This is an excellent intro to Early Music. Arbeau's second piece was later used in "Capriol Suite" by Peter Warlock. To add authenticity, improvise and add bass drum or tambour parts.
Three Sixteenth-Century Dances By Stephen ChinThree Sixteenth Century Dances By Stephen Chin
The composition is an excellent introduction to Early Music due to its predominantly homophonic writing style. The second piece in the composition, written by Arbeau, gained popularity much later when Peter Warlock used it in the well-known "Capriol Suite". For an enhanced and authentic experience, bass drum or tambour parts can be improvised and added to the composition.
Beijing's summer gardens are a wondrous place for a nocturnal stroll. "Jasmine Nights" and "Dragon Fire" are two musical pieces that capture the essence of the city's beauty and excitement.
No need to wait years to perform Grieg's "Holberg Suite" with your ensemble. This arrangement is true to the original but with less tricky figurations. It features off-string work, trills, accented quavers, light legato bowing, martele and pizzicato to make the performance sparkle!
This enchanting tone poem creates a peaceful atmosphere with its soft melodies and forest whispers. The sweeping beauty of the noble theme leads to a faster section with contrasting themes and variations. The string section uses various techniques to create a dynamic sound, featuring a brief solo quartet. The piece ends with a reference to the opening melody and the sound of a waterfall. Musicians will enjoy using their imagination to bring this musical landscape to life.
These booklets promote accurate intonation, a left-hand framework, and a well-projected tone. They cover up to four sharps and three flats, providing a solid diatonic foundation. When studied with etudes and pieces, they achieve tonal beauty.
This piece for lower intermediate string orchestra features familiar sea shanties. All orchestra sections share the melody, making it dynamic and effective for nautical music lovers.
Arcangelo Corelli (1653 - 1713) was a Baroque composer who set the standard for musical composition in his time. This piece is based on the last of his opus five violin sonatas, which includes twenty-four variations on the Spanish melody "La Follia". The arrangement presents five variations after the theme is introduced, with each upper-string section playing the tune fully against Corelli's original figurations. The main theme returns in an opulent manner.
Whether dancing freely, creating something inspiring, or powering through a gym class, moving positively inspires this work, supported by driving rhythms, contrasting textures, and melodic lines.