What a cutie! This piece promotes the use of separately fingered eighth notes, which can be performed easily by upper elementary players. Watch the sections try to outdo each other in the middle part as they tackle the harder sounding string crossings without difficulty. Canonic invention, harp-like pizzicatiand the varied eighth note figurations are just a few features that make this an attractive selection for all involved.
This enchanting tone poem creates a peaceful atmosphere with its soft melodies and forest whispers. The sweeping beauty of the noble theme leads to a faster section with contrasting themes and variations. The string section uses various techniques to create a dynamic sound, featuring a brief solo quartet. The piece ends with a reference to the opening melody and the sound of a waterfall. Musicians will enjoy using their imagination to bring this musical landscape to life.
This piece for lower intermediate string orchestra features familiar sea shanties. All orchestra sections share the melody, making it dynamic and effective for nautical music lovers.
The Gloria from the Latin Mass is a joyful and energetic piece for orchestra and two-part choir, inspired by the homage to God. It is easy to play, with alternative instruments covering several parts. Male voices can sing the two vocal parts an octave lower. Each orchestra section is featured in the interludes, and the piece concludes with a lively flourish.
Haydn's second symphony in a minor key is a classic Sturm und Drang piece with strong emotional changes. It's great for expanding classical repertoire and practising playing techniques in G minor.
The musette is a small French bagpipe that gained popularity in Louis XIV's time. It has a consistent G note for beginners. The "Air" is a beautiful tune from Handel's opera "Rinaldo". The set ends with a jolly bourree by the prolific composer Georg Philipp Telemann.
Arcangelo Corelli (1653 - 1713) was a Baroque composer who set the standard for musical composition in his time. This piece is based on the last of his opus five violin sonatas, which includes twenty-four variations on the Spanish melody "La Follia". The arrangement presents five variations after the theme is introduced, with each upper-string section playing the tune fully against Corelli's original figurations. The main theme returns in an opulent manner.
No need to wait years to perform Grieg's "Holberg Suite" with your ensemble. This arrangement is true to the original but with less tricky figurations. It features off-string work, trills, accented quavers, light legato bowing, martele and pizzicato to make the performance sparkle!
Chin, Haydn Symphony No.60 1st Movement This arrangement for strings is faithful to the original work with the added features of sharing the melodic lines, a slight editing of a few bars of the bass part, a violin 3 part and a keyboard realization. It is also an excellent way to develop Classical style spiccato in more advanced players.
