This flexible musical piece is perfect for directors with musicians of different abilities. It offers easy melody parts for every instrument, making it inclusive. It's also an excellent opportunity to work on tone quality and musicianship.

Keith Sharp earned his Bachelor of Music in 1984 and is a string educator in Brisbane, Australia. He completed a postgraduate diploma in education in 1995. Keith has produced award-winning ensembles and compositions popular in Australia, the USA, the UK, and Germany. He is also active as a clinician, guest conductor, and lecturer.

This music features rich cello and viola lines with harmonics and pizzicatos. Playing with an optional 2-part choir score and piano accompaniment is enjoyable. Add a massed choir and strings for a school concert performance. It is a 'Music House' classic.

Keith Sharp is a well-established string educator in Brisbane, Australia, who has worked in the Gap region since 1984. He has produced award-winning string programs and compositions that have gained recognition worldwide. In addition to his teaching career, he is active as a clinician, guest conductor, and lecturer.

Enjoy Keith Sharp's captivating piece - energetic music with an exciting rhythm. It includes flexible scoring for cello, bass, and an optional extension violin part. Optional percussion adds to the rich sound. Perfect for young ensembles!

Keith Sharp is a highly accomplished string educator and composer from Brisbane, Australia. He completed his Bachelor of Music degree in 1984 and has been teaching in the Gap region since then. Keith has produced award-winning string programs and ensembles while pursuing his passion for composition. His works are popular in Australia and have also gained recognition internationally. Keith is also an active clinician, guest conductor, and lecturer.

River Song is a Celtic-style programmatic piece that musically follows the course of a river. It features contrasting sections with a rustic middle part. It's approachable and highly memorable, ideal for high school ensembles and appealing to students and audiences. The strings are beautifully written, adding overall charm.

Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.

This piece has an Irish essence and features lively fiddle-style themes contrasting with lyrical countermelodies. As you play, pass the melodic interest between the sections and experiment with different articulations, dynamics, and timbres inherent in the music. The 1st Violins get to show off with a fun yet playable fiddle break. The piece ends with an energetic, “all-in-together” finish that will leave the audience feeling roused. Fiddle O’Finnigan is popular with students, teachers, and audiences alike! The folio includes parts for the String Orchestra (8-8-4-4-6-2), the Conductor’s score, and an optional Piano accompaniment.

Angharad’s Feast," composed to celebrate the 30th anniversary of Brisbane’s Western Suburbs String Orchestra and honor founder Andrea Messenger, premiered in November 2019. The piece represents a family gathering, with each string section symbolizing different family members: first violins as energetic children, second violins as guiding parents, violas as aunties and uncles, and double basses and cellos as wise grandparents. With a warm and charming folk-style theme, the composition beautifully encapsulates the spirit of family, music, and life.

Caulderon was renowned for its magical prowess. Alchemy saved the city from imminent collapse into the sea and raised it into the air. According to Elfin legends, the floating city would occasionally visit other lands, carried by the winds. During these visits, the people of Caulderon would trade their magical wares with the locals. However, the visits were always short, and the city’s movements depended on the winds.

This piece involves repeated upper-half staccato with crescendo and decrescendo, along with an exciting countermelody. The parts are evenly balanced, and all players get the chance to play the tune at some point. Upper violinists may choose to play in the third position as recommended. You can enjoy exploring the possibilities with the old saying, "It's worse than a curse!"