Brahms adapted 21 Hungarian Dances for two pianos and later for a symphony orchestra. The 1st Dance has a brooding nature, while the 2nd Dance is characterized by wild changes in tempo and mood. Either could make a rousing finale.
1. Hungarian Dance No. 1
2. Hungarian Dance No. 2
For String Orchestra Grade 3
Brahms was inspired by the folk music of Hungary and created his own unique version of 21 Hungarian Dances, which he adapted for two pianos and later for a symphony orchestra. The 1st Dance has a dark and brooding quality that allows the ensemble to focus their bow pressure into the string, producing a rich and powerful tone that captures the essence of the Hungarian spirit. In contrast, the 2nd Dance is full of unexpected changes in tempo and mood, from frantic and frenzied to soft and lyrical. Either one of these dances would be a thrilling and unforgettable finale to any concert, leaving the audience breathless and wanting more.
1. Hungarian Dance No. 1
2. Hungarian Dance No. 2
For String Orchestra Grade 3
Stephen Chin admires the power of earth-moving equipment and the creativity of humans who push boundaries in the sciences and arts. He likens their groundbreaking efforts to the driving force found in the key of G minor, characterised by strong themes and the frequent use of downbows.
No need to wait years to perform Grieg's "Holberg Suite" with your ensemble. This arrangement is true to the original but with less tricky figurations. It features off-string work, trills, accented quavers, light legato bowing, martele and pizzicato to make the performance sparkle!
For String Orchestra Grade 2.5
This music piece is based on an old English hymn that depicts a journey to hope, titled To the Palace of Light. It has a solemn beginning, turbulent middle, and faster, jig-like ending. Elements of the hymn can be heard throughout, making it a great choice to end a concert or festival.
For double string orchestra, grades 2 & 4
Latin-American music is vibrant! This piece is an extended tango that will make musicians sway. The title, "Reminiscences of Buenos Aires," evokes images of non-stop dancing in the Argentinean capital. String effects such as pizzicato, tremolo, glissando, and lifted-down bows add colour to this pulsating score. Invite audience members to dance while you play for a unique experience.
For String Orchestra Grade 3.5
Whether dancing freely, creating something inspiring, or powering through a gym class, moving positively inspires this work, supported by driving rhythms, contrasting textures, and melodic lines.
On a stormy night, a carriage leaves for an unknown destination. Chased by someone, urgency intensifies with repeated quavers. Different string ensemble sections are highlighted—a warm middle section followed by an even greater sense of urgency. The journey ends quietly, igniting players' imaginations.
For String Orchestra Grade 1.5
Arcangelo Corelli (1653 - 1713) was a Baroque composer who set the standard for musical composition in his time. This piece is based on the last of his opus five violin sonatas, which includes twenty-four variations on the Spanish melody "La Follia". The arrangement presents five variations after the theme is introduced, with each upper-string section playing the tune fully against Corelli's original figurations. The main theme returns in an opulent manner.
For String Orchestra Grade 3
Pablo Sarasate (1844-1908) was a brilliant Spanish composer and violinist known for his expressive and technically challenging pieces like "The Carmen Fantasy" and "Zigeunerweisen". While retaining the original's virtuosity, this arrangement is accessible to younger musicians.
For String Orchestra Grade 2.
