Cottonfield Calls And Praising Song By Stephen Chin
$121.00
Hand-picking cotton is a gruelling task. 19th-century rural Americans sang to support each other. This piece starts with different players for each bar, evoking the image. The "Praising Song" celebrates the end of a tough day. An elementary ensemble will shine playing the double quavers, pizzicati, and syncopated beats.
Cottonfield Calls And Praising Song By Stephen Chin
Hand-picking cotton is known to be one of the most gruelling and physically demanding tasks humans can undertake. In the rural America of the 19th century, the labourers would sing across the field to support each other and make the task seem less daunting. The opening notes of this particular piece of music are played by a different musician in each bar, creating the feeling of a group of people working together in harmony. As the music progresses into the "Praising Song," one can almost hear the jubilant celebration of the end of a long and arduous day, with the workers singing, clapping, and stamping their feet in unison. The performance of this piece requires a high level of skill, with the elementary ensemble being called upon to execute difficult musical techniques such as double quavers, pizzicati, and syncopated beats, resulting in a truly sparkling and captivating performance.
The Cliffs of Moher, rising about 200 meters above the Atlantic on Ireland's west coast, are home to many birds and sea life, such as grey seals and dolphins. In this work, I aimed to capture the feeling of sea spray, the beauty of green pastures, and the vibrant atmosphere of nearby towns, using musical textures such as pizzicato, sustained notes, bass melodies, and a reflective violin solo.
This enchanting tone poem creates a peaceful atmosphere with its soft melodies and forest whispers. The sweeping beauty of the noble theme leads to a faster section with contrasting themes and variations. The string section uses various techniques to create a dynamic sound, featuring a brief solo quartet. The piece ends with a reference to the opening melody and the sound of a waterfall. Musicians will enjoy using their imagination to bring this musical landscape to life.
The French court of the 17th and 18th centuries was renowned for its grandeur and beauty, envied by all composers in Europe. These three works embody that spirit.
Brahms adapted 21 Hungarian Dances for two pianos and later for a symphony orchestra. The 1st Dance has a brooding nature, while the 2nd Dance is characterized by wild changes in tempo and mood. Either could make a rousing finale.
La Tempesta di Mare is the overture to Salieri's opera, Cesare in Farmacusa. It narrates the journey of the young Julius Caesar as he sails through a treacherous storm to Farmacusa, near Sicily. The plot is filled with pirates, gypsy lovers, and, of course, Roman gods, providing much entertainment for audiences of that time.
Ideal for a festival orchestra with players at different levels, this piece is based on the medieval melody "L'Homme Arme", depicting a sword-wielding warrior. The middle section features a violin solo as a lullaby reflecting the armed man's war experiences. The final section celebrates the armed man walking in the light of peace and liberty with the South African song "Simbayama".
For 4 string orchestras and untuned percussion - Grade 3.5, 2, 1.5 & 1
Martin Peerson's "The Fall of the Leafe" depicts a beautiful autumn day with descending notes. Susato's "Battle Pavan" was part of court entertainment and featured a call-and-response style.
A captivating rendition of the popular birthday song with an exciting introduction, a slower version in a minor key, a lively variation, and a familiar major key ending. It's perfect for learning chromaticism and the G minor key.
