Keith Sharp's "Song Lines for String Orchestra" is an appealing musical composition that showcases Keith's love for vocal arrangements. This piece is primarily designed to help players improve their musical bow division and associated melodic direction while focusing on creating tonal beauty. The piece is graded at 2.5, making it suitable for primary school A/high school B or C. It lasts 3 minutes and 10 seconds, set in D Major and related keys.

This Pavane, written in the style of entrance music for an Elizabethan masque, wedding or other festive occasion, has a characteristic 2/2 swing with the occasional injection of 3/2 meter for rhythmic variety and spice. It is lyrical in essence, featuring long melodic lines passed between the parts. Technically straightforward and playable in the first position, the musical and tonal scope of the piece affords interest to a broad spectrum of ensemble standards.

Keith Sharp is a Brisbane-based string educator, composer, and guest lecturer. He earned a Bachelor of Music degree in 1984 and has created award-winning programs and popular compositions worldwide.

"The Wild Colonial Boy" is a ballad about Jack Doolan, an Irish-Australian bushranger who was captured and killed by troopers. The song's nostalgic character is portrayed through lyrical part-writing, pizzicato, and tremolo effects. This arrangement, set in D major, features interesting lines for all players. Adding it to your concert line-up is a great way to introduce an Australian classic.

This flexible arrangement has a challenging violin extension, optional two-part vocals, and a groovy bass part. It is written in a jazz/swing style with the sounds of Randy Newman, Nat King Cole, and George Gershwin.

Keith Sharp is a string educator who earned his Bachelor of Music in 1984. He still teaches in the Gap region of Brisbane, Australia. Keith is also a composer whose works are famous in Australia and gaining recognition worldwide. He is actively involved as a clinician, guest conductor, and guest lecturer.

The "Soul to Keep for String Orchestra" by Keith Sharp was published by Music House String in 2007. The score and parts are 30 cm in folio and classified as a "Concert novelty" for a string ensemble with optional vocals. The conductor's score grade is 1, and the publisher's website grade is 1.5-2. The key is D major, and the duration is 1:40. Natalie Sharp's composer bio is included.

Keith Sharp has been teaching as a string educator in the Gap region of Brisbane since his graduation with a Bachelor of Music degree in 1984. He also obtained a post-graduate diploma in education in 1995. Keith is a renowned composer whose works are popular in Australia, the United States, Great Britain, and Germany. He is also an active clinician, guest conductor, and lecturer.

This piece has an Irish essence and features lively fiddle-style themes contrasting with lyrical countermelodies. As you play, pass the melodic interest between the sections and experiment with different articulations, dynamics, and timbres inherent in the music. The 1st Violins get to show off with a fun yet playable fiddle break. The piece ends with an energetic, “all-in-together” finish that will leave the audience feeling roused. Fiddle O’Finnigan is popular with students, teachers, and audiences alike! The folio includes parts for the String Orchestra (8-8-4-4-6-2), the Conductor’s score, and an optional Piano accompaniment.

The Crocodile Hornpipe is a piece of music for varying skill levels. Upper strings play in 1st position; lower strings play an easy chromatic walking bass—lively crocodile theme played by 3rd violins, violas, and cellos with a spiccato texture. Later, a 1st violin fiddle-style descant is added. Bass line anchors arrangement—optional piano part for more support.

This music features rich cello and viola lines with harmonics and pizzicatos. Playing with an optional 2-part choir score and piano accompaniment is enjoyable. Add a massed choir and strings for a school concert performance. It is a 'Music House' classic.

Keith Sharp is a well-established string educator in Brisbane, Australia, who has worked in the Gap region since 1984. He has produced award-winning string programs and compositions that have gained recognition worldwide. In addition to his teaching career, he is active as a clinician, guest conductor, and lecturer.