"The Wild Colonial Boy" is a ballad about Jack Doolan, an Irish-Australian bushranger who was captured and killed by troopers. The song's nostalgic character is portrayed through lyrical part-writing, pizzicato, and tremolo effects. This arrangement, set in D major, features interesting lines for all players. Adding it to your concert line-up is a great way to introduce an Australian classic.
The ballad "The Wild Colonial Boy" first appeared in print in 1881 and tells the story of Jack Doolan, an Irish-Australian bushranger who was captured and killed by troopers. The ballad has captivated the imaginations of string students and audiences alike. Banjo Paterson later added two more verses to the ballad.
This charming song arrangement is set in the key of D major. It is styled after the old-time Waltz and features interesting lines for all players. The song's nostalgic character is portrayed through lyrical partwriting, while pizzicato and tremolo effects add variety to the texture.
Adding "The Wild Colonial Boy" to your next concert line-up is a great way to introduce an Australian classic to your audience.
This piece involves repeated upper-half staccato with crescendo and decrescendo, along with an exciting countermelody. The parts are evenly balanced, and all players get the chance to play the tune at some point. Upper violinists may choose to play in the third position as recommended. You can enjoy exploring the possibilities with the old saying, "It's worse than a curse!"
'Sailing Home' is an upbeat sea shanty played in 6/8 time. The violin parts, played in the first position, are challenging and exciting. The middle section changes to D major, adding contrast to the piece. Overall, it's a lively and enjoyable composition.
Angharad’s Feast," composed to celebrate the 30th anniversary of Brisbane’s Western Suburbs String Orchestra and honor founder Andrea Messenger, premiered in November 2019. The piece represents a family gathering, with each string section symbolizing different family members: first violins as energetic children, second violins as guiding parents, violas as aunties and uncles, and double basses and cellos as wise grandparents. With a warm and charming folk-style theme, the composition beautifully encapsulates the spirit of family, music, and life.
This piece, titled "Arianna," is openly romantic and expressive in its theme. It features an energetic introduction with a commanding cello/bass subject and a lyrical theme presented by the first violins. The composition invites the string ensemble to explore phrasing and balance in a bel canto setting. It also includes a foreboding middle section with a haunting B minor melody. The composition concludes with diminishing lines that may feature solos or front desks, bringing the listener and player satisfaction.
Caulderon was renowned for its magical prowess. Alchemy saved the city from imminent collapse into the sea and raised it into the air. According to Elfin legends, the floating city would occasionally visit other lands, carried by the winds. During these visits, the people of Caulderon would trade their magical wares with the locals. However, the visits were always short, and the city’s movements depended on the winds.
"Sharp, Stormbird" is a musical piece published in 2011 by Music House String Publications, specifically for string orchestra. It is in the key of D minor and has eight pages and parts for eight violins, eight violas, four cellos, four double basses, six violins II, and two violas II. Classified as a Level 2 difficulty, it lasts around 2 minutes and 30 seconds. The publication includes a composer's biography.
Keith Sharp earned his Bachelor of Music degree in 1984 and has been a string educator in Brisbane's Gap region ever since. He completed a postgraduate diploma in education in 1995 and has produced award-winning string programs and compositions. He is a renowned clinician, guest conductor, and lecturer, with his works gaining popularity globally.
Collage Romantique is an impressive piece for high school string orchestra. It features driving rhythms, emotional melodies, and dramatic runs in minor tonality. Sections take turns with accompaniment and leading lines, often teaming up. Students are encouraged to use full bow and vibrato. The themes linger with the audience after the final chord.
Keith Sharp earned his Bachelor of Music degree in 1984. He works as a string educator in Brisbane, Australia, producing award-winning string programs and ensembles and composing music. His works are famous in Australia and have gained recognition in the US, UK, and Germany. Keith is also a clinician, guest conductor, and guest lecturer.
