Ideal for a festival orchestra with players at different levels, this piece is based on the medieval melody "L'Homme Arme", depicting a sword-wielding warrior. The middle section features a violin solo as a lullaby reflecting the armed man's war experiences. The final section celebrates the armed man walking in the light of peace and liberty with the South African song "Simbayama".
For 4 string orchestras and untuned percussion - Grade 3.5, 2, 1.5 & 1
The circus is thrilling! The Carousel waltz shares the melodic line. In Siberian Tigers, players can project a robust tone and imagine the majestic tigers. Happy-Sad Clowns contrasts major and minor tonalities.
Get ready for an adventure! This dynamic piece takes you on a journey where the high-pitched first position harmonics, sul ponticello, and arco/pizz create a sea-faring atmosphere. The repeated quavers keep the sense of a voyage underway. Each section of the ensemble eagerly awaits their turn to play the gorgeous melodies that abound in this dynamic work.
Your beginner string orchestra will love these expressive pieces. They're mostly composed using pentatonic scales, making them easy to learn and play. Enjoy the sustained chords in "Sleeping Pandas" and the fun acrobatics in "Acrobats".
This work is a companion to “Bells of Ghengis Khan”, featuring insistent rhythms and pounding fifths that create a sense of impending conflict. The middle section depicts soldiers reflecting upon their loved ones before the battle resumes, with victors’ shouts heard towards the end. The piece uses techniques such as harmonics, tremolo, and pizzicato to add richness to the tone colours.
This arrangement of a popular spiritual is perfect for younger players. The melody is shared, making it easy for even the least experienced to participate. Clashing notes represent the train's whistle, while easily managed syncopated notes add spice and energy.
Chin, Haydn Symphony No.60 1st Movement This arrangement for strings is faithful to the original work with the added features of sharing the melodic lines, a slight editing of a few bars of the bass part, a violin 3 part and a keyboard realization. It is also an excellent way to develop Classical style spiccato in more advanced players.
