Polly, a sick cockatoo, feels lonely as her friends avoid her. This Eastern European-inspired composition is ideal for Grade 1.5 students and has a melancholic melody with a haunting piano accompaniment that lasts 2 minutes and 6 seconds.

Keith Sharp is a renowned music teacher and co-author of the beginner series Encore On Strings - Music Maestros. He has over 35 years of experience teaching string music, a Bachelor of Music Degree, and a Graduate Diploma in Further Education. Keith has received several awards for his contributions to music education and regularly appears at schools, music camps, and workshops.

"Explorers" has a majestic main theme and catchy accompanying figures. It portrays the determination and resilience of explorers as they face the unknown and the joy of new discoveries. The central chorale is in G Major, and all parts share the melodic interest. It lasts 3 minutes and 20 seconds.

Keith Sharp is a string educator based in Brisbane, Australia since 1984. He completed a postgraduate diploma in education in 1995 and has produced award-winning string programs and ensembles. Keith is a composer, and his works are famous in Australia and internationally. He is an active clinician, guest conductor, and lecturer.

This fiddle tune has separated cello and double bass parts for melody and harmony, allowing directors to challenge advanced students while keeping others engaged. It's perfect for real-world scenarios, with fun elements such as a slide from D# to E and a countermelody for balance.

Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.

The Dancing Peppers is a charming and light-hearted piece featuring repeated figures reminiscent of a familiar Mexican theme. The work is fun to play, yet teachers will find it packed with wonderful elementary string teaching points that help encourage both left- and right-hand technical development and refinement. 

This music piece is for young string students. It tells the story of mice sneaking into a kitchen while avoiding a cat. It can be played as a unison melody or in a flexible 3-part setting. It includes left-hand pizzicato, harmonics, and balanced bowing patterns. The piano accompaniment is essential. It’s 1:36 long, in D major, and suitable for Grade 1.5 students.

Keith Sharp is an experienced string teacher and passionate composer in Brisbane, Australia. He teaches at Brisbane State High School and has received numerous awards for his contributions to the music education community. Keith is a guest clinician, composer, teacher, and conductor at various music camps and workshops and co-author of Encore On Strings - Music Maestros.

Keith Sharp’s musical masterpiece, Restless, is now available for Grade 4 String Orchestra. The arrangement includes a conductor’s score and multiple string parts, making it easy to perform. Published by Music House String Publications, it offers an unparalleled musical experience. Keith has been a renowned string educator in Brisbane since 1985, and his educational ensemble pieces are recognised globally. He is a past president of AUSTA Queensland and co-author of Encore on Strings.

Haydn’s Lost Chorale is a revised version of The Abbey, inspired by Haydn’s St. Anthony’s Chorale. It’s scored for string orchestra with optional piano, including violin 3 (treble viola) and violin parts. It features a dotted rhythm, quasi-classical textures and singing themes.

Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.

This piece involves repeated upper-half staccato with crescendo and decrescendo, along with an exciting countermelody. The parts are evenly balanced, and all players get the chance to play the tune at some point. Upper violinists may choose to play in the third position as recommended. You can enjoy exploring the possibilities with the old saying, "It's worse than a curse!"