

Vivaldi wrote many concertos for different instruments, including one for mandolin and strings. The composition's formal structure remains unaltered, but some intricate figurations have been tweaked. The music creates a dialogue between the orchestra's sections as they share the melody. The Baroque string crossings and harmonic progressions make the piece enjoyable to play.
For String Orchestra Grade 3
Vivaldi was a prolific composer who created an impressive catalogue of concertos for a vast array of instruments. The piece, originally composed for mandolin and strings, showcases his virtuosity in crafting complex, ornate figurations. Although some of these figurations have been slightly adapted, the fundamental harmonic and formal structures of the composition remain unaffected.
The music features a delightful sense of dialogue between different sections of the orchestra as they share the melodic line, creating a rich and dynamic texture. Furthermore, players will relish the opportunity to perform the customary Baroque string crossings, which require precision and skill, as well as the familiar harmonic progressions that underpin the music. Overall, the piece exudes an effervescent energy that is characteristic of Vivaldi's style and will undoubtedly captivate both performers and listeners alike.
For String Orchestra Grade 3
Originally written for wind ensemble and later arranged for pianoforte, these charming movements have been carefully placed to give the sense of a fully integrated work. Some elements of this work are similar in vein to Mozart's famous "Eine Kleine Nachtmusik." Advanced intermediate players will enjoy the challenges of spiccato quavers, martele crotchets, measured tremolo, and lifted upbows, which are a must for developing precision and clarity in a more advanced string ensemble.
For String Orchestra Grade 3
Pleyel, Haydn's student, had exceptional musical talent. The Duet Opus 8 no. 2 is a delightful and accessible piece highlighting different parts of the ensemble, showcasing diverse musical techniques like spiccato quavers, slurred string crossings, and martel crotchets. It's a great starting point for those who want to appreciate Classical music.
This piece of music is intended for a string orchestra with a difficulty level of grade 3.
This work is a companion to “Bells of Ghengis Khan”, featuring insistent rhythms and pounding fifths that create a sense of impending conflict. The middle section depicts soldiers reflecting upon their loved ones before the battle resumes, with victors’ shouts heard towards the end. The piece uses techniques such as harmonics, tremolo, and pizzicato to add richness to the tone colours.
For String Orchestra Grade 1.5
This is an excellent intro to Early Music. Arbeau's second piece was later used in "Capriol Suite" by Peter Warlock. To add authenticity, improvise and add bass drum or tambour parts.
1. Bransle
2. Pavan
3. Ballo Furlano
For String Orchestra Grade 1.5
La Tempesta di Mare is the overture to Salieri's opera, Cesare in Farmacusa. It narrates the journey of the young Julius Caesar as he sails through a treacherous storm to Farmacusa, near Sicily. The plot is filled with pirates, gypsy lovers, and, of course, Roman gods, providing much entertainment for audiences of that time.
Showcase your beginner strings and concert band in an orchestra with this fun rondo piece written in the Hungarian style. The wind, strings and full orchestra each have their own chance to shine, and the manageable note values and pitch repertoire make it perfect for novices.
Australia's National Anthem is a source of pride for Australians. We offer the first verse thoughtfully, with a piano part for accompaniment. A major key suits most voices. Great for school assemblies. Suitable for Grade 2 String Orchestra.