
Heart In The Highlands By Stephen Chin
'Heart in The Highlands', inspired by Robert Burns, evokes Scotland's rugged beauty with pizzicato, harmonics, dotted rhythms, and drones.
The Swans of Lir is an Irish legend about young children turned into swans by dark forces. The melody and accompaniments in "The Lake" reflect their helplessness, while "The Rejoicing" celebrates their eventual transformation back into children. The piece is scored for strings, recorders and percussion and is perfect for large concerts or festivals.
The Swans of Lir is a timeless and captivating Irish legend that tells the story of a group of young children who were transformed into swans by a wicked stepmother's curse and condemned to spend 900 years floating in a lake near their father's castle. The story is filled with tragedy, loss, and redemption themes and remains one of the most famous legends in Irish mythology.
The piece's first section, "The Lake", is a soulful and melancholic melody that perfectly captures the sense of sadness and hopelessness that the children feel as they are forced to live out their lives as swans. The lush accompaniments in this section add to the haunting effect of the piece and create a sense of depth and richness that is truly captivating.
In the second part of the piece, "The Rejoicing", the curse is finally broken, and the swans are transformed back into their human form. The music in this section is more upbeat and energetic, reflecting the joy and excitement of the moment. The piece is scored for strings, recorders, and percussion and features a series of memorable melodies that are shared around the ensemble.
Overall, The Swans of Lir is a perfect massed performance for a large concert or festival and is sure to be a crowd-pleaser with its haunting melodies and captivating story.
'Heart in The Highlands', inspired by Robert Burns, evokes Scotland's rugged beauty with pizzicato, harmonics, dotted rhythms, and drones.
Debussy was inspired by mysticism and exotic items. He combined Gregorian chant with Eastern influences in "Funeral Urn" and showcased his unique style with "The Girl with the Flaxen Hair". Students will enjoy the challenging rhythms and harmonies in these works.
1. Funeral Urn
2. The Girl with the Flaxen Hair
For String Orchestra Grade 4
Simple music pieces with call-response writing can help beginners become confident playing in a full-string orchestra. Downloadable recorded accompaniments let students practice at their own pace. Teachers can use these pieces to transition students from solo playing to joining a string orchestra.
1. Scooter Ride | 8. Hymn |
2. Two’s Company | 9a. Open String Czardas |
3. Lament | 9b. Harmonic Czardas |
4. Windmills | 10. Siberian Shivers |
5. Topsy Turvy | 11. Cycle Circuit |
6. Innocence | 12. Mango Tango |
7. Sun Shower |
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For String Orchestra Grade 0.5-1
La Tempesta di Mare is the overture to Salieri's opera, Cesare in Farmacusa. It narrates the journey of the young Julius Caesar as he sails through a treacherous storm to Farmacusa, near Sicily. The plot is filled with pirates, gypsy lovers, and, of course, Roman gods, providing much entertainment for audiences of that time.
This piece has three movements that explore different aspects of heat. It uses various techniques, such as pizzicato, legato melodies, staccato quarter notes, and double eighth notes, which are easy to manage for young players. It's a fun piece for any occasion!
1. Sparks
2. Smoke
3. Fire
For String Orchestra Grade 1
The Midnight Serenade starts with faint calls of the night. The haunting melody is shared throughout the piece over a waltz-like accompaniment. Dark Train is a dynamic composition based on a simple three-note ostinato, with whistle effects that excite younger players.
1. Midnight Serenade
2. Dark Train
For String Orchestra Grade 1
These booklets promote accurate intonation, a left-hand framework, and a well-projected tone. They cover up to four sharps and three flats, providing a solid diatonic foundation. When studied with etudes and pieces, they achieve tonal beauty.
For violin Level 1.5-3