This piece has an Irish essence and features lively fiddle-style themes contrasting with lyrical countermelodies. As you play, pass the melodic interest between the sections and experiment with different articulations, dynamics, and timbres inherent in the music. The 1st Violins get to show off with a fun yet playable fiddle break. The piece ends with an energetic, “all-in-together” finish that will leave the audience feeling roused. Fiddle O’Finnigan is popular with students, teachers, and audiences alike! The folio includes parts for the String Orchestra (8-8-4-4-6-2), the Conductor’s score, and an optional Piano accompaniment.
Fiddle O’Finnigan is a musical masterpiece that showcases the essence of Irish music with its lively fiddle-style themes and lyrical countermelodies. This piece is designed to provide a fun and playful experience for musicians as they explore the various articulations, dynamics, and timbres inherent in the writing. The interplay between the sections is a remarkable feature of this piece, and players are encouraged to pass the melodic interest from one to another. The 1st Violins get to shine with a showy yet joyfully playable fiddle break that will captivate the audience. Fiddle O’Finnigan culminates in an energetic, “all-in-together” finish that sets the stage for a rousing conclusion. It is a popular choice among students, teachers, and audiences alike! The folio includes parts for the String Orchestra (8-8-4-4-6-2), the Conductor’s score, and an optional Piano accompaniment, making it a feast for the ears and a delight for the soul.
This Pavane, written in the style of entrance music for an Elizabethan masque, wedding or other festive occasion, has a characteristic 2/2 swing with the occasional injection of 3/2 meter for rhythmic variety and spice. It is lyrical in essence, featuring long melodic lines passed between the parts. Technically straightforward and playable in the first position, the musical and tonal scope of the piece affords interest to a broad spectrum of ensemble standards.
Keith Sharp is a Brisbane-based string educator, composer, and guest lecturer. He earned a Bachelor of Music degree in 1984 and has created award-winning programs and popular compositions worldwide.
Fiddlers greet the king as he enters his court. This Elizabethan-style piece is perfect for creating a royal ambience. All instruments have exciting parts, and low strings are divided into melody and harmony, providing flexibility for directors. It's an excellent choice for any occasion!
Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.
This 8.5-minute musical piece for an advanced high school string ensemble explores different tempos, textures, and styles based on the Celtic theme 'Flower of County Down'. The composition features a fugato, river dance, sentimental waltz, and grand finale, with the piano and percussion adding to the sound.
Keith Sharp is a successful string educator from Brisbane's Gap region. He earned a Bachelor of Music degree in 1984 and a postgraduate diploma in education in 1995. Keith is renowned for his award-winning string programs and creative compositions that are popular in Australia and internationally. He remains active as a clinician, guest conductor, and guest lecturer.
"The Wild Colonial Boy" is a ballad about Jack Doolan, an Irish-Australian bushranger who was captured and killed by troopers. The song's nostalgic character is portrayed through lyrical part-writing, pizzicato, and tremolo effects. This arrangement, set in D major, features interesting lines for all players. Adding it to your concert line-up is a great way to introduce an Australian classic.
Chromatic glissandi, walking bass, and piano accompany a slow blues melody played by violins. The tune encourages vibrato and sounds excellent in the third or first position. The third violin/viola part is simple, while cellists can enjoy their chromatic pizzicato. The piano line is crucial. It's an original "concert novelty" that generates interest.
Keith Sharp is a renowned composer and string educator based in Brisbane, Australia. He has produced award-winning string programs and ensembles while pursuing his passion for composition. Unfortunately, his work "Bilge Rat Blues for String Orchestra" is currently out of print and unavailable.
Keith Sharp's "Song Lines for String Orchestra" is an appealing musical composition that showcases Keith's love for vocal arrangements. This piece is primarily designed to help players improve their musical bow division and associated melodic direction while focusing on creating tonal beauty. The piece is graded at 2.5, making it suitable for primary school A/high school B or C. It lasts 3 minutes and 10 seconds, set in D Major and related keys.
"Emu Rag" by Keith Sharp is a fun and lively music piece for a grade 3 string orchestra. Its catchy rhythms and melodies make it an excellent choice for young musicians looking for upbeat and joyful music. It's popular among music educators and offers an opportunity to learn about different playing techniques and musical styles. Overall, it's a fantastic addition to any string orchestra's playlist.
Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.
This music features rich cello and viola lines with harmonics and pizzicatos. Playing with an optional 2-part choir score and piano accompaniment is enjoyable. Add a massed choir and strings for a school concert performance. It is a 'Music House' classic.
Keith Sharp is a well-established string educator in Brisbane, Australia, who has worked in the Gap region since 1984. He has produced award-winning string programs and compositions that have gained recognition worldwide. In addition to his teaching career, he is active as a clinician, guest conductor, and lecturer.
