Mozart's Ave Verum Corpus and Alleluia from "Exultate Jubilate" are two of his most cherished liturgical compositions. All the difficult melismas have been adapted without losing the original excitement.
Mozart's Ave Verum Corpus and the Alleluia from "Exultate Jubilate" are two exceptional liturgical compositions that were originally written for choir or solo voice and orchestra. These pieces are a testament to Mozart's musical genius and continue to captivate audiences with their intricate melodies and harmonies. Despite the challenging melismas, the adaptations made to the pieces ensure that none of the original excitement is lost. It's no wonder that these two works are among Mozart's most cherished compositions.
The musette is a small French bagpipe that gained popularity in Louis XIV's time. It has a consistent G note for beginners. The "Air" is a beautiful tune from Handel's opera "Rinaldo". The set ends with a jolly bourree by the prolific composer Georg Philipp Telemann.
Your beginner string orchestra will love these expressive pieces. They're mostly composed using pentatonic scales, making them easy to learn and play. Enjoy the sustained chords in "Sleeping Pandas" and the fun acrobatics in "Acrobats".
Georg Philipp Telemann (1681 - 1767) is recognized as the most prolific composer of all time. He composed over 3000 pieces during his lifetime, including 1043 cantatas, 46 passions, 40 operas, over 100 concertos, 700 orchestral suites, and volumes of chamber music. The following 4 movements exemplify his elegant style and ability to craft appealing melodies, making them an excellent resource for ensembles to practice useful string techniques.
Inspired by "The Rime of the Ancient Mariner", this festival piece is for eight-string orchestras and percussion. It starts with a wall of sound, then a mournful melody, and a lively jig-like section. Only Orchestra A needs to play percussion.
For eight string orchestras and percussion - Level 4, 3, 2, 1.5, 1
In Greek mythology, the Furies brought the dead to the Underworld and were part of the legend of Orpheus. August Nolck's piece was originally for cello but is now perfect for developing string players' timing precision. The perpetual motion promotes refined right-hand movements and offers opportunities for section solos.
Evaristo Felice Dall'Abaco and Antonio Vivaldi lived during the same era. Dall'Abaco's piece features an opening Prelude and a Ciaconna that includes variations on a fixed bass. This Baroque piece introduces players to various musical textures.