Inspired by "The Rime of the Ancient Mariner", this festival piece is for eight-string orchestras and percussion. It starts with a wall of sound, then a mournful melody, and a lively jig-like section. Only Orchestra A needs to play percussion.
For eight string orchestras and percussion - Level 4, 3, 2, 1.5, 1
The piece of music presented here is a magnificent festival composition that takes its inspiration from the renowned poem "The Rime of the Ancient Mariner" by Samuel Coleridge. It is designed to be played by musicians of different skill levels, and it is written for eight-string orchestras and percussion. The composition begins with an overwhelming surge of sound that mimics the rise of a wave, leading to a poignant melody that conveys the emotions of a sailor lost at sea. The music later builds up to a robust jig-like section that aptly captures the strength and power of the ocean. While only orchestra "A" is required to play percussion, the other seven orchestras can play the composition if desired, making for a grand and memorable performance.
For eight string orchestras and percussion - Level 4, 3, 2, 1.5, 1
Carl Bohm (1844 - 1920) was a renowned composer and teacher for violinists. His famous pieces, "Moto Perpetuo" and "Galop," showcase double semiquavers and highlight the cellos in the latter. The work is shared around for everyone to shine.
The legend of Excalibur is an exciting tale that captivates young minds. King Arthur's sword, Excalibur, emerges from the waters, followed by a sword dance. The mysterious theme reappears before a thrilling finale. Written for advanced and elementary players, it's a fantastic piece for a string festival or an advanced orchestra.
For String Orchestra Grade 3 & 1.5 (advanced and optional elementary strings)
A musical arrangement for strings, percussion, and voice with four memorable Australian folk tunes that are easy to sing along to. The vocal part can be sung by a soloist or choir, and the lyrics are included. The piece can also be played as an instrumental work.
Citadels, or walled fortresses, were built for centuries to defend civilizations from invaders. This music explores the imagery of a strong, passionate, and fiercely protective community. The middle section creates an atmosphere of a still yet edgy night. The main theme eventually fades away as the invaders recede.
David Maddick compiled “Chinwagging” from the most popular tunes in “Thirty Concert Pieces” by Everything String. The piece teaches fundamental string techniques to young ensemble members, such as legato bowing, string crossing, re-taking, and right/left-hand pizzicato. It’s an enjoyable and solid introduction to foundational concepts.
This work is a companion to “Bells of Ghengis Khan”, featuring insistent rhythms and pounding fifths that create a sense of impending conflict. The middle section depicts soldiers reflecting upon their loved ones before the battle resumes, with victors’ shouts heard towards the end. The piece uses techniques such as harmonics, tremolo, and pizzicato to add richness to the tone colours.
Port Fairy and the Twelve Apostles are two of Australia's most scenic places. The Gentle Boats at Port Fairy plays Irish music, while Storm over the Twelve Apostles depicts the fury of Mother Nature on the stone formations by the southern coast.
"Good-bye Budapest" is a traditional Hungarian czardas-style music piece. It begins with a haunting melody and languid strings, which then transition into a joyous free-for-all with various orchestra sections taking turns. A melancholic solo violin rendition is followed by the return of the czardas in D major, culminating in a ferocious presto. The music showcases a range of emotions, from introspection to frenzied joy and melancholy to ferocity.