"Two pieces, one idea: work hard, play hard. "The Volga Boatmen" has a shared melody and well-crafted counter-melodies. "Two Guitars" is fun and infectious, exploring spiccato quavers."
When these two pieces are played together, they create a vivid image of the concept of balancing hard work and play. "The Volga Boatmen" showcases a beautiful shared melody that is accompanied by skillfully crafted counter-melodies, creating a rich and harmonious sound. Meanwhile, "Two Guitars" is a lively and playful piece that captures the listener's attention with its infectious rhythm and explores the technical challenges of playing spiccato quavers. Overall, these two pieces are a perfect combination of hard work and fun, showcasing the beauty and complexity of music.
Your beginner string orchestra will love these expressive pieces. They're mostly composed using pentatonic scales, making them easy to learn and play. Enjoy the sustained chords in "Sleeping Pandas" and the fun acrobatics in "Acrobats".
This music game is excellent for elementary programs, offering imaginative titles like “The Still Before the Storm” and “Fairy Floss”. It teaches students about keys, orchestral textures, and various techniques in an accessible way, promoting an early appreciation of music's tone color.
Join the Barcelona party! This piece captures the fun and energy of the Spanish city with catchy rhythms and authentic flavour. Your ensemble will love it.
No need to wait years to perform Grieg's "Holberg Suite" with your ensemble. This arrangement is true to the original but with less tricky figurations. It features off-string work, trills, accented quavers, light legato bowing, martele and pizzicato to make the performance sparkle!
A captivating rendition of the popular birthday song with an exciting introduction, a slower version in a minor key, a lively variation, and a familiar major key ending. It's perfect for learning chromaticism and the G minor key.
Arcangelo Corelli (1653 - 1713) was a Baroque composer who set the standard for musical composition in his time. This piece is based on the last of his opus five violin sonatas, which includes twenty-four variations on the Spanish melody "La Follia". The arrangement presents five variations after the theme is introduced, with each upper-string section playing the tune fully against Corelli's original figurations. The main theme returns in an opulent manner.