"Explorers" has a majestic main theme and catchy accompanying figures. It portrays the determination and resilience of explorers as they face the unknown and the joy of new discoveries. The central chorale is in G Major, and all parts share the melodic interest. It lasts 3 minutes and 20 seconds.
Keith Sharp is a string educator based in Brisbane, Australia since 1984. He completed a postgraduate diploma in education in 1995 and has produced award-winning string programs and ensembles. Keith is a composer, and his works are famous in Australia and internationally. He is an active clinician, guest conductor, and lecturer.
This piece is titled "Explorers" and has a majestic main theme with catchy accompanying figures. It tells a story that portrays the determination and resilience of explorers as they face the unknown, along with the pleasure that new discoveries bring. The central chorale is in G Major and encourages warm tonal blending between the driving outer sections of the piece. All parts share the melodic interest and are thoughtfully written for developing players. The piano accompaniment is useful for rehearsal purposes or to assist with balance, rhythm, and pitch in concert. The piece has a duration of 3 minutes and 20 seconds.
Keith Sharp completed his Bachelor of Music degree in 1984 before accepting the position of string educator in the Gap region of Brisbane, Australia, where he continues to teach. In 1995, Keith completed a postgraduate diploma in education. Throughout his teaching career, Keith has produced award-winning string programs and ensembles while pursuing his passion for composition. His exquisitely crafted and imaginative works are highly popular throughout Australia and have recently been discovered by teachers in the United States, Great Britain, and Germany. Keith maintains an active schedule as a clinician, guest conductor, and guest lecturer.
"The Wild Colonial Boy" is a ballad about Jack Doolan, an Irish-Australian bushranger who was captured and killed by troopers. The song's nostalgic character is portrayed through lyrical part-writing, pizzicato, and tremolo effects. This arrangement, set in D major, features interesting lines for all players. Adding it to your concert line-up is a great way to introduce an Australian classic.
Arabesque art features repeating geometric patterns, often found in mosques. The style mimics plants and animals and symbolises the unity of faith in Islam. Arabesques are also classical piano pieces, like Debussy's Deux Arabesques, composed in 1888 and 1891, featuring playful linking of simple melodies.
Keith Sharp has been a renowned string educator in Brisbane's Gap region since 1984. He has produced award-winning string programs and compositions well-known in the United States, Great Britain, and Germany. Keith is also an active clinician, guest conductor, and lecturer.
"Quasi Jig" is a piece for middle- to high-school string players. It features light-hearted accompaniments, Celtic-style fiddle themes, and syncopations. The piece is technically challenging and engaging for players with various skill levels, with melody, harmony, obligato, and accompanying roles shared among the players. Graded 3 lasts 4 minutes and 30 seconds, and it is in the key of G major/C major.
Keith Sharp is a highly experienced string educator from Brisbane, Australia. He has produced award-winning string programs and composed imaginative works famous in Australia, the US, the UK, and Germany. He remains active as a guest conductor, clinician, and lecturer.
This music features rich cello and viola lines with harmonics and pizzicatos. Playing with an optional 2-part choir score and piano accompaniment is enjoyable. Add a massed choir and strings for a school concert performance. It is a 'Music House' classic.
Keith Sharp is a well-established string educator in Brisbane, Australia, who has worked in the Gap region since 1984. He has produced award-winning string programs and compositions that have gained recognition worldwide. In addition to his teaching career, he is active as a clinician, guest conductor, and lecturer.
Chromatic glissandi, walking bass, and piano accompany a slow blues melody played by violins. The tune encourages vibrato and sounds excellent in the third or first position. The third violin/viola part is simple, while cellists can enjoy their chromatic pizzicato. The piano line is crucial. It's an original "concert novelty" that generates interest.
Keith Sharp is a renowned composer and string educator based in Brisbane, Australia. He has produced award-winning string programs and ensembles while pursuing his passion for composition. Unfortunately, his work "Bilge Rat Blues for String Orchestra" is currently out of print and unavailable.
This piece involves repeated upper-half staccato with crescendo and decrescendo, along with an exciting countermelody. The parts are evenly balanced, and all players get the chance to play the tune at some point. Upper violinists may choose to play in the third position as recommended. You can enjoy exploring the possibilities with the old saying, "It's worse than a curse!"
"Mota Moas for String Orchestra" by Keith Sharp is a playful musical composition inspired by the extinct Giant Moas of New Zealand. It is aimed at students in late primary to early high school levels and emphasizes detache and staccato strokes. The piece is composed in D major and includes a ragtime break towards the end. It's a delightful piece that everyone can enjoy!
Keith Sharp is a string educator in Brisbane, Australia. He earned a Bachelor of Music degree in 1984 and a postgraduate diploma in education in 1995. Keith creates award-winning string programs, composes beautiful works, and is a popular clinician, guest conductor, and lecturer in Australia and abroad.
Keith Sharp's contemporary piece in D major is enjoyable to play and suitable for beginners. It features echo effects and melodious accompanying lines and is graded as a B for primary school and a C for high school.
Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.
