Sharp, On The Road Again For String Orchestra (Level 2)
$135.00
"On the Road Again for String Orchestra (Level 2)" is a cheerful and lighthearted piece by Keith Sharp, suitable for primary school ensembles and younger middle school students. The music has a charming country sound that evokes the feeling of singing and driving. The contrast between folk-style rhythms and a legato theme creates a lovely balance in the music and helps to teach bowing techniques. The music is graded at level 2, with an approximate duration of 2:20, and is in the key of G Major.
On the Road Again for String Orchestra (Level 2) by Keith Sharp
"On The Road Again For String Orchestra (Level 2)" is a cheerful and lighthearted piece of music composed by Keith Sharp. It is also suitable for primary school ensembles and younger middle school students. The music has a "little bit of country" sound that creates the image of singing and driving, whether in the outback, around town, or on a family holiday. The contrast between jaunty, folk-style rhythms and a legato theme adds a formal balance to the music and provides valuable teaching points in terms of bowing. The ensemble directors will appreciate the well-designed educational elements of the music, including the skillfully integrated lines, the sharing of roles, the careful choice of left-hand progression, the balanced strokes, and the satisfying yet manageable length. The music is graded at level 2 and has an approximate duration of 2:20. The music's key is G Major.
Keith Sharp is a successful string educator from Brisbane's Gap region. He earned a Bachelor of Music degree in 1984 and a postgraduate diploma in education in 1995. Keith is renowned for his award-winning string programs and creative compositions that are popular in Australia and internationally. He remains active as a clinician, guest conductor, and guest lecturer.
Keith Sharp's contemporary piece in D major is enjoyable to play and suitable for beginners. It features echo effects and melodious accompanying lines and is graded as a B for primary school and a C for high school.
Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.
"Far From Home" is a beautiful 1.45-minute piece by Keith Sharp for string orchestra. It is suitable for Grade 2 players and has a wistful melody that explores rich G-string sounds. The harmony/descant and bass parts are optional, and there's an optional vocal line too. This flexible piece is an excellent addition to your library.
Keith Sharp is an award-winning string educator and composer in Brisbane, Australia. He received his Bachelor of Music degree in 1984 and a postgraduate diploma in education in 1995. Keith is also involved in the music education community as a clinician, guest conductor, and lecturer.
"A Little Summer Suite for String Orchestra" by Keith Sharp features three unique parts. "Sun Bleached" is bright and cheerful, "Rain Come Down: A Prayer" is peaceful, and "Downpour!" is fast-paced and exciting. Perfect for grade 1 level musicians.
Keith Sharp is a string educator who earned his Bachelor of Music degree in 1984. He has produced award-winning string programs and ensembles while pursuing his passion for composition. Keith's works are famous in Australia and have been discovered by teachers in the United States, Great Britain, and Germany. He is also active in conducting workshops, guest conducting, and delivering lectures.
Keith Sharp, a composer who loves Celtic music, has arranged several titles for string students that reflect the folk styles of the British Isles. Glendalough is one of his Irish compositions, inspired by a historic site south of Dublin. It's a beautiful piece graded level 3, with memorable tunes that appeal to middle and high school students. The piece is approximately 3 minutes and 10 seconds long, in B minor and G Major.
Keith Sharp is a Brisbane-based string educator with a Bachelor of Music degree (1984) and a postgraduate diploma in education (1995). He produces award-winning ensembles and compositions that are popular globally. Keith is also active as a clinician, guest conductor, and lecturer.
"Snapdragons" is a Grade 1.5 music piece by Keith Sharp for string orchestra. It's eight pages long, 30 cm long, and includes a conductor's score and parts. Its duration is 2:40. Published in 2010 by Music House String Publications Pty Ltd, it's known for its catchy tunes and provides young string orchestra players an excellent opportunity to showcase their skills.
Keith Sharp is a distinguished string educator based in the Gap region of Brisbane, Australia. He has produced award-winning string programs and ensembles and is passionate about composition. Keith has gained recognition from teachers in the United States, Great Britain, and Germany. He also maintains an active schedule as a clinician, guest conductor, and guest lecturer.
This music is inspired by the Tudor era's early style, where music and dance were central to courtly life. It has a melodious quality, suitable for all players, with opportunities for technical development. The piano accompaniment helps balance rhythm and pitch. It's suitable for Grade 2 and written in D Major and related keys. The authentic setting is in the style of medieval dance, providing a glimpse into the time of Henry VIII.
"The Wild Colonial Boy" is a ballad about Jack Doolan, an Irish-Australian bushranger who was captured and killed by troopers. The song's nostalgic character is portrayed through lyrical part-writing, pizzicato, and tremolo effects. This arrangement, set in D major, features interesting lines for all players. Adding it to your concert line-up is a great way to introduce an Australian classic.
This piece, titled "Arianna," is openly romantic and expressive in its theme. It features an energetic introduction with a commanding cello/bass subject and a lyrical theme presented by the first violins. The composition invites the string ensemble to explore phrasing and balance in a bel canto setting. It also includes a foreboding middle section with a haunting B minor melody. The composition concludes with diminishing lines that may feature solos or front desks, bringing the listener and player satisfaction.
