Cottonfield Calls And Praising Song By Stephen Chin
$121.00
Hand-picking cotton is a gruelling task. 19th-century rural Americans sang to support each other. This piece starts with different players for each bar, evoking the image. The "Praising Song" celebrates the end of a tough day. An elementary ensemble will shine playing the double quavers, pizzicati, and syncopated beats.
Cottonfield Calls And Praising Song By Stephen Chin
Hand-picking cotton is known to be one of the most gruelling and physically demanding tasks humans can undertake. In the rural America of the 19th century, the labourers would sing across the field to support each other and make the task seem less daunting. The opening notes of this particular piece of music are played by a different musician in each bar, creating the feeling of a group of people working together in harmony. As the music progresses into the "Praising Song," one can almost hear the jubilant celebration of the end of a long and arduous day, with the workers singing, clapping, and stamping their feet in unison. The performance of this piece requires a high level of skill, with the elementary ensemble being called upon to execute difficult musical techniques such as double quavers, pizzicati, and syncopated beats, resulting in a truly sparkling and captivating performance.
"Good-bye Budapest" is a traditional Hungarian czardas-style music piece. It begins with a haunting melody and languid strings, which then transition into a joyous free-for-all with various orchestra sections taking turns. A melancholic solo violin rendition is followed by the return of the czardas in D major, culminating in a ferocious presto. The music showcases a range of emotions, from introspection to frenzied joy and melancholy to ferocity.
La Tempesta di Mare is the overture to Salieri's opera, Cesare in Farmacusa. It narrates the journey of the young Julius Caesar as he sails through a treacherous storm to Farmacusa, near Sicily. The plot is filled with pirates, gypsy lovers, and, of course, Roman gods, providing much entertainment for audiences of that time.
Arcangelo Corelli (1653 - 1713) was a Baroque composer who set the standard for musical composition in his time. This piece is based on the last of his opus five violin sonatas, which includes twenty-four variations on the Spanish melody "La Follia". The arrangement presents five variations after the theme is introduced, with each upper-string section playing the tune fully against Corelli's original figurations. The main theme returns in an opulent manner.
This is an excellent intro to Early Music. Arbeau's second piece was later used in "Capriol Suite" by Peter Warlock. To add authenticity, improvise and add bass drum or tambour parts.
Enjoy your food, move your body to the beat, and have fun! This amazing set of seven compositions even features a piece by Henry VIII. Intermediate musicians will appreciate the diverse range of musical styles from different regions of the Renaissance era. The homophonic writing style is ideal for developing precise intonation and consistent bowing techniques.
These works are perfect for the beginner string ensemble player. They continue the earlier publication titled "A Dozen Dazzlers." They feature unison, simple parts and call-response writing and prepare the players for the greater demands of a full-string orchestra. All parts have been meticulously crafted for ease of playing and to focus on essential ensemble skills such as pizzicato, legato, staccato, and harmonics. These attractive pieces will ignite the students' imaginations.
