Two contrasting dances are linked, creating a classic ternary form. The first dance has a driving rhythm and repeated accents. A four-bar solo bridge leads to the succeeding dance with a graceful, modal theme. The Two Courtly Dances are easy to play yet catchy and appealing to various ages. The piece has four string lines and an optional piano. The viola doubles either the first or second violins throughout.
Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.
Two contrasting dances are connected with the return of the first one, creating a classic ternary form. The first dance has a driving rhythm, featuring an energetic quaver pulse and repeated syncopated accents. A quintet or piano solo bridge that lasts four bars changes the mood and leads to the succeeding dance. This dance has a graceful, modal theme that encourages the pursuit of pure tone and emulates early Baroque airs or trios.
Thanks to the easy finger patterns, the Two Courtly Dances can be confidently played by musicians of a relatively elementary standard. However, the piece is deceptively catchy, and its dance rhythms appeal to various ages. Established players can brush the quavers off the string. The piece has four principal string lines and an optional piano. The viola doubles either the first or second violins throughout.
Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.
Waking up on a cold winter day. Sledding. Hot chocolate. It's a snow day! Written by Katie O'Hara LaBrie, Snow Day! is craftily designed only using the notes of a D major scale. This highly accessible piece, with its bright melodies and jingle bell accompaniment will delight students and audiences.
This music features rich cello and viola lines with harmonics and pizzicatos. Playing with an optional 2-part choir score and piano accompaniment is enjoyable. Add a massed choir and strings for a school concert performance. It is a 'Music House' classic.
Keith Sharp is a well-established string educator in Brisbane, Australia, who has worked in the Gap region since 1984. He has produced award-winning string programs and compositions that have gained recognition worldwide. In addition to his teaching career, he is active as a clinician, guest conductor, and lecturer.
This flexible musical piece is perfect for directors with musicians of different abilities. It offers easy melody parts for every instrument, making it inclusive. It's also an excellent opportunity to work on tone quality and musicianship.
Keith Sharp earned his Bachelor of Music in 1984 and is a string educator in Brisbane, Australia. He completed a postgraduate diploma in education in 1995. Keith has produced award-winning ensembles and compositions popular in Australia, the USA, the UK, and Germany. He is also active as a clinician, guest conductor, and lecturer.
Keith Sharp's "Song Lines for String Orchestra" is an appealing musical composition that showcases Keith's love for vocal arrangements. This piece is primarily designed to help players improve their musical bow division and associated melodic direction while focusing on creating tonal beauty. The piece is graded at 2.5, making it suitable for primary school A/high school B or C. It lasts 3 minutes and 10 seconds, set in D Major and related keys.
Night Folk is a 3-sketch musical piece inspired by Enid Blyton’s playful storytelling. It features mischievous creatures making fun of marching gnomes, riding Queen Caterpillar, and dancing in an enchanted ring. The composition has carefully designed educational elements for musical ensembles, a manageable length of 2 min 52 sec, and is in the key of A Aeolian mode.
Keith Sharp is a music educator from Brisbane, Australia, with over 35 years of experience. He currently teaches at Brisbane State High School, focusing on ensemble and group tuition. Keith’s ensemble pieces have won awards, and he’s a co-author of Encore on Strings. He regularly appears as a guest clinician, composer, teacher, and conductor.
"Masque of Arne" is a musical piece with a quasi-renaissance style featuring two different dance types. The first section is lively and upbeat, while the second is more ambient and tonal. The two can be performed separately or in succession, with a return to the first dance using da Capo to end the performance.
Keith Sharp is a string educator in the Gap region of Brisbane, Australia. He completed his Bachelor of Music in 1984 and a postgraduate diploma in education in 1995. Keith is an award-winning composer and highly regarded clinician, guest conductor, and lecturer, with his works being popular in Australia and internationally.
This piece involves repeated upper-half staccato with crescendo and decrescendo, along with an exciting countermelody. The parts are evenly balanced, and all players get the chance to play the tune at some point. Upper violinists may choose to play in the third position as recommended. You can enjoy exploring the possibilities with the old saying, "It's worse than a curse!"
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