Cottonfield Calls And Praising Song By Stephen Chin
$121.00
Hand-picking cotton is a gruelling task. 19th-century rural Americans sang to support each other. This piece starts with different players for each bar, evoking the image. The "Praising Song" celebrates the end of a tough day. An elementary ensemble will shine playing the double quavers, pizzicati, and syncopated beats.
Cottonfield Calls And Praising Song By Stephen Chin
Hand-picking cotton is known to be one of the most gruelling and physically demanding tasks humans can undertake. In the rural America of the 19th century, the labourers would sing across the field to support each other and make the task seem less daunting. The opening notes of this particular piece of music are played by a different musician in each bar, creating the feeling of a group of people working together in harmony. As the music progresses into the "Praising Song," one can almost hear the jubilant celebration of the end of a long and arduous day, with the workers singing, clapping, and stamping their feet in unison. The performance of this piece requires a high level of skill, with the elementary ensemble being called upon to execute difficult musical techniques such as double quavers, pizzicati, and syncopated beats, resulting in a truly sparkling and captivating performance.
Citadels, or walled fortresses, were built for centuries to defend civilizations from invaders. This music explores the imagery of a strong, passionate, and fiercely protective community. The middle section creates an atmosphere of a still yet edgy night. The main theme eventually fades away as the invaders recede.
Vivaldi wrote many concertos for different instruments, including one for mandolin and strings. The composition's formal structure remains unaltered, but some intricate figurations have been tweaked. The music creates a dialogue between the orchestra's sections as they share the melody. The Baroque string crossings and harmonic progressions make the piece enjoyable to play.
Lords of the Loch is a festival piece for string orchestra, quartet, and optional string ensemble. It's inspired by Finlaggan, a Scottish loch with islands once ruled by lords known for producing and exporting harps.
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Listen to the two versions included in this product below:
No need to wait years to perform Grieg's "Holberg Suite" with your ensemble. This arrangement is true to the original but with less tricky figurations. It features off-string work, trills, accented quavers, light legato bowing, martele and pizzicato to make the performance sparkle!
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Stephen Chin: “These two pieces were inspired by my visit to Japan. They capture memories of the country's beauty, contrasting the elegance of cranes by a lake with the dynamic movements of samurai. I frequently used the Japanese scale, Hirajōshi, along with other pentatonic scales throughout the set.”
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