This is an excellent intro to Early Music. Arbeau's second piece was later used in "Capriol Suite" by Peter Warlock. To add authenticity, improvise and add bass drum or tambour parts.
Three Sixteenth-Century Dances By Stephen ChinThree Sixteenth Century Dances By Stephen Chin
The composition is an excellent introduction to Early Music due to its predominantly homophonic writing style. The second piece in the composition, written by Arbeau, gained popularity much later when Peter Warlock used it in the well-known "Capriol Suite". For an enhanced and authentic experience, bass drum or tambour parts can be improvised and added to the composition.
Intense and emotional, the music evokes feelings of desperation, anxiety, and frenzy. The dark tones of G minor and rapid rhythm create a menacing atmosphere. The hammering rhythm eventually overtakes a noble melody played by the cellos.
The Irish Blessing has been an inspiration for generations. This three-movement work for strings, SSAA choir, and optional bagpipes will make an impact on your audience.
These works are perfect for the beginner string ensemble player. They continue the earlier publication titled "A Dozen Dazzlers." They feature unison, simple parts and call-response writing and prepare the players for the greater demands of a full-string orchestra. All parts have been meticulously crafted for ease of playing and to focus on essential ensemble skills such as pizzicato, legato, staccato, and harmonics. These attractive pieces will ignite the students' imaginations.
The Iching, a series of texts created by Emperor Zhou in the 9th century BC China, helps interpret thoughts and dreams. Its orchestral representation features an energetic section that paints a vibrant life in ancient China and concludes with thrilling cascades of repeated sixteenth notes.
Ideal for a festival orchestra with players at different levels, this piece is based on the medieval melody "L'Homme Arme", depicting a sword-wielding warrior. The middle section features a violin solo as a lullaby reflecting the armed man's war experiences. The final section celebrates the armed man walking in the light of peace and liberty with the South African song "Simbayama".
For 4 string orchestras and untuned percussion - Grade 3.5, 2, 1.5 & 1
Brahms adapted 21 Hungarian Dances for two pianos and later for a symphony orchestra. The 1st Dance has a brooding nature, while the 2nd Dance is characterized by wild changes in tempo and mood. Either could make a rousing finale.