Pleyel, a renowned musician and entrepreneur in early 19th century Paris, wrote a beautiful piece for two violins in the late Classical style. The piece follows the sonata form and features a brooding first theme contrasted with an impish second theme played in staccato quavers. The movement ends with a lively duel between the violins, adding vibrancy and passion to the piece. Your orchestra will love it!
For String Orchestra Grade 3.5
Pleyel, a musician of great repute during the early nineteenth century in Paris, was also quite an entrepreneur who eventually established a world-famous publishing house. Originally composed for two violins in 1806, his work is a beautiful example of the late Classical style, brimming with charm and drama. The piece follows the sonata form, beginning with a brooding first subject that sets the tone for the rest of the movement. This contrasts with the impish second theme, played in staccato quavers, adding a playful element to the piece. The movement ends with a lively duel between the first and second violins, bringing the piece to a thrilling climax. Your orchestra will undoubtedly be captivated by the vibrancy and passion embodied in this masterpiece!
For String Orchestra Grade 3.5
Vivaldi’s "Concerto in F Major for Three Violins" (EMB, ed. Károlyi) offers lively Baroque ensemble writing with a reliable piano reduction—perfect for advanced violinists and chamber groups.
Key Features:
• Three-violin concerto (RV 551), EMB edition
• Edited by Pál Károlyi
• Piano reduction included
• Clear notation, advanced level
"March Triumphant" in G major is a majestic piece suitable for special occasions. Its stirring rhythmic motifs provide satisfying melodies for all instrumentalists. Rehearse ensemble tone, dynamic contrasts, and rhythmic precision for uniformity. Confirm G major finger patterns within the ensemble.
Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.
