vivacity. His piece includes an Andante section with beautiful melodies and an Allegro con brio section that presents a fun challenge for students. The E minor middle section highlights the first violins' talent and is perfect for String Orchestra Grade 2.
1. Andante
2. Allegro con brio
Two Italian Baroque masterpieces in contrast - Sarabande and Gigue. Simple melody with suspensions in Sarabande, orchestra showcases string crossings and quaver figuration in Gigue.
For String Orchestra Grade 2.5
These quirky pieces are trinkets that can spark young musicians' imaginations. They cover many techniques, such as pizzicato, staccato, harmonics, and rapid eighth notes, which can help beginning orchestras build their skills in a fun way. The memorable tunes often shared around the orchestra will indeed have your students begging for more!
1. Busy Bikes
2. Sanpan in the Clouds
3. Elephants and Fleas
4. It's Raining Diamonds
5. Very Dark Elves
6. Tibetan Trinkets
7. King Bruce's Spider
8. Nullarbor
9. Dragon Crusher
10. Magical Mandolines
11. Fuji
12. Ice Train
For String Orchestra Grade 1
Pleyel, a renowned musician and entrepreneur in early 19th century Paris, wrote a beautiful piece for two violins in the late Classical style. The piece follows the sonata form and features a brooding first theme contrasted with an impish second theme played in staccato quavers. The movement ends with a lively duel between the violins, adding vibrancy and passion to the piece. Your orchestra will love it!
For String Orchestra Grade 3.5
The Iching, a series of texts created by Emperor Zhou in the 9th century BC China, helps interpret thoughts and dreams. Its orchestral representation features an energetic section that paints a vibrant life in ancient China and concludes with thrilling cascades of repeated sixteenth notes.
Two great pieces for young players! "Guitar Lullaby" is based on a familiar melody with a wide range. Hold the instrument like a guitar. "Chit Chat" is a catchy call and response piece with syncopated rhythms.
1. Guitar Lullaby
2. Chit Chat
For String Orchestra Grade 1
The Wars of the Roses was a conflict between Lancaster and York from 1455 to 1487. Composer Walter Frye wrote music during this time, including "Alas, Alas, Alas is my Chief Song," which inspired this Fantasia. The piece depicts the storms of battle and blends antiquity with contemporary style.
Fantasia on a Theme by Walter Frye (d. 1474)
for String Orchestra (Grade 3) by Stephen Chin
