Sharp, The Wild Colonial Boy (Grade 2.5) For String Orchestra
$125.00
"The Wild Colonial Boy" is a ballad about Jack Doolan, an Irish-Australian bushranger who was captured and killed by troopers. The song's nostalgic character is portrayed through lyrical part-writing, pizzicato, and tremolo effects. This arrangement, set in D major, features interesting lines for all players. Adding it to your concert line-up is a great way to introduce an Australian classic.
The Wild Colonial Boy (Grade 2.5) for string orchestra
The ballad "The Wild Colonial Boy" first appeared in print in 1881 and tells the story of Jack Doolan, an Irish-Australian bushranger who was captured and killed by troopers. The ballad has captivated the imaginations of string students and audiences alike. Banjo Paterson later added two more verses to the ballad.
This charming song arrangement is set in the key of D major. It is styled after the old-time Waltz and features interesting lines for all players. The song's nostalgic character is portrayed through lyrical partwriting, while pizzicato and tremolo effects add variety to the texture.
Adding "The Wild Colonial Boy" to your next concert line-up is a great way to introduce an Australian classic to your audience.
It is a catchy tune that blends Eastern harmonies with Western rhythms. It features fiddling, alternating time signatures, and pentatonic patterns. Each part takes turns playing one of the main themes, providing various musical experiences. The violins have the option to play in ottava and third position. It is ideal for students to play and enjoy.
Keith Sharp is a music teacher who earned his Bachelor's degree in Music in 1984. He has been teaching as a string educator in Brisbane, Australia, for over 30 years. Keith completed a post-graduate diploma in education in 1995 and is active as a clinician, guest conductor, and guest lecturer. He has won awards for his string programs and compositions, which are popular worldwide.
This Pavane, written in the style of entrance music for an Elizabethan masque, wedding or other festive occasion, has a characteristic 2/2 swing with the occasional injection of 3/2 meter for rhythmic variety and spice. It is lyrical in essence, featuring long melodic lines passed between the parts. Technically straightforward and playable in the first position, the musical and tonal scope of the piece affords interest to a broad spectrum of ensemble standards.
Keith Sharp is a Brisbane-based string educator, composer, and guest lecturer. He earned a Bachelor of Music degree in 1984 and has created award-winning programs and popular compositions worldwide.
This music piece is inspired by the bandicoot's playful rhythm and light texture. It's suitable for advanced Primary to junior high ensembles and allows the practice of various stroke techniques. The theme is evenly distributed, making it enjoyable for all.
The Crocodile Hornpipe is a piece of music for varying skill levels. Upper strings play in 1st position; lower strings play an easy chromatic walking bass—lively crocodile theme played by 3rd violins, violas, and cellos with a spiccato texture. Later, a 1st violin fiddle-style descant is added. Bass line anchors arrangement—optional piano part for more support.
This piece involves repeated upper-half staccato with crescendo and decrescendo, along with an exciting countermelody. The parts are evenly balanced, and all players get the chance to play the tune at some point. Upper violinists may choose to play in the third position as recommended. You can enjoy exploring the possibilities with the old saying, "It's worse than a curse!"
