Inspired by "The Rime of the Ancient Mariner", this festival piece is for eight-string orchestras and percussion. It starts with a wall of sound, then a mournful melody, and a lively jig-like section. Only Orchestra A needs to play percussion.
For eight string orchestras and percussion - Level 4, 3, 2, 1.5, 1
The piece of music presented here is a magnificent festival composition that takes its inspiration from the renowned poem "The Rime of the Ancient Mariner" by Samuel Coleridge. It is designed to be played by musicians of different skill levels, and it is written for eight-string orchestras and percussion. The composition begins with an overwhelming surge of sound that mimics the rise of a wave, leading to a poignant melody that conveys the emotions of a sailor lost at sea. The music later builds up to a robust jig-like section that aptly captures the strength and power of the ocean. While only orchestra "A" is required to play percussion, the other seven orchestras can play the composition if desired, making for a grand and memorable performance.
For eight string orchestras and percussion - Level 4, 3, 2, 1.5, 1
Telemann was a prolific composer, creating over 3000 works, including 100 concertos, 40 operas and numerous chamber music pieces. The Siciliano and Allegro movements from his violin sonatas showcase contrasting Baroque styles and are great for developing phrasing and articulation.
For String Orchestra Grade 3
Martin Peerson's "The Fall of the Leafe" depicts a beautiful autumn day with descending notes. Susato's "Battle Pavan" was part of court entertainment and featured a call-and-response style.
1. The Fall of the Leafe
2. Battle Pavan
For String Orchestra Grade 2.5
Handel's famous works, "Largo" and "Hallelujah Chorus," are presented together. "Largo" explores Baroque arioso sonorities, while the Hallelujah Chorus is the most renowned chorus ever written. All parts have been adapted to retain the original antiphonal effect between the chorus and orchestra.
1. Largo
2. Halleluja Chorus
For Grade 3.5 String Orchestra
This work is a companion to “Bells of Ghengis Khan”, featuring insistent rhythms and pounding fifths that create a sense of impending conflict. The middle section depicts soldiers reflecting upon their loved ones before the battle resumes, with victors’ shouts heard towards the end. The piece uses techniques such as harmonics, tremolo, and pizzicato to add richness to the tone colours.
For String Orchestra Grade 1.5
These two South American-inspired tangos feature chromatic scales, harmonics, syncopated rhythms, and a range of textures. The main tunes and accompaniments are easy to play and share within the ensemble. Cello plays a high A.
Featuring Tango del Tucan and Tango de Tijuana
