Inspired by "The Rime of the Ancient Mariner", this festival piece is for eight-string orchestras and percussion. It starts with a wall of sound, then a mournful melody, and a lively jig-like section. Only Orchestra A needs to play percussion.
For eight string orchestras and percussion - Level 4, 3, 2, 1.5, 1
The piece of music presented here is a magnificent festival composition that takes its inspiration from the renowned poem "The Rime of the Ancient Mariner" by Samuel Coleridge. It is designed to be played by musicians of different skill levels, and it is written for eight-string orchestras and percussion. The composition begins with an overwhelming surge of sound that mimics the rise of a wave, leading to a poignant melody that conveys the emotions of a sailor lost at sea. The music later builds up to a robust jig-like section that aptly captures the strength and power of the ocean. While only orchestra "A" is required to play percussion, the other seven orchestras can play the composition if desired, making for a grand and memorable performance.
For eight string orchestras and percussion - Level 4, 3, 2, 1.5, 1
Introduce your students to Russian classical music with "Pictures at an Exhibition" by Mussorgsky. "Promenade" links various pieces, while "Danse Caracteristique" features harmonics, syncopated accompaniments, and chromatic scales.
1. Promenade (Mussorgsky)
2. Dance Caracteristique (Rebikov)
For String Orchestra level 2.5
Gobi Desert warriors, led by Genghis Khan, ride to China. The music's eighth notes, dissonant chords, and pounding melody vividly portray their might in battle. A calm pentatonic section shows them resting at night before moving mercilessly to the next fight.
Experience a captivating musical journey to Kyoto with “Two Silk Screens from Kyoto” by Stephen Chin. This evocative string orchestra piece beautifully reflects Japanese culture through graceful melodies and intricate harmonies. Immerse yourself in its meditative ambiance, as the strings evoke vivid images of cherry blossoms and serene landscapes.
Stephen Chin: “These two pieces were inspired by my visit to Japan. They capture memories of the country's beauty, contrasting the elegance of cranes by a lake with the dynamic movements of samurai. I frequently used the Japanese scale, Hirajōshi, along with other pentatonic scales throughout the set.”
Brahms adapted 21 Hungarian Dances for two pianos and later for a symphony orchestra. The 1st Dance has a brooding nature, while the 2nd Dance is characterized by wild changes in tempo and mood. Either could make a rousing finale.
1. Hungarian Dance No. 1
2. Hungarian Dance No. 2
For String Orchestra Grade 3
Dig Tree and The Elegy reflect Australia's early explorers' unfortunate fate, while Goin' Overland captures the excitement of exploring the outback. The latter features various string techniques that highlight the Australian essence of the music.
For String Orchestra Grade 1.5
Stephen Chin admires the power of earth-moving equipment and the creativity of humans who push boundaries in the sciences and arts. He likens their groundbreaking efforts to the driving force found in the key of G minor, characterised by strong themes and the frequent use of downbows.
In Greek mythology, the Furies brought the dead to the Underworld and were part of the legend of Orpheus. August Nolck's piece was originally for cello but is now perfect for developing string players' timing precision. The perpetual motion promotes refined right-hand movements and offers opportunities for section solos.
For String Orchestra Grade 1.5
