

"The Wild Colonial Boy" is a ballad about Jack Doolan, an Irish-Australian bushranger who was captured and killed by troopers. The song's nostalgic character is portrayed through lyrical part-writing, pizzicato, and tremolo effects. This arrangement, set in D major, features interesting lines for all players. Adding it to your concert line-up is a great way to introduce an Australian classic.
The ballad "The Wild Colonial Boy" first appeared in print in 1881 and tells the story of Jack Doolan, an Irish-Australian bushranger who was captured and killed by troopers. The ballad has captivated the imaginations of string students and audiences alike. Banjo Paterson later added two more verses to the ballad.
This charming song arrangement is set in the key of D major. It is styled after the old-time Waltz and features interesting lines for all players. The song's nostalgic character is portrayed through lyrical partwriting, while pizzicato and tremolo effects add variety to the texture.
Adding "The Wild Colonial Boy" to your next concert line-up is a great way to introduce an Australian classic to your audience.
This music features rich cello and viola lines with harmonics and pizzicatos. Playing with an optional 2-part choir score and piano accompaniment is enjoyable. Add a massed choir and strings for a school concert performance. It is a 'Music House' classic.
Keith Sharp is a well-established string educator in Brisbane, Australia, who has worked in the Gap region since 1984. He has produced award-winning string programs and compositions that have gained recognition worldwide. In addition to his teaching career, he is active as a clinician, guest conductor, and lecturer.
Arabesque art features repeating geometric patterns, often found in mosques. The style mimics plants and animals and symbolises the unity of faith in Islam. Arabesques are also classical piano pieces, like Debussy's Deux Arabesques, composed in 1888 and 1891, featuring playful linking of simple melodies.
Keith Sharp has been a renowned string educator in Brisbane's Gap region since 1984. He has produced award-winning string programs and compositions well-known in the United States, Great Britain, and Germany. Keith is also an active clinician, guest conductor, and lecturer.
Keith Sharp, a composer who loves Celtic music, has arranged several titles for string students that reflect the folk styles of the British Isles. Glendalough is one of his Irish compositions, inspired by a historic site south of Dublin. It's a beautiful piece graded level 3, with memorable tunes that appeal to middle and high school students. The piece is approximately 3 minutes and 10 seconds long, in B minor and G Major.
Keith Sharp is a Brisbane-based string educator with a Bachelor of Music degree (1984) and a postgraduate diploma in education (1995). He produces award-winning ensembles and compositions that are popular globally. Keith is also active as a clinician, guest conductor, and lecturer.
Australian composer and violinist Keith Sharp has created a flexible Celtic-sounding melody divided into three parts - a melody, harmony, and bass line. Each instrument has a melody part and an easier harmony part to accommodate players of different skill levels.
Keith Sharp is a Brisbane-based string educator and composer with a Bachelor of Music degree and a post-graduate diploma in education. He has produced award-winning string programs and ensembles, and his works are popular in Australia and abroad. Keith is also active as a clinician, guest conductor, and lecturer.
In 1700, the Last Dodo danced The Last Waltz on Mauritius Island. Valse Triste is a B minor waltz tribute to the extinct bird. It’s a tuneful and balanced piece with a soulful cello, a lyrical first violin, and various melodies, harmonies, and rhythms for inner players. It’s an excellent practice for waltz strokes and rhythms.
Keith Sharp is a Brisbane-based string educator, composer, and guest lecturer. He earned a Bachelor of Music degree in 1984 and has created award-winning programs and popular compositions worldwide.
"Masque of Arne" is a musical piece with a quasi-renaissance style featuring two different dance types. The first section is lively and upbeat, while the second is more ambient and tonal. The two can be performed separately or in succession, with a return to the first dance using da Capo to end the performance.
Keith Sharp is a string educator in the Gap region of Brisbane, Australia. He completed his Bachelor of Music in 1984 and a postgraduate diploma in education in 1995. Keith is an award-winning composer and highly regarded clinician, guest conductor, and lecturer, with his works being popular in Australia and internationally.
Two contrasting dances are linked, creating a classic ternary form. The first dance has a driving rhythm and repeated accents. A four-bar solo bridge leads to the succeeding dance with a graceful, modal theme. The Two Courtly Dances are easy to play yet catchy and appealing to various ages. The piece has four string lines and an optional piano. The viola doubles either the first or second violins throughout.
Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.