Brahms adapted 21 Hungarian Dances for two pianos and later for a symphony orchestra. The 1st Dance has a brooding nature, while the 2nd Dance is characterized by wild changes in tempo and mood. Either could make a rousing finale.
1. Hungarian Dance No. 1
2. Hungarian Dance No. 2
For String Orchestra Grade 3
Brahms was inspired by the folk music of Hungary and created his own unique version of 21 Hungarian Dances, which he adapted for two pianos and later for a symphony orchestra. The 1st Dance has a dark and brooding quality that allows the ensemble to focus their bow pressure into the string, producing a rich and powerful tone that captures the essence of the Hungarian spirit. In contrast, the 2nd Dance is full of unexpected changes in tempo and mood, from frantic and frenzied to soft and lyrical. Either one of these dances would be a thrilling and unforgettable finale to any concert, leaving the audience breathless and wanting more.
1. Hungarian Dance No. 1
2. Hungarian Dance No. 2
For String Orchestra Grade 3
Hand-picking cotton is a gruelling task. 19th-century rural Americans sang to support each other. This piece starts with different players for each bar, evoking the image. The "Praising Song" celebrates the end of a tough day. An elementary ensemble will shine playing the double quavers, pizzicati, and syncopated beats.
1. Cottonfield Calls
2. Praising Song
For String Orchestra Grade 1
Get ready for an adventure! This dynamic piece takes you on a journey where the high-pitched first position harmonics, sul ponticello, and arco/pizz create a sea-faring atmosphere. The repeated quavers keep the sense of a voyage underway. Each section of the ensemble eagerly awaits their turn to play the gorgeous melodies that abound in this dynamic work.
For String Orchestra Grade 3
La Tempesta di Mare is the overture to Salieri's opera, Cesare in Farmacusa. It narrates the journey of the young Julius Caesar as he sails through a treacherous storm to Farmacusa, near Sicily. The plot is filled with pirates, gypsy lovers, and, of course, Roman gods, providing much entertainment for audiences of that time.
Martin Peerson's "The Fall of the Leafe" depicts a beautiful autumn day with descending notes. Susato's "Battle Pavan" was part of court entertainment and featured a call-and-response style.
1. The Fall of the Leafe
2. Battle Pavan
For String Orchestra Grade 2.5
Nicolo Paganini was an exceptional violinist, and this particular piece is the final one in a series of caprices that represent the pinnacle of violin technique. It has inspired other great composers such as Rachmaninov. This arrangement preserves the melody, harmony, and structure, allowing players of all levels to experience and appreciate the beauty of Paganini's work.
For String Orchestra Grade 3.5
Mozart composed over 30 violin sonatas during his lifetime. Among these works, only one sonata stands out for being entirely in a minor key. This particular sonata is known for its dark, brooding and energetic nature. It also features spiccato and martele articulations, which were crucial to the Classical style of music. This piece is appropriate for Grade 4 string orchestras.
Experience a captivating musical journey to Kyoto with “Two Silk Screens from Kyoto” by Stephen Chin. This evocative string orchestra piece beautifully reflects Japanese culture through graceful melodies and intricate harmonies. Immerse yourself in its meditative ambiance, as the strings evoke vivid images of cherry blossoms and serene landscapes.
Stephen Chin: “These two pieces were inspired by my visit to Japan. They capture memories of the country's beauty, contrasting the elegance of cranes by a lake with the dynamic movements of samurai. I frequently used the Japanese scale, Hirajōshi, along with other pentatonic scales throughout the set.”
