This is an excellent intro to Early Music. Arbeau's second piece was later used in "Capriol Suite" by Peter Warlock. To add authenticity, improvise and add bass drum or tambour parts.
Three Sixteenth-Century Dances By Stephen ChinThree Sixteenth Century Dances By Stephen Chin
The composition is an excellent introduction to Early Music due to its predominantly homophonic writing style. The second piece in the composition, written by Arbeau, gained popularity much later when Peter Warlock used it in the well-known "Capriol Suite". For an enhanced and authentic experience, bass drum or tambour parts can be improvised and added to the composition.
The music is a journey through the Mists of England, the lush green fields of Ireland, Wales's sublime beauty, and Scotland's invigorating highlands. The tunes and textures are vibrant, wistful, and unforgettable, making them perfect for any performance. Your players will be humming them long after the rehearsal is over.
The Gloria from the Latin Mass is a joyful and energetic piece for orchestra and two-part choir, inspired by the homage to God. It is easy to play, with alternative instruments covering several parts. Male voices can sing the two vocal parts an octave lower. Each orchestra section is featured in the interludes, and the piece concludes with a lively flourish.
This suite of three contrasting movements is perfect for young string players. It includes fun techniques like tremolo, pizzicato, harmonics, tapping, and even screaming. Bumps in the Dark is thrilling, Far Away Dreams is gentle and thoughtful, and Shooting Stars is exciting. The suite encourages active listening within the ensemble.
David Maddick compiled “Chinwagging” from the most popular tunes in “Thirty Concert Pieces” by Everything String. The piece teaches fundamental string techniques to young ensemble members, such as legato bowing, string crossing, re-taking, and right/left-hand pizzicato. It’s an enjoyable and solid introduction to foundational concepts.
Greensleeves is an old English melody. This is a beautiful arrangement of the 1690 version, providing each orchestra section a chance to showcase their skills. It's a great way to appreciate the early Baroque style.
Simple music pieces with call-response writing can help beginners become confident playing in a full-string orchestra. Downloadable recorded accompaniments let students practice at their own pace. Teachers can use these pieces to transition students from solo playing to joining a string orchestra.