David Maddick compiled “Chinwagging” from the most popular tunes in “Thirty Concert Pieces” by Everything String. The piece teaches fundamental string techniques to young ensemble members, such as legato bowing, string crossing, re-taking, and right/left-hand pizzicato. It’s an enjoyable and solid introduction to foundational concepts.
David Maddick, a renowned and highly respected pedagogue of string instruments, skillfully crafted a beautiful medley using some of the most popular tunes from “Thirty Concert Pieces”, a previous publication from Everything String (ES 10). The medley, playfully named “Chinwagging” for obvious reasons, is a masterpiece that introduces young string ensemble players to fundamental string techniques such as legato bowing, string crossing, re-taking, and right and left-hand pizzicato. This delightful piece of work is not only enjoyable to listen to but also effectively underpinned by some solid foundational concepts, making it an excellent learning tool for young musicians.
This music game is excellent for elementary programs, offering imaginative titles like “The Still Before the Storm” and “Fairy Floss”. It teaches students about keys, orchestral textures, and various techniques in an accessible way, promoting an early appreciation of music's tone color.
This music piece tells the legend of how the Kookaburra got its laugh. It was created for the Cooloola Shire Symphony Orchestra in Queensland, Australia, in collaboration with elders from the Nations in the area. The composition features a full orchestra, narrator, and didgeridoo. It's an engaging introduction to the orchestra for young listeners, with the didgeridoo blending well with the orchestra.
For Full Orchestra, Narrator and Didgeridoo Grade 4
Two contrasting works with enduring melodies. "Let All Mortal Flesh" is dynamic, from an old French folk song. The "Drunken Sailor" arrangement is a gem, highlighting all sections. A hit with younger musicians!
Lux Angelis is an advanced string orchestra piece with optional grade 1 and 2 strings, keyboard, and percussion. It represents light pervading the universe through harmonics and suspended chords. The seventh interval symbolizes the seven days of creation, while the two sections portray the challenges of dark forces. The piece ends with a chorus of angels bathed in light, symbolizing light's resilience.
This is an excellent intro to Early Music. Arbeau's second piece was later used in "Capriol Suite" by Peter Warlock. To add authenticity, improvise and add bass drum or tambour parts.
"Arctic Fire" is a mesmerising composition that takes the listener on a journey of tonal surprises. The sound of the first violin harmonics is piercing and ethereal, evoking the image of blowing ice in a desolate Arctic landscape. The piece features effective textures and shifts in melody, with even the bass having a significant solo. It's a powerful composition that inspires musicians to let their imaginations soar.
