The Swans of Lir is an Irish legend about young children turned into swans by dark forces. The melody and accompaniments in "The Lake" reflect their helplessness, while "The Rejoicing" celebrates their eventual transformation back into children. The piece is scored for strings, recorders and percussion and is perfect for large concerts or festivals.
The Gloria from the Latin Mass is a joyful and energetic piece for orchestra and two-part choir, inspired by the homage to God. It is easy to play, with alternative instruments covering several parts. Male voices can sing the two vocal parts an octave lower. Each orchestra section is featured in the interludes, and the piece concludes with a lively flourish.
Citadels, or walled fortresses, were built for centuries to defend civilizations from invaders. This music explores the imagery of a strong, passionate, and fiercely protective community. The middle section creates an atmosphere of a still yet edgy night. The main theme eventually fades away as the invaders recede.
Mozart composed over 30 violin sonatas during his lifetime. Among these works, only one sonata stands out for being entirely in a minor key. This particular sonata is known for its dark, brooding and energetic nature. It also features spiccato and martele articulations, which were crucial to the Classical style of music. This piece is appropriate for Grade 4 string orchestras.
Mazas, a renowned composer, is known for his effective etudes and chamber ensemble works. This duet for two violins, dating back to the early 19th century, showcases the late Classical and early Romantic styles. The music is characterized by sharp rhythms and lyrical melodies, making it an excellent choice for a String Orchestra at level 3.5.
This suite of three unique pieces is perfect for beginners looking to improve technique and musicianship. Dedicated to Andrea Messenger OAM and the Western Suburbs String Orchestra community, inspiring young musicians everywhere.
Vivaldi wrote many concertos for different instruments, including one for mandolin and strings. The composition's formal structure remains unaltered, but some intricate figurations have been tweaked. The music creates a dialogue between the orchestra's sections as they share the melody. The Baroque string crossings and harmonic progressions make the piece enjoyable to play.
Grieg's music is rooted in Norwegian folk songs. The "Watchman's Song" has a ghostly section conveyed through tremolo. A melancholic waltz follows, evoking a troll's cave. The contrast of keys and playing styles can refine any ensemble.