Sarabande & Gigue By Corelli & Vivaldi Arr. Stephen Chin
$121.00
Two Italian Baroque masterpieces in contrast - Sarabande and Gigue. Simple melody with suspensions in Sarabande, orchestra showcases string crossings and quaver figuration in Gigue.
Sarabande & Gigue By Corelli & Vivaldi Arr. Stephen Chin
The two musical compositions are the works of two of the most prominent Italian Baroque masters. They exhibit striking differences in style, with one piece characterized by a graceful and poised melody and the other marked by its liveliness and brilliance. The Sarabande is notable for its straightforward melody, set against a backdrop of suspensions that create a sense of tension. In contrast, the Gigue showcases the orchestra's virtuosity, featuring intricate string crossings and rapid quaver figurations that add to its energetic and dynamic character.
An excellent piece to introduce Early Music to students. Most rhythms are simple, with some quavers in the first violin part. Improvised percussion parts can be added for authenticity.
Mozart's Ave Verum Corpus and Alleluia from "Exultate Jubilate" are two of his most cherished liturgical compositions. All the difficult melismas have been adapted without losing the original excitement.
These quirky pieces are trinkets that can spark young musicians' imaginations. They cover many techniques, such as pizzicato, staccato, harmonics, and rapid eighth notes, which can help beginning orchestras build their skills in a fun way. The memorable tunes often shared around the orchestra will indeed have your students begging for more!
This is a shorter version of a musical piece for string orchestra, based on a longer version for massed strings. The piece is inspired by Samuel Coleridge's poem "The Rime of the Ancient Mariner", which tells the story of a ship at sea that experiences misfortune after an albatross is killed. The work expresses feelings of loss and grace. The faster section of the piece depicts the ship being tossed around by the rough ocean.
Albeniz's piece was originally written for piano, showcasing Spanish passion and brilliance. It alludes to a legend from Asturias, with Moroccan influences. The use of string techniques adds intensity to this haunting work.
This work is a companion to “Bells of Ghengis Khan”, featuring insistent rhythms and pounding fifths that create a sense of impending conflict. The middle section depicts soldiers reflecting upon their loved ones before the battle resumes, with victors’ shouts heard towards the end. The piece uses techniques such as harmonics, tremolo, and pizzicato to add richness to the tone colours.
Lux Angelis is an advanced string orchestra piece with optional grade 1 and 2 strings, keyboard, and percussion. It represents light pervading the universe through harmonics and suspended chords. The seventh interval symbolizes the seven days of creation, while the two sections portray the challenges of dark forces. The piece ends with a chorus of angels bathed in light, symbolizing light's resilience.