Sarabande & Gigue By Corelli & Vivaldi Arr. Stephen Chin
$121.00
Two Italian Baroque masterpieces in contrast - Sarabande and Gigue. Simple melody with suspensions in Sarabande, orchestra showcases string crossings and quaver figuration in Gigue.
Sarabande & Gigue By Corelli & Vivaldi Arr. Stephen Chin
The two musical compositions are the works of two of the most prominent Italian Baroque masters. They exhibit striking differences in style, with one piece characterized by a graceful and poised melody and the other marked by its liveliness and brilliance. The Sarabande is notable for its straightforward melody, set against a backdrop of suspensions that create a sense of tension. In contrast, the Gigue showcases the orchestra's virtuosity, featuring intricate string crossings and rapid quaver figurations that add to its energetic and dynamic character.
As you journey through a tropical rainforest, you can experience wonderment and awe reflected in these three miniatures. Each piece offers a different mood and tone colour for players to explore. The techniques used in these miniatures, including pizzicato, sustained notes, double quavers, and left-hand pizzicato, are easy to tackle, even for young musicians with limited experience.
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Your beginner string orchestra will love these expressive pieces. They're mostly composed using pentatonic scales, making them easy to learn and play. Enjoy the sustained chords in "Sleeping Pandas" and the fun acrobatics in "Acrobats".
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Mozart's Ave Verum Corpus and Alleluia from "Exultate Jubilate" are two of his most cherished liturgical compositions. All the difficult melismas have been adapted without losing the original excitement.
Georg Philipp Telemann (1681 - 1767) is recognized as the most prolific composer of all time. He composed over 3000 pieces during his lifetime, including 1043 cantatas, 46 passions, 40 operas, over 100 concertos, 700 orchestral suites, and volumes of chamber music. The following 4 movements exemplify his elegant style and ability to craft appealing melodies, making them an excellent resource for ensembles to practice useful string techniques.
An excellent piece to introduce Early Music to students. Most rhythms are simple, with some quavers in the first violin part. Improvised percussion parts can be added for authenticity.