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    Three Fanfares from the 18th Century by Clarke et al arr. Stephen Chin

    Three Fanfares from the 18th Century by Clarke et al arr. Stephen Chin

    $121.00

    These majestic fanfares have inspired for centuries. Precision-crafted parts ensure easy playability and share main melodies amongst the ensemble. Roll out the red carpet!

    1. Prince of Denmark's March

    2. Fanfare Minuet

    3. The Trumpets

    For String Orchestra Grade 1.5

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    Three Fanfares from the 18th Century by Clarke et al arr. Stephen Chin

    The grandeur and spectacle of a special occasion can be truly captured by the inspiring fanfares that has stood the test of time. These musical pieces have been crafted with utmost care to ensure that every member of the ensemble can play their part with ease, often sharing the main melodies amongst themselves. So, let the red carpet be rolled out as these majestic fanfares fill the air with their uplifting notes.

    1. Prince of Denmark's March

    2. Fanfare Minuet

    3. The Trumpets

    For String Orchestra Grade 1.5

    8 other products in the same category:

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    This piece gradually expands harmony from a unison note, highlighting interesting texture. Younger musicians learn dissonance through gentle tonal clashes, while elementary players explore different bow speeds and lengths. It's a great introduction to the power of a string orchestra.

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    Daniel Steibelt (1765-1823) composed elegant pieces that embody the Classical period's poise and vivacity. His piece includes an Andante section with beautiful melodies and an Allegro con brio section that presents a fun challenge for students. The E minor middle section highlights the first violins' talent and is perfect for String Orchestra Grade 2.

    1. Andante

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    Two Silk Screens from Kyoto (Stephen Chin) for String Orchestra

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    Stephen Chin: “These two pieces were inspired by my visit to Japan. They capture memories of the country's beauty, contrasting the elegance of cranes by a lake with the dynamic movements of samurai. I frequently used the Japanese scale, Hirajōshi, along with other pentatonic scales throughout the set.”

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