"Two pieces, one idea: work hard, play hard. "The Volga Boatmen" has a shared melody and well-crafted counter-melodies. "Two Guitars" is fun and infectious, exploring spiccato quavers."
When these two pieces are played together, they create a vivid image of the concept of balancing hard work and play. "The Volga Boatmen" showcases a beautiful shared melody that is accompanied by skillfully crafted counter-melodies, creating a rich and harmonious sound. Meanwhile, "Two Guitars" is a lively and playful piece that captures the listener's attention with its infectious rhythm and explores the technical challenges of playing spiccato quavers. Overall, these two pieces are a perfect combination of hard work and fun, showcasing the beauty and complexity of music.
This arrangement of a popular spiritual is perfect for younger players. The melody is shared, making it easy for even the least experienced to participate. Clashing notes represent the train's whistle, while easily managed syncopated notes add spice and energy.
This is an excellent intro to Early Music. Arbeau's second piece was later used in "Capriol Suite" by Peter Warlock. To add authenticity, improvise and add bass drum or tambour parts.
La Tempesta di Mare is the overture to Salieri's opera, Cesare in Farmacusa. It narrates the journey of the young Julius Caesar as he sails through a treacherous storm to Farmacusa, near Sicily. The plot is filled with pirates, gypsy lovers, and, of course, Roman gods, providing much entertainment for audiences of that time.
These majestic fanfares have inspired for centuries. Precision-crafted parts ensure easy playability and share main melodies amongst the ensemble. Roll out the red carpet!
Genghis Khan, a feared warrior, and his soldiers ride through Mongolia into China. The piece's driving rhythms and accented chords create an atmosphere of strength and awe in battle. A gentler middle section uses the pentatonic scale, perhaps as Khan rests. The work concludes with a surge of energy as he moves towards his next battle.