The Swans of Lir is an Irish legend about young children turned into swans by dark forces. The melody and accompaniments in "The Lake" reflect their helplessness, while "The Rejoicing" celebrates their eventual transformation back into children. The piece is scored for strings, recorders and percussion and is perfect for large concerts or festivals.
The Swans of Lir is a timeless and captivating Irish legend that tells the story of a group of young children who were transformed into swans by a wicked stepmother's curse and condemned to spend 900 years floating in a lake near their father's castle. The story is filled with tragedy, loss, and redemption themes and remains one of the most famous legends in Irish mythology.
The piece's first section, "The Lake", is a soulful and melancholic melody that perfectly captures the sense of sadness and hopelessness that the children feel as they are forced to live out their lives as swans. The lush accompaniments in this section add to the haunting effect of the piece and create a sense of depth and richness that is truly captivating.
In the second part of the piece, "The Rejoicing", the curse is finally broken, and the swans are transformed back into their human form. The music in this section is more upbeat and energetic, reflecting the joy and excitement of the moment. The piece is scored for strings, recorders, and percussion and features a series of memorable melodies that are shared around the ensemble.
Overall, The Swans of Lir is a perfect massed performance for a large concert or festival and is sure to be a crowd-pleaser with its haunting melodies and captivating story.
This suite of three contrasting movements is perfect for young string players. It includes fun techniques like tremolo, pizzicato, harmonics, tapping, and even screaming. Bumps in the Dark is thrilling, Far Away Dreams is gentle and thoughtful, and Shooting Stars is exciting. The suite encourages active listening within the ensemble.
Listen to #1 – Bumps in the Dark
Ideal for a festival orchestra with players at different levels, this piece is based on the medieval melody "L'Homme Arme", depicting a sword-wielding warrior. The middle section features a violin solo as a lullaby reflecting the armed man's war experiences. The final section celebrates the armed man walking in the light of peace and liberty with the South African song "Simbayama".
For 4 string orchestras and untuned percussion - Grade 3.5, 2, 1.5 & 1
Stephen Chin admires the power of earth-moving equipment and the creativity of humans who push boundaries in the sciences and arts. He likens their groundbreaking efforts to the driving force found in the key of G minor, characterised by strong themes and the frequent use of downbows.
These two South American-inspired tangos feature chromatic scales, harmonics, syncopated rhythms, and a range of textures. The main tunes and accompaniments are easy to play and share within the ensemble. Cello plays a high A.
Featuring Tango del Tucan and Tango de Tijuana
Ghost ships have been a mystery for centuries, dating back to ancient Greek mythology. The music piece starts with an eerie opening and transitions into an alluring theme, played by the first section, which is later repeated by other sections. The "Sailor's Dance" is an energetic and attractive tune featuring a group of soloists before a stirring conclusion.
1. Ghost Ship
2. Sailors Dance
For String Orchestra Grade 1.5
This piece uses dynamic change and harmonics to evoke the beauty and mystery of the stratosphere.
Dedicated to Stephen's wonderful wife, Ann. Grade 3.
This piece for lower intermediate string orchestra features familiar sea shanties. All orchestra sections share the melody, making it dynamic and effective for nautical music lovers.
For String Orchestra Grade 2
Evaristo Felice Dall'Abaco and Antonio Vivaldi lived during the same era. Dall'Abaco's piece features an opening Prelude and a Ciaconna that includes variations on a fixed bass. This Baroque piece introduces players to various musical textures.
For String Orchestra Grade 3
