Inspired by "The Rime of the Ancient Mariner", this festival piece is for eight-string orchestras and percussion. It starts with a wall of sound, then a mournful melody, and a lively jig-like section. Only Orchestra A needs to play percussion.
For eight string orchestras and percussion - Level 4, 3, 2, 1.5, 1
The piece of music presented here is a magnificent festival composition that takes its inspiration from the renowned poem "The Rime of the Ancient Mariner" by Samuel Coleridge. It is designed to be played by musicians of different skill levels, and it is written for eight-string orchestras and percussion. The composition begins with an overwhelming surge of sound that mimics the rise of a wave, leading to a poignant melody that conveys the emotions of a sailor lost at sea. The music later builds up to a robust jig-like section that aptly captures the strength and power of the ocean. While only orchestra "A" is required to play percussion, the other seven orchestras can play the composition if desired, making for a grand and memorable performance.
For eight string orchestras and percussion - Level 4, 3, 2, 1.5, 1
The Swans of Lir is an Irish legend about young children turned into swans by dark forces. The melody and accompaniments in "The Lake" reflect their helplessness, while "The Rejoicing" celebrates their eventual transformation back into children. The piece is scored for strings, recorders and percussion and is perfect for large concerts or festivals.
This work alludes to Noah's Flood and the rainbow as a symbol of peace. The dream-like opening leads to a turbulent episode with a shared theme. Second orchestra parts are optional but exciting. Great for players of different levels.
For Intermediate and optional Elementary Strings - Grade 2 & 1
A thrilling adventure with spies, detectives, and super sleuths trying to stop world domination. The catchy tune and unique harmonies will delight students. The piece features pizzicato, harmonics, and string crossing. Structured in rondo form, each section of the orchestra makes an appearance.
This work is a companion to “Bells of Ghengis Khan”, featuring insistent rhythms and pounding fifths that create a sense of impending conflict. The middle section depicts soldiers reflecting upon their loved ones before the battle resumes, with victors’ shouts heard towards the end. The piece uses techniques such as harmonics, tremolo, and pizzicato to add richness to the tone colours.
These booklets promote accurate intonation, a left-hand framework, and a well-projected tone. They cover up to four sharps and three flats, providing a solid diatonic foundation. When studied with etudes and pieces, they achieve tonal beauty.
In Greek mythology, the Furies brought the dead to the Underworld and were part of the legend of Orpheus. August Nolck's piece was originally for cello but is now perfect for developing string players' timing precision. The perpetual motion promotes refined right-hand movements and offers opportunities for section solos.