Inspired by "The Rime of the Ancient Mariner", this festival piece is for eight-string orchestras and percussion. It starts with a wall of sound, then a mournful melody, and a lively jig-like section. Only Orchestra A needs to play percussion.
For eight string orchestras and percussion - Level 4, 3, 2, 1.5, 1
The piece of music presented here is a magnificent festival composition that takes its inspiration from the renowned poem "The Rime of the Ancient Mariner" by Samuel Coleridge. It is designed to be played by musicians of different skill levels, and it is written for eight-string orchestras and percussion. The composition begins with an overwhelming surge of sound that mimics the rise of a wave, leading to a poignant melody that conveys the emotions of a sailor lost at sea. The music later builds up to a robust jig-like section that aptly captures the strength and power of the ocean. While only orchestra "A" is required to play percussion, the other seven orchestras can play the composition if desired, making for a grand and memorable performance.
For eight string orchestras and percussion - Level 4, 3, 2, 1.5, 1
Feel the rush with this piece! The music's edgy rhythms and meter changes create a sense of urgency and desperation, like a frantic pursuit. A lyrical middle section offers a moment of respite before the thrilling journey resumes.
Greensleeves is an old English melody. This is a beautiful arrangement of the 1690 version, providing each orchestra section a chance to showcase their skills. It's a great way to appreciate the early Baroque style.
Whether dancing freely, creating something inspiring, or powering through a gym class, moving positively inspires this work, supported by driving rhythms, contrasting textures, and melodic lines.
David Maddick compiled “Chinwagging” from the most popular tunes in “Thirty Concert Pieces” by Everything String. The piece teaches fundamental string techniques to young ensemble members, such as legato bowing, string crossing, re-taking, and right/left-hand pizzicato. It’s an enjoyable and solid introduction to foundational concepts.
The French court of the 17th and 18th centuries was renowned for its grandeur and beauty, envied by all composers in Europe. These three works embody that spirit.