Elegy At Dig Tree & Goin' Overland By Stephen Chin
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Dig Tree and The Elegy reflect Australia's early explorers' unfortunate fate, while Goin' Overland captures the excitement of exploring the outback. The latter features various string techniques that highlight the Australian essence of the music.
Elegy At Dig Tree & Goin' Overland By Stephen Chin
The two musical compositions in question are a tribute to the intrepid spirit of the early Australian explorers. Dig Tree is the tragic site where the legendary explorers Burke and Wills met their unfortunate fate due to a series of unfortunate events. The Elegy is a poignant and moving piece of music that perfectly captures the sense of isolation and despair that these brave men must have experienced in the harsh and unforgiving wilderness. In stark contrast to this, Goin' Overland is an upbeat and exhilarating piece of music that perfectly captures the excitement and anticipation of exploring the vast and untamed Australian outback. The composition is characterized by a range of captivating string techniques, such as tremolo, harmonics, pizzicato, and legato, which artfully evoke the unique sounds and rhythms of the Australian landscape.
Experience a captivating musical journey to Kyoto with “Two Silk Screens from Kyoto” by Stephen Chin. This evocative string orchestra piece beautifully reflects Japanese culture through graceful melodies and intricate harmonies. Immerse yourself in its meditative ambiance, as the strings evoke vivid images of cherry blossoms and serene landscapes.
Stephen Chin: “These two pieces were inspired by my visit to Japan. They capture memories of the country's beauty, contrasting the elegance of cranes by a lake with the dynamic movements of samurai. I frequently used the Japanese scale, Hirajōshi, along with other pentatonic scales throughout the set.”
The circus is thrilling! The Carousel waltz shares the melodic line. In Siberian Tigers, players can project a robust tone and imagine the majestic tigers. Happy-Sad Clowns contrasts major and minor tonalities.
This piece gradually expands harmony from a unison note, highlighting interesting texture. Younger musicians learn dissonance through gentle tonal clashes, while elementary players explore different bow speeds and lengths. It's a great introduction to the power of a string orchestra.
On a stormy night, a carriage leaves for an unknown destination. Chased by someone, urgency intensifies with repeated quavers. Different string ensemble sections are highlighted—a warm middle section followed by an even greater sense of urgency. The journey ends quietly, igniting players' imaginations.
These works are perfect for the beginner string ensemble player. They continue the earlier publication titled "A Dozen Dazzlers." They feature unison, simple parts and call-response writing and prepare the players for the greater demands of a full-string orchestra. All parts have been meticulously crafted for ease of playing and to focus on essential ensemble skills such as pizzicato, legato, staccato, and harmonics. These attractive pieces will ignite the students' imaginations.
Mozart composed over 30 violin sonatas during his lifetime. Among these works, only one sonata stands out for being entirely in a minor key. This particular sonata is known for its dark, brooding and energetic nature. It also features spiccato and martele articulations, which were crucial to the Classical style of music. This piece is appropriate for Grade 4 string orchestras.
Australian summer holidays are magical! "Catamarans" captures the graceful movement of sailing vessels with wistful melodies. "Beach Party" is lively, depicting fun in the sand with driving quavers and unique textures. Both pieces feature harmonics and shifting in the first violins.