These works are perfect for the beginner string ensemble player. They continue the earlier publication titled "A Dozen Dazzlers." They feature unison, simple parts and call-response writing and prepare the players for the greater demands of a full-string orchestra. All parts have been meticulously crafted for ease of playing and to focus on essential ensemble skills such as pizzicato, legato, staccato, and harmonics. These attractive pieces will ignite the students' imaginations.
Embarking on the journey from being a beginner to playing in a string orchestra is an experience that is both exhilarating and rewarding. It is a wonderful voyage that requires persistence, dedication, and hard work.
These pieces are a perfect starting point for beginner ensemble players. They continue the earlier publication titled "A Dozen Dazzlers." The pieces include unison, simple parts, and call-and-response writing to help you prepare for the greater demands of playing in a full-string orchestra.
All the parts of these pieces have been meticulously crafted for near-beginner players. This means you can easily concentrate on essential ensemble skills while learning to play the violin or any other string instrument. These pieces expose you to various techniques such as pizzicato, legato, staccato, and harmonics. These techniques will help you develop your skills and prepare you for more complex pieces.
Furthermore, as you practice and play these attractive and evocative pieces, your imagination will run wild, and you will find yourself transported to different worlds and emotions. You will experience the joy of creating beautiful music and the satisfaction of seeing your hard work pay off.
This work is a companion to “Bells of Ghengis Khan”, featuring insistent rhythms and pounding fifths that create a sense of impending conflict. The middle section depicts soldiers reflecting upon their loved ones before the battle resumes, with victors’ shouts heard towards the end. The piece uses techniques such as harmonics, tremolo, and pizzicato to add richness to the tone colours.
For String Orchestra Grade 1.5
Telemann was a prolific composer, creating over 3000 works, including 100 concertos, 40 operas and numerous chamber music pieces. The Siciliano and Allegro movements from his violin sonatas showcase contrasting Baroque styles and are great for developing phrasing and articulation.
For String Orchestra Grade 3
After the snowy start, climbers get to work. The fast melody depicts their chiselling on an icy rock face. A calm middle section shows the view from the top before the chiselling continues down. Younger players will love this energetic piece with catchy tunes and strong harmonies.
For String Orchestra Grade 1.5
In Greek mythology, the Furies brought the dead to the Underworld and were part of the legend of Orpheus. August Nolck's piece was originally for cello but is now perfect for developing string players' timing precision. The perpetual motion promotes refined right-hand movements and offers opportunities for section solos.
For String Orchestra Grade 1.5
Debussy was inspired by mysticism and exotic items. He combined Gregorian chant with Eastern influences in "Funeral Urn" and showcased his unique style with "The Girl with the Flaxen Hair". Students will enjoy the challenging rhythms and harmonies in these works.
1. Funeral Urn
2. The Girl with the Flaxen Hair
For String Orchestra Grade 4
Enjoy your food, move your body to the beat, and have fun! This amazing set of seven compositions even features a piece by Henry VIII. Intermediate musicians will appreciate the diverse range of musical styles from different regions of the Renaissance era. The homophonic writing style is ideal for developing precise intonation and consistent bowing techniques.
For String Orchestra Level 2
The Gloria from the Latin Mass is a joyful and energetic piece for orchestra and two-part choir, inspired by the homage to God. It is easy to play, with alternative instruments covering several parts. Male voices can sing the two vocal parts an octave lower. Each orchestra section is featured in the interludes, and the piece concludes with a lively flourish.
For full orchestra and 2-part choir - Grade 3
