"Good-bye Budapest" is a traditional Hungarian czardas-style music piece. It begins with a haunting melody and languid strings, which then transition into a joyous free-for-all with various orchestra sections taking turns. A melancholic solo violin rendition is followed by the return of the czardas in D major, culminating in a ferocious presto. The music showcases a range of emotions, from introspection to frenzied joy and melancholy to ferocity.
For String Orchestra Grade 3
As the name suggests, "Good-bye Budapest" is a piece of music that embodies the essence of the traditional Hungarian czardas style. The composition commences with a haunting melody accompanied by languid strings, evoking a sense of deep introspection. The music then changes course and transforms into a frenetic free-for-all, where different orchestra sections take turns showcasing the main theme. The resulting sound is a joyful cacophony that is both exhilarating and awe-inspiring.
The music then turns melancholic with a stunning rendition of the opening melody, played by a solo violin. The trembling upper strings and plucked lower strings create an eerie atmosphere, adding a mysterious element to the work. The return of the czardas brings back the joyous sound in the key of D major, but the section is quickly cut short, and the music concludes with a ferocious presto that leaves a lasting impression.
Overall, "Good-bye Budapest" is a composition that showcases the full range of emotions that music can evoke. This piece has everything from soul-searching to frenzied joy and from melancholy to ferocity.
For String Orchestra Grade 3
This piece gradually expands harmony from a unison note, highlighting interesting texture. Younger musicians learn dissonance through gentle tonal clashes, while elementary players explore different bow speeds and lengths. It's a great introduction to the power of a string orchestra.
For String Orchestra Grade 1
Ideal for a festival orchestra with players at different levels, this piece is based on the medieval melody "L'Homme Arme", depicting a sword-wielding warrior. The middle section features a violin solo as a lullaby reflecting the armed man's war experiences. The final section celebrates the armed man walking in the light of peace and liberty with the South African song "Simbayama".
For 4 string orchestras and untuned percussion - Grade 3.5, 2, 1.5 & 1
This work is a companion to “Bells of Ghengis Khan”, featuring insistent rhythms and pounding fifths that create a sense of impending conflict. The middle section depicts soldiers reflecting upon their loved ones before the battle resumes, with victors’ shouts heard towards the end. The piece uses techniques such as harmonics, tremolo, and pizzicato to add richness to the tone colours.
For String Orchestra Grade 1.5
The Iching, a series of texts created by Emperor Zhou in the 9th century BC China, helps interpret thoughts and dreams. Its orchestral representation features an energetic section that paints a vibrant life in ancient China and concludes with thrilling cascades of repeated sixteenth notes.
Genghis Khan, a feared warrior, and his soldiers ride through Mongolia into China. The piece's driving rhythms and accented chords create an atmosphere of strength and awe in battle. A gentler middle section uses the pentatonic scale, perhaps as Khan rests. The work concludes with a surge of energy as he moves towards his next battle.
For String Orchestra Grade 1.5
The musette is a small French bagpipe that gained popularity in Louis XIV's time. It has a consistent G note for beginners. The "Air" is a beautiful tune from Handel's opera "Rinaldo". The set ends with a jolly bourree by the prolific composer Georg Philipp Telemann.
1. Musette
2. Air
3. Bouree
For String Orchestra Grade 2
These booklets promote accurate intonation, a left-hand framework, and a well-projected tone. They cover up to four sharps and three flats, providing a solid diatonic foundation. When studied with etudes and pieces, they achieve tonal beauty.
For violin Level 1.5-3
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