The Swans of Lir is an Irish legend about young children turned into swans by dark forces. The melody and accompaniments in "The Lake" reflect their helplessness, while "The Rejoicing" celebrates their eventual transformation back into children. The piece is scored for strings, recorders and percussion and is perfect for large concerts or festivals.
The Swans of Lir is a timeless and captivating Irish legend that tells the story of a group of young children who were transformed into swans by a wicked stepmother's curse and condemned to spend 900 years floating in a lake near their father's castle. The story is filled with tragedy, loss, and redemption themes and remains one of the most famous legends in Irish mythology.
The piece's first section, "The Lake", is a soulful and melancholic melody that perfectly captures the sense of sadness and hopelessness that the children feel as they are forced to live out their lives as swans. The lush accompaniments in this section add to the haunting effect of the piece and create a sense of depth and richness that is truly captivating.
In the second part of the piece, "The Rejoicing", the curse is finally broken, and the swans are transformed back into their human form. The music in this section is more upbeat and energetic, reflecting the joy and excitement of the moment. The piece is scored for strings, recorders, and percussion and features a series of memorable melodies that are shared around the ensemble.
Overall, The Swans of Lir is a perfect massed performance for a large concert or festival and is sure to be a crowd-pleaser with its haunting melodies and captivating story.
Vivaldi wrote many concertos for different instruments, including one for mandolin and strings. The composition's formal structure remains unaltered, but some intricate figurations have been tweaked. The music creates a dialogue between the orchestra's sections as they share the melody. The Baroque string crossings and harmonic progressions make the piece enjoyable to play.
For String Orchestra Grade 3
Inspired by "The Rime of the Ancient Mariner", this festival piece is for eight-string orchestras and percussion. It starts with a wall of sound, then a mournful melody, and a lively jig-like section. Only Orchestra A needs to play percussion.
For eight string orchestras and percussion - Level 4, 3, 2, 1.5, 1
This is a shorter version of a musical piece for string orchestra, based on a longer version for massed strings. The piece is inspired by Samuel Coleridge's poem "The Rime of the Ancient Mariner", which tells the story of a ship at sea that experiences misfortune after an albatross is killed. The work expresses feelings of loss and grace. The faster section of the piece depicts the ship being tossed around by the rough ocean.
For String Orchestra Level 4
Australian summer holidays are magical! "Catamarans" captures the graceful movement of sailing vessels with wistful melodies. "Beach Party" is lively, depicting fun in the sand with driving quavers and unique textures. Both pieces feature harmonics and shifting in the first violins.
Featuring two pieces: Catamarans and Beach Party
Arcangelo Corelli (1653 - 1713) was a Baroque composer who set the standard for musical composition in his time. This piece is based on the last of his opus five violin sonatas, which includes twenty-four variations on the Spanish melody "La Follia". The arrangement presents five variations after the theme is introduced, with each upper-string section playing the tune fully against Corelli's original figurations. The main theme returns in an opulent manner.
For String Orchestra Grade 3
An excellent piece to introduce Early Music to students. Most rhythms are simple, with some quavers in the first violin part. Improvised percussion parts can be added for authenticity.
1. La Bergamesca
2. Schiralazula Marazula
3. Minni Amor
4. Dance
5. Il Canario
For String Orchestra Grade 1
Stephen Chin admires the power of earth-moving equipment and the creativity of humans who push boundaries in the sciences and arts. He likens their groundbreaking efforts to the driving force found in the key of G minor, characterised by strong themes and the frequent use of downbows.
