What a cutie! This piece promotes the use of separately fingered eighth notes, which can be performed easily by upper elementary players. Watch the sections try to outdo each other in the middle part as they tackle the harder sounding string crossings without difficulty. Canonic invention, harp-like pizzicatiand the varied eighth note figurations are just a few features that make this an attractive selection for all involved.
On a stormy night, a carriage leaves for an unknown destination. Chased by someone, urgency intensifies with repeated quavers. Different string ensemble sections are highlighted—a warm middle section followed by an even greater sense of urgency. The journey ends quietly, igniting players' imaginations.
Haydn's second symphony in a minor key is a classic Sturm und Drang piece with strong emotional changes. It's great for expanding classical repertoire and practising playing techniques in G minor.
This rhapsodic work by Vittorio Monti captures the vibrant elements of Gypsy music and has been popularized in film and pop music. The arrangement includes two versions: one showcases each orchestra section, while the other features a solo violin supported by accompanying strings.
Listen to the two versions included in this product below:
Evaristo Felice Dall'Abaco and Antonio Vivaldi lived during the same era. Dall'Abaco's piece features an opening Prelude and a Ciaconna that includes variations on a fixed bass. This Baroque piece introduces players to various musical textures.
Feel the rush with this piece! The music's edgy rhythms and meter changes create a sense of urgency and desperation, like a frantic pursuit. A lyrical middle section offers a moment of respite before the thrilling journey resumes.
Introduce your students to Russian classical music with "Pictures at an Exhibition" by Mussorgsky. "Promenade" links various pieces, while "Danse Caracteristique" features harmonics, syncopated accompaniments, and chromatic scales.
Arcangelo Corelli (1653 - 1713) was a Baroque composer who set the standard for musical composition in his time. This piece is based on the last of his opus five violin sonatas, which includes twenty-four variations on the Spanish melody "La Follia". The arrangement presents five variations after the theme is introduced, with each upper-string section playing the tune fully against Corelli's original figurations. The main theme returns in an opulent manner.