Hill, Birthday Tango arranged for String Orchestra by Stephen Chin (Grade 3.5)
$88.75
A captivating rendition of the popular birthday song with an exciting introduction, a slower version in a minor key, a lively variation, and a familiar major key ending. It's perfect for learning chromaticism and the G minor key.
Hill, Birthday Tango arranged for String Orchestra by Stephen Chin (Grade 3.5)
Get ready for a fascinating and unconventional arrangement of the birthday song that's sure to captivate your attention. The piece commences with a whirlwind of an introduction that creates an air of excitement and curiosity. Following this, the song transitions to a more sombre and alluring version of Happy Birthday in a minor key. This section provides a unique musical experience that is both intriguing and captivating. Subsequently, the piece builds momentum and energy, leading to a more energetic and lively variation of the song. Finally, the arrangement concludes with the traditional version of the song in a major key that everyone knows and loves. The piece is a fantastic way to reinforce the concepts of chromaticism and the key of G minor.
Pleyel, Haydn's student, had exceptional musical talent. The Duet Opus 8 no. 2 is a delightful and accessible piece highlighting different parts of the ensemble, showcasing diverse musical techniques like spiccato quavers, slurred string crossings, and martel crotchets. It's a great starting point for those who want to appreciate Classical music.
This piece of music is intended for a string orchestra with a difficulty level of grade 3.
Experience a captivating musical journey to Kyoto with “Two Silk Screens from Kyoto” by Stephen Chin. This evocative string orchestra piece beautifully reflects Japanese culture through graceful melodies and intricate harmonies. Immerse yourself in its meditative ambiance, as the strings evoke vivid images of cherry blossoms and serene landscapes.
Stephen Chin: “These two pieces were inspired by my visit to Japan. They capture memories of the country's beauty, contrasting the elegance of cranes by a lake with the dynamic movements of samurai. I frequently used the Japanese scale, Hirajōshi, along with other pentatonic scales throughout the set.”
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