Evaristo Felice Dall'Abaco and Antonio Vivaldi lived during the same era. Dall'Abaco's piece features an opening Prelude and a Ciaconna that includes variations on a fixed bass. This Baroque piece introduces players to various musical textures.
For String Orchestra Grade 3
Evaristo Felice Dall'Abaco was a renowned composer who lived during the same period as the legendary Antonio Vivaldi. As two of the most prominent musicians of their time, they were undoubtedly aware of each other's immense talent.
Dall'Abaco's piece opens with a Prelude that showcases the rich tapestry of part-writing that is characteristic of the Late Italian Baroque style. The harmonies and textures of this section are truly breathtaking and set the stage for the rest of the piece.
The following section of the piece, Ciaconna, is a continuous set of variations on a fixed bass. Dall'Abaco's clever alterations of the bass line figurations while preserving the intrinsic harmony of the piece is a testament to his musical genius.
Overall, this beautiful work familiarizes players with a variety of textures found in Baroque music. It is a must-listen for anyone who appreciates the intricacies of classical music and the artistry of the composers who created it.
For String Orchestra Grade 3
Showcase your beginner strings and concert band in an orchestra with this fun rondo piece written in the Hungarian style. The wind, strings and full orchestra each have their own chance to shine, and the manageable note values and pitch repertoire make it perfect for novices.
Brahms adapted 21 Hungarian Dances for two pianos and later for a symphony orchestra. The 1st Dance has a brooding nature, while the 2nd Dance is characterized by wild changes in tempo and mood. Either could make a rousing finale.
1. Hungarian Dance No. 1
2. Hungarian Dance No. 2
For String Orchestra Grade 3
Arcangelo Corelli (1653 - 1713) was a Baroque composer who set the standard for musical composition in his time. This piece is based on the last of his opus five violin sonatas, which includes twenty-four variations on the Spanish melody "La Follia". The arrangement presents five variations after the theme is introduced, with each upper-string section playing the tune fully against Corelli's original figurations. The main theme returns in an opulent manner.
For String Orchestra Grade 3
No need to wait years to perform Grieg's "Holberg Suite" with your ensemble. This arrangement is true to the original but with less tricky figurations. It features off-string work, trills, accented quavers, light legato bowing, martele and pizzicato to make the performance sparkle!
For String Orchestra Grade 2.5
Ideal for a festival orchestra with players at different levels, this piece is based on the medieval melody "L'Homme Arme", depicting a sword-wielding warrior. The middle section features a violin solo as a lullaby reflecting the armed man's war experiences. The final section celebrates the armed man walking in the light of peace and liberty with the South African song "Simbayama".
For 4 string orchestras and untuned percussion - Grade 3.5, 2, 1.5 & 1
A musical arrangement for strings, percussion, and voice with four memorable Australian folk tunes that are easy to sing along to. The vocal part can be sung by a soloist or choir, and the lyrics are included. The piece can also be played as an instrumental work.
For Full Orchestra and Voice Grade 3
Pleyel, Haydn's student, had exceptional musical talent. The Duet Opus 8 no. 2 is a delightful and accessible piece highlighting different parts of the ensemble, showcasing diverse musical techniques like spiccato quavers, slurred string crossings, and martel crotchets. It's a great starting point for those who want to appreciate Classical music.
This piece of music is intended for a string orchestra with a difficulty level of grade 3.
The Gloria from the Latin Mass is a joyful and energetic piece for orchestra and two-part choir, inspired by the homage to God. It is easy to play, with alternative instruments covering several parts. Male voices can sing the two vocal parts an octave lower. Each orchestra section is featured in the interludes, and the piece concludes with a lively flourish.
For full orchestra and 2-part choir - Grade 3
