This piece has an Irish essence and features lively fiddle-style themes contrasting with lyrical countermelodies. As you play, pass the melodic interest between the sections and experiment with different articulations, dynamics, and timbres inherent in the music. The 1st Violins get to show off with a fun yet playable fiddle break. The piece ends with an energetic, “all-in-together” finish that will leave the audience feeling roused. Fiddle O’Finnigan is popular with students, teachers, and audiences alike! The folio includes parts for the String Orchestra (8-8-4-4-6-2), the Conductor’s score, and an optional Piano accompaniment.
Fiddle O’Finnigan is a musical masterpiece that showcases the essence of Irish music with its lively fiddle-style themes and lyrical countermelodies. This piece is designed to provide a fun and playful experience for musicians as they explore the various articulations, dynamics, and timbres inherent in the writing. The interplay between the sections is a remarkable feature of this piece, and players are encouraged to pass the melodic interest from one to another. The 1st Violins get to shine with a showy yet joyfully playable fiddle break that will captivate the audience. Fiddle O’Finnigan culminates in an energetic, “all-in-together” finish that sets the stage for a rousing conclusion. It is a popular choice among students, teachers, and audiences alike! The folio includes parts for the String Orchestra (8-8-4-4-6-2), the Conductor’s score, and an optional Piano accompaniment, making it a feast for the ears and a delight for the soul.
This lively fiddle-style tune with a fun melody and bright harmonies will surely please any crowd. Advanced violin players can try the optional octave extension included in the piece. As the toe-tapping tune develops, the melody is traded around the ensemble, making it memorable and fun!
Keith Sharp is a renowned string educator who completed his Bachelor of Music degree in 1984. He has been teaching in Brisbane since then and holds a postgraduate diploma in education. Keith is also a composer and produces award-winning string programs and ensembles. Additionally, he serves as a clinician, guest conductor, and lecturer.
Haydn’s Lost Chorale is a revised version of The Abbey, inspired by Haydn’s St. Anthony’s Chorale. It’s scored for string orchestra with optional piano, including violin 3 (treble viola) and violin parts. It features a dotted rhythm, quasi-classical textures and singing themes.
Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.
"Sharp, Stormbird" is a musical piece published in 2011 by Music House String Publications, specifically for string orchestra. It is in the key of D minor and has eight pages and parts for eight violins, eight violas, four cellos, four double basses, six violins II, and two violas II. Classified as a Level 2 difficulty, it lasts around 2 minutes and 30 seconds. The publication includes a composer's biography.
Keith Sharp earned his Bachelor of Music degree in 1984 and has been a string educator in Brisbane's Gap region ever since. He completed a postgraduate diploma in education in 1995 and has produced award-winning string programs and compositions. He is a renowned clinician, guest conductor, and lecturer, with his works gaining popularity globally.
Chromatic glissandi, walking bass, and piano accompany a slow blues melody played by violins. The tune encourages vibrato and sounds excellent in the third or first position. The third violin/viola part is simple, while cellists can enjoy their chromatic pizzicato. The piano line is crucial. It's an original "concert novelty" that generates interest.
Keith Sharp is a renowned composer and string educator based in Brisbane, Australia. He has produced award-winning string programs and ensembles while pursuing his passion for composition. Unfortunately, his work "Bilge Rat Blues for String Orchestra" is currently out of print and unavailable.
Katie O'Hara LaBrie, Snow Day! for String Orchestra (Alfred Music)
Waking up on a cold winter day. Sledding. Hot chocolate. It's a snow day! Written by Katie O'Hara LaBrie, Snow Day! is craftily designed only using the notes of a D major scale. This highly accessible piece, with its bright melodies and jingle bell accompaniment will delight students and audiences.
"On the Road Again for String Orchestra (Level 2)" is a cheerful and lighthearted piece by Keith Sharp, suitable for primary school ensembles and younger middle school students. The music has a charming country sound that evokes the feeling of singing and driving. The contrast between folk-style rhythms and a legato theme creates a lovely balance in the music and helps to teach bowing techniques. The music is graded at level 2, with an approximate duration of 2:20, and is in the key of G Major.
The Wild West and contemporary US composers inspired this piece. It has an idiomatic cowboy feel, with lively lines and a pleasing middle section. The outer sections have a dynamic ensemble energy, and there are opportunities for bowing techniques and position work.
Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.
Angharad’s Feast," composed to celebrate the 30th anniversary of Brisbane’s Western Suburbs String Orchestra and honor founder Andrea Messenger, premiered in November 2019. The piece represents a family gathering, with each string section symbolizing different family members: first violins as energetic children, second violins as guiding parents, violas as aunties and uncles, and double basses and cellos as wise grandparents. With a warm and charming folk-style theme, the composition beautifully encapsulates the spirit of family, music, and life.
