This is an excellent intro to Early Music. Arbeau's second piece was later used in "Capriol Suite" by Peter Warlock. To add authenticity, improvise and add bass drum or tambour parts.
Three Sixteenth-Century Dances By Stephen ChinThree Sixteenth Century Dances By Stephen Chin
The composition is an excellent introduction to Early Music due to its predominantly homophonic writing style. The second piece in the composition, written by Arbeau, gained popularity much later when Peter Warlock used it in the well-known "Capriol Suite". For an enhanced and authentic experience, bass drum or tambour parts can be improvised and added to the composition.
Arcangelo Corelli (1653 - 1713) was a Baroque composer who set the standard for musical composition in his time. This piece is based on the last of his opus five violin sonatas, which includes twenty-four variations on the Spanish melody "La Follia". The arrangement presents five variations after the theme is introduced, with each upper-string section playing the tune fully against Corelli's original figurations. The main theme returns in an opulent manner.
Mozart composed over 30 violin sonatas during his lifetime. Among these works, only one sonata stands out for being entirely in a minor key. This particular sonata is known for its dark, brooding and energetic nature. It also features spiccato and martele articulations, which were crucial to the Classical style of music. This piece is appropriate for Grade 4 string orchestras.
The Iching, a series of texts created by Emperor Zhou in the 9th century BC China, helps interpret thoughts and dreams. Its orchestral representation features an energetic section that paints a vibrant life in ancient China and concludes with thrilling cascades of repeated sixteenth notes.
"Two pieces, one idea: work hard, play hard. "The Volga Boatmen" has a shared melody and well-crafted counter-melodies. "Two Guitars" is fun and infectious, exploring spiccato quavers."
An excellent piece to introduce Early Music to students. Most rhythms are simple, with some quavers in the first violin part. Improvised percussion parts can be added for authenticity.
As you journey through a tropical rainforest, you can experience wonderment and awe reflected in these three miniatures. Each piece offers a different mood and tone colour for players to explore. The techniques used in these miniatures, including pizzicato, sustained notes, double quavers, and left-hand pizzicato, are easy to tackle, even for young musicians with limited experience.
"Good-bye Budapest" is a traditional Hungarian czardas-style music piece. It begins with a haunting melody and languid strings, which then transition into a joyous free-for-all with various orchestra sections taking turns. A melancholic solo violin rendition is followed by the return of the czardas in D major, culminating in a ferocious presto. The music showcases a range of emotions, from introspection to frenzied joy and melancholy to ferocity.
