This cinematic-inspired work by Brian Balmages will bring down the house in grand fashion! In addition to the powerful melodic lines, colorful orchestration, and pulsating rhythms, Origins has optional parts for didgeridoo and wordless choir. Not just a piece, but an experience! (5:45)
This cinematic-inspired work by Brian Balmages will bring down the house in grand fashion! This is the optional SATB version with didgeridoo and wordless choir. Not just a piece, but an experience! (5:45)
Through the jungles of southern Mexico, the Aztec Warrior's journey is full of adventure and danger. This is a fun work for grade 1 groups in B minor which uses only D and A string notes. Duration 1:30.
“La Llorona” is a 6-minute programmatic piece for a high school string orchestra with optional percussion. It tells a story based on a Spanish/Mexican legend of La Malinche, a noble Aztec girl sold into slavery to Mayan merchants. The music starts with an Entrada, signalling the arrival of the Spanish fleet led by Cortés, who colonized Mexico.
La Malinche was a translator and mistress to the conqueror Cortés. She had twin boys with him, but when he was convinced to return to Spain with a Spanish aristocrat, La Malinche realized the hopelessness of her situation and drowned herself and her children in a nearby river.
Scored in D major, this winning march for first-year strings opens and ends with dramatic pyramid entrances from the bottom up -- cellos and basses first, then violas, then 2nd Violins, and finally 1st Violins. Rhythms are simple, bowings are clearly marked, and the optional percussion part for snare drum and bass drum enhances the parade-style theme. Duration 1:40.
Haydn’s Lost Chorale is a revised version of The Abbey, inspired by Haydn’s St. Anthony’s Chorale. It’s scored for string orchestra with optional piano, including violin 3 (treble viola) and violin parts. It features a dotted rhythm, quasi-classical textures and singing themes.
Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.
