Evaristo Felice Dall'Abaco and Antonio Vivaldi lived during the same era. Dall'Abaco's piece features an opening Prelude and a Ciaconna that includes variations on a fixed bass. This Baroque piece introduces players to various musical textures.
For String Orchestra Grade 3
Evaristo Felice Dall'Abaco was a renowned composer who lived during the same period as the legendary Antonio Vivaldi. As two of the most prominent musicians of their time, they were undoubtedly aware of each other's immense talent.
Dall'Abaco's piece opens with a Prelude that showcases the rich tapestry of part-writing that is characteristic of the Late Italian Baroque style. The harmonies and textures of this section are truly breathtaking and set the stage for the rest of the piece.
The following section of the piece, Ciaconna, is a continuous set of variations on a fixed bass. Dall'Abaco's clever alterations of the bass line figurations while preserving the intrinsic harmony of the piece is a testament to his musical genius.
Overall, this beautiful work familiarizes players with a variety of textures found in Baroque music. It is a must-listen for anyone who appreciates the intricacies of classical music and the artistry of the composers who created it.
For String Orchestra Grade 3
No need to wait years to perform Grieg's "Holberg Suite" with your ensemble. This arrangement is true to the original but with less tricky figurations. It features off-string work, trills, accented quavers, light legato bowing, martele and pizzicato to make the performance sparkle!
For String Orchestra Grade 2.5
The Gloria from the Latin Mass is a joyful and energetic piece for orchestra and two-part choir, inspired by the homage to God. It is easy to play, with alternative instruments covering several parts. Male voices can sing the two vocal parts an octave lower. Each orchestra section is featured in the interludes, and the piece concludes with a lively flourish.
For full orchestra and 2-part choir - Grade 3
This enchanting tone poem creates a peaceful atmosphere with its soft melodies and forest whispers. The sweeping beauty of the noble theme leads to a faster section with contrasting themes and variations. The string section uses various techniques to create a dynamic sound, featuring a brief solo quartet. The piece ends with a reference to the opening melody and the sound of a waterfall. Musicians will enjoy using their imagination to bring this musical landscape to life.
For String Orchestra Grade 3.5
Two contrasting works with enduring melodies. "Let All Mortal Flesh" is dynamic, from an old French folk song. The "Drunken Sailor" arrangement is a gem, highlighting all sections. A hit with younger musicians!
1. Let All Mortal Flesh Keep Silent
2. Drunken Sailor
For String Orchestra Grade 1.5
Inspired by "The Rime of the Ancient Mariner", this festival piece is for eight-string orchestras and percussion. It starts with a wall of sound, then a mournful melody, and a lively jig-like section. Only Orchestra A needs to play percussion.
For eight string orchestras and percussion - Level 4, 3, 2, 1.5, 1
Brahms adapted 21 Hungarian Dances for two pianos and later for a symphony orchestra. The 1st Dance has a brooding nature, while the 2nd Dance is characterized by wild changes in tempo and mood. Either could make a rousing finale.
1. Hungarian Dance No. 1
2. Hungarian Dance No. 2
For String Orchestra Grade 3
The musette is a small French bagpipe that gained popularity in Louis XIV's time. It has a consistent G note for beginners. The "Air" is a beautiful tune from Handel's opera "Rinaldo". The set ends with a jolly bourree by the prolific composer Georg Philipp Telemann.
1. Musette
2. Air
3. Bouree
For String Orchestra Grade 2
