David Maddick compiled “Chinwagging” from the most popular tunes in “Thirty Concert Pieces” by Everything String. The piece teaches fundamental string techniques to young ensemble members, such as legato bowing, string crossing, re-taking, and right/left-hand pizzicato. It’s an enjoyable and solid introduction to foundational concepts.
David Maddick, a renowned and highly respected pedagogue of string instruments, skillfully crafted a beautiful medley using some of the most popular tunes from “Thirty Concert Pieces”, a previous publication from Everything String (ES 10). The medley, playfully named “Chinwagging” for obvious reasons, is a masterpiece that introduces young string ensemble players to fundamental string techniques such as legato bowing, string crossing, re-taking, and right and left-hand pizzicato. This delightful piece of work is not only enjoyable to listen to but also effectively underpinned by some solid foundational concepts, making it an excellent learning tool for young musicians.
Embark on a musical journey for young string players with a delightful composition specially crafted for beginning orchestras. This engaging piece introduces students to ensemble playing while promoting joy and a sense of accomplishment. With catchy melodies and expressive dynamics, it showcases the potential of aspiring musicians.
Stephen Chen shares, "I am fascinated by the different qualities of light throughout the day. In this set of pieces, the gentle mood of twilight and the mystery of moonlight contrast with the joy of warm sunshine. Various melodic and rhythmic elements, including pizzicato and tremolo, convey these impressions."
Ignaz Joseph Pleyel was a renowned musician and entrepreneur who established a famous publishing house in Paris. This work, originally for two violins, embodies a late classical style with contrasting themes and a brighter ending. Your orchestra will enjoy this effective arrangement.
Lux Angelis is an advanced string orchestra piece with optional grade 1 and 2 strings, keyboard, and percussion. It represents light pervading the universe through harmonics and suspended chords. The seventh interval symbolizes the seven days of creation, while the two sections portray the challenges of dark forces. The piece ends with a chorus of angels bathed in light, symbolizing light's resilience.
This enchanting tone poem creates a peaceful atmosphere with its soft melodies and forest whispers. The sweeping beauty of the noble theme leads to a faster section with contrasting themes and variations. The string section uses various techniques to create a dynamic sound, featuring a brief solo quartet. The piece ends with a reference to the opening melody and the sound of a waterfall. Musicians will enjoy using their imagination to bring this musical landscape to life.
The Wars of the Roses was a conflict between Lancaster and York from 1455 to 1487. Composer Walter Frye wrote music during this time, including "Alas, Alas, Alas is my Chief Song," which inspired this Fantasia. The piece depicts the storms of battle and blends antiquity with contemporary style.
Inspired by "The Rime of the Ancient Mariner", this festival piece is for eight-string orchestras and percussion. It starts with a wall of sound, then a mournful melody, and a lively jig-like section. Only Orchestra A needs to play percussion.
For eight string orchestras and percussion - Level 4, 3, 2, 1.5, 1
"Two pieces, one idea: work hard, play hard. "The Volga Boatmen" has a shared melody and well-crafted counter-melodies. "Two Guitars" is fun and infectious, exploring spiccato quavers."
