This piece is filled with poignant melodies and a haunting main theme that returns towards the end. The rhythmic drive, varied modes, and string crossings make it enjoyable for players. The exquisite sonorities and spellbinding action will dazzle the audience and leave them wanting to dance.
David Maddick compiled “Chinwagging” from the most popular tunes in “Thirty Concert Pieces” by Everything String. The piece teaches fundamental string techniques to young ensemble members, such as legato bowing, string crossing, re-taking, and right/left-hand pizzicato. It’s an enjoyable and solid introduction to foundational concepts.
The Gloria from the Latin Mass is a joyful and energetic piece for orchestra and two-part choir, inspired by the homage to God. It is easy to play, with alternative instruments covering several parts. Male voices can sing the two vocal parts an octave lower. Each orchestra section is featured in the interludes, and the piece concludes with a lively flourish.
Pleyel, a renowned musician and entrepreneur in early 19th century Paris, wrote a beautiful piece for two violins in the late Classical style. The piece follows the sonata form and features a brooding first theme contrasted with an impish second theme played in staccato quavers. The movement ends with a lively duel between the violins, adding vibrancy and passion to the piece. Your orchestra will love it!
Get ready for an adventure! This dynamic piece takes you on a journey where the high-pitched first position harmonics, sul ponticello, and arco/pizz create a sea-faring atmosphere. The repeated quavers keep the sense of a voyage underway. Each section of the ensemble eagerly awaits their turn to play the gorgeous melodies that abound in this dynamic work.