Angharad’s Feast," composed to celebrate the 30th anniversary of Brisbane’s Western Suburbs String Orchestra and honor founder Andrea Messenger, premiered in November 2019. The piece represents a family gathering, with each string section symbolizing different family members: first violins as energetic children, second violins as guiding parents, violas as aunties and uncles, and double basses and cellos as wise grandparents. With a warm and charming folk-style theme, the composition beautifully encapsulates the spirit of family, music, and life.
In Welsh history, a revered noblewoman named Angharad was a wife and mother and lived a long, noteworthy life until 1162. Her husband’s biographer praised her as a handsome blonde, gentle, eloquent, generous, discreet, kind to her people, and charitable to people with low incomes. The name Angharad means “much loved.”
“Angharad’s Feast” was commissioned by the parents and friends of Brisbane’s Western Suburbs String Orchestra (WSSO) to celebrate its 30th anniversary and honour the ongoing contributions of founder and director Andrea Messenger. The premiere performance, presented by an alum ensemble at WSSO’s November 2019 concert, was a delightful surprise for Mrs. Messenger and concluded the event with great excitement.
“Angharad’s Feast” depicts a family gathering and meal, with each string section representing different family members across the generations. The first violins symbolise the children—enthusiastic, playful, and energetic. The second violins represent the parents, who gently guide, cajole, and encourage. The violas embody the voices of aunties and uncles, while the double basses and cellos signify wise grandparents.
The piece is warm, charming, and well-paced from the very first intimate folk-style theme. The musical parts are engaging and enjoyable to play, supported by a thoughtful structure that draws all themes from the initial subject. “Angharad’s Feast” is a fitting celebration of family, music, and life.
This music piece is for young string students. It tells the story of mice sneaking into a kitchen while avoiding a cat. It can be played as a unison melody or in a flexible 3-part setting. It includes left-hand pizzicato, harmonics, and balanced bowing patterns. The piano accompaniment is essential. It’s 1:36 long, in D major, and suitable for Grade 1.5 students.
Keith Sharp is an experienced string teacher and passionate composer in Brisbane, Australia. He teaches at Brisbane State High School and has received numerous awards for his contributions to the music education community. Keith is a guest clinician, composer, teacher, and conductor at various music camps and workshops and co-author of Encore On Strings - Music Maestros.
Fernando’s Tango is a rhythmic piece featuring a dotted rhythm throughout. The cello, Double bass, and Violin 3/violin treble parts offer beat stability, while the first Violins have an easy-to-play tango descant. The ensemble pack includes Unison Melody parts for Violin, Viola, and Cello and can be tailored to suit different playing standards.
Keith Sharp is a string music teacher in Brisbane, Australia. He earned his Bachelor of Music degree in 1984 and a postgraduate diploma in education in 1995. He creates award-winning string programs and compositions popular in Australia, the United States, Great Britain, and Germany. Keith is also an active clinician, guest conductor, and guest lecturer.
This piece involves repeated upper-half staccato with crescendo and decrescendo, along with an exciting countermelody. The parts are evenly balanced, and all players get the chance to play the tune at some point. Upper violinists may choose to play in the third position as recommended. You can enjoy exploring the possibilities with the old saying, "It's worse than a curse!"
The Wild West and contemporary US composers inspired this piece. It has an idiomatic cowboy feel, with lively lines and a pleasing middle section. The outer sections have a dynamic ensemble energy, and there are opportunities for bowing techniques and position work.
Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.
Fiddler's Farewell is a beautiful Gaelic-style music piece for middle and high school string players. It allows expressive playing with emphasis on phrasing and dynamics. Keith Sharp's arrangement involves all players with melody, harmony, and accompaniment roles. The music has technical challenges and lyrical possibilities to keep all ensemble members engaged. An optional piano part is available, but it is not essential. Graded at level 2.5, it's 3 minutes and 15 seconds long in E Aeolian Mode and related keys.
In 1700, the Last Dodo danced The Last Waltz on Mauritius Island. Valse Triste is a B minor waltz tribute to the extinct bird. It’s a tuneful and balanced piece with a soulful cello, a lyrical first violin, and various melodies, harmonies, and rhythms for inner players. It’s an excellent practice for waltz strokes and rhythms.
Keith Sharp is a Brisbane-based string educator, composer, and guest lecturer. He earned a Bachelor of Music degree in 1984 and has created award-winning programs and popular compositions worldwide.
Two contrasting dances are linked, creating a classic ternary form. The first dance has a driving rhythm and repeated accents. A four-bar solo bridge leads to the succeeding dance with a graceful, modal theme. The Two Courtly Dances are easy to play yet catchy and appealing to various ages. The piece has four string lines and an optional piano. The viola doubles either the first or second violins throughout.
Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.
One Voice is a Grade 1.5 piece for string orchestra composed by Keith Sharp. It features a hauntingly beautiful melody and rich harmonies. Despite its simplicity, the piece is profoundly moving and engaging. Keith Sharp's use of dynamics and phrasing creates a sense of tension and release that leaves a lasting impression on the listener.
Keith Sharp is a string educator in Brisbane, Australia. He completed his Bachelor of Music degree in 1984 and a postgraduate diploma in education in 1995. Keith has produced award-winning string programs and compositions popular in Australia and internationally throughout his career. He also remains active as a clinician, guest conductor, and lecturer.
