We all love our pets, and each day brings new adventures! “Presto Puppies” features rising scale patterns and surprising dissonances, while “Cantabile Kitties” captures the subdued essence of our feline friends with major seventh intervals that evoke a kitten yawning. “Con Brio Birdies” portrays birds’ chatter through repeated quavers and gentle dissonances. The suite also showcases various techniques, including harmonics and different pizzicato styles.
We all love our pets, and each day seems to bring new adventures! “Presto Puppies” features rising scale patterns and surprising dissonances. “Cantabile Kitties” reflects the more subdued nature of our feline friends, with intervals of the major seventh evoking the image of a kitten lazily sprawling and yawning. “Con Brio Birdies” captures the chattering of birds through repeated quavers and gentle dissonances. Throughout the suite, you will also find a variety of techniques, such as fun harmonics, regular pizzicato, left-hand pizzicato, and Bartók pizzicato.
The Wars of the Roses was a conflict between Lancaster and York from 1455 to 1487. Composer Walter Frye wrote music during this time, including "Alas, Alas, Alas is my Chief Song," which inspired this Fantasia. The piece depicts the storms of battle and blends antiquity with contemporary style.
Fantasia on a Theme by Walter Frye (d. 1474)
for String Orchestra (Grade 3) by Stephen Chin
Arcangelo Corelli (1653 - 1713) was a Baroque composer who set the standard for musical composition in his time. This piece is based on the last of his opus five violin sonatas, which includes twenty-four variations on the Spanish melody "La Follia". The arrangement presents five variations after the theme is introduced, with each upper-string section playing the tune fully against Corelli's original figurations. The main theme returns in an opulent manner.
For String Orchestra Grade 3
Pablo Sarasate (1844-1908) was a brilliant Spanish composer and violinist known for his expressive and technically challenging pieces like "The Carmen Fantasy" and "Zigeunerweisen". While retaining the original's virtuosity, this arrangement is accessible to younger musicians.
For String Orchestra Grade 2.
"Two pieces, one idea: work hard, play hard. "The Volga Boatmen" has a shared melody and well-crafted counter-melodies. "Two Guitars" is fun and infectious, exploring spiccato quavers."
1. The Volga Boatmen
2. Two Guitars
For String Orchestra Grade 2.5
Simple music pieces with call-response writing can help beginners become confident playing in a full-string orchestra. Downloadable recorded accompaniments let students practice at their own pace. Teachers can use these pieces to transition students from solo playing to joining a string orchestra.
1. Scooter Ride | 8. Hymn |
2. Two’s Company | 9a. Open String Czardas |
3. Lament | 9b. Harmonic Czardas |
4. Windmills | 10. Siberian Shivers |
5. Topsy Turvy | 11. Cycle Circuit |
6. Innocence | 12. Mango Tango |
7. Sun Shower |
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For String Orchestra Grade 0.5-1
Whether dancing freely, creating something inspiring, or powering through a gym class, moving positively inspires this work, supported by driving rhythms, contrasting textures, and melodic lines.
Debussy was inspired by mysticism and exotic items. He combined Gregorian chant with Eastern influences in "Funeral Urn" and showcased his unique style with "The Girl with the Flaxen Hair". Students will enjoy the challenging rhythms and harmonies in these works.
1. Funeral Urn
2. The Girl with the Flaxen Hair
For String Orchestra Grade 4
These booklets promote accurate intonation, a left-hand framework, and a well-projected tone. They cover up to four sharps and three flats, providing a solid diatonic foundation. When studied with etudes and pieces, they achieve tonal beauty.
For violin Level 1.5-3
