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    A Dozen More Dazzlers by Stephen Chin

    A Dozen More Dazzlers by Stephen Chin

    $185.50

    These works are perfect for the beginner string ensemble player. They continue the earlier publication titled "A Dozen Dazzlers." They feature unison, simple parts and call-response writing and prepare the players for the greater demands of a full-string orchestra. All parts have been meticulously crafted for ease of playing and to focus on essential ensemble skills such as pizzicato, legato, staccato, and harmonics. These attractive pieces will ignite the students' imaginations.

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    A Dozen More Dazzlers by Stephen Chin

    Embarking on the journey from being a beginner to playing in a string orchestra is an experience that is both exhilarating and rewarding. It is a wonderful voyage that requires persistence, dedication, and hard work. 

    These pieces are a perfect starting point for beginner ensemble players. They continue the earlier publication titled "A Dozen Dazzlers." The pieces include unison, simple parts, and call-and-response writing to help you prepare for the greater demands of playing in a full-string orchestra. 

    All the parts of these pieces have been meticulously crafted for near-beginner players. This means you can easily concentrate on essential ensemble skills while learning to play the violin or any other string instrument. These pieces expose you to various techniques such as pizzicato, legato, staccato, and harmonics. These techniques will help you develop your skills and prepare you for more complex pieces.

    Furthermore, as you practice and play these attractive and evocative pieces, your imagination will run wild, and you will find yourself transported to different worlds and emotions. You will experience the joy of creating beautiful music and the satisfaction of seeing your hard work pay off.

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    Stephen Chin: “These two pieces were inspired by my visit to Japan. They capture memories of the country's beauty, contrasting the elegance of cranes by a lake with the dynamic movements of samurai. I frequently used the Japanese scale, Hirajōshi, along with other pentatonic scales throughout the set.”

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