Haydn, Symphony No. 39 in G Minor 1st Movement arranged for String Orchestra by Stephen Chin (Grade 4)
$132.00
Haydn's second symphony in a minor key is a classic Sturm und Drang piece with strong emotional changes. It's great for expanding classical repertoire and practising playing techniques in G minor.
Haydn, Symphony No. 39 in G Minor 1st Movement arranged for String Orchestra by Stephen Chin (Grade 4)
Haydn's second symphony in a minor key is a masterpiece of the Sturm und Drang style. The symphony is a powerful journey of emotions, taking the listener on a rollercoaster of feelings that range from dark and brooding to bright and hopeful. The sudden and dramatic shifts in mood make this symphony a thrilling listening experience.
This piece is an excellent choice for musicians who want to challenge themselves and expand their classical repertoire. It is also a great opportunity to hone classical playing techniques and play in the key of G minor. With its intricate melodies and dynamic harmonies, this symphony is a true gem of classical music.
Carl Bohm (1844 - 1920) was a renowned composer and teacher for violinists. His famous pieces, "Moto Perpetuo" and "Galop," showcase double semiquavers and highlight the cellos in the latter. The work is shared around for everyone to shine.
A captivating rendition of the popular birthday song with an exciting introduction, a slower version in a minor key, a lively variation, and a familiar major key ending. It's perfect for learning chromaticism and the G minor key.
This original composition for string orchestra is filled with dynamic rhythms and fiery melodic motifs, which will bring an electrifying energy to any concert program!
The music is a journey through the Mists of England, the lush green fields of Ireland, Wales's sublime beauty, and Scotland's invigorating highlands. The tunes and textures are vibrant, wistful, and unforgettable, making them perfect for any performance. Your players will be humming them long after the rehearsal is over.
This work is a companion to “Bells of Ghengis Khan”, featuring insistent rhythms and pounding fifths that create a sense of impending conflict. The middle section depicts soldiers reflecting upon their loved ones before the battle resumes, with victors’ shouts heard towards the end. The piece uses techniques such as harmonics, tremolo, and pizzicato to add richness to the tone colours.