Keith Sharp, a composer who loves Celtic music, has arranged several titles for string students that reflect the folk styles of the British Isles. Glendalough is one of his Irish compositions, inspired by a historic site south of Dublin. It's a beautiful piece graded level 3, with memorable tunes that appeal to middle and high school students. The piece is approximately 3 minutes and 10 seconds long, in B minor and G Major.

Keith Sharp is a Brisbane-based string educator with a Bachelor of Music degree (1984) and a postgraduate diploma in education (1995). He produces award-winning ensembles and compositions that are popular globally. Keith is also active as a clinician, guest conductor, and lecturer.

Celtic Lullaby is a 2-minute musical piece by Keith Sharp for a string orchestra in D major. The folio cover on the publisher's website has string parts, a conductor's score, and piano accompaniment. Natalie Sharp designed, edited and engraved the Music.

Keith Sharp, a string educator and composer from Brisbane, Australia, has won awards for his string programs, ensembles and compositions. He is also a popular clinician, conductor and lecturer.

In 1700, the Last Dodo danced The Last Waltz on Mauritius Island. Valse Triste is a B minor waltz tribute to the extinct bird. It’s a tuneful and balanced piece with a soulful cello, a lyrical first violin, and various melodies, harmonies, and rhythms for inner players. It’s an excellent practice for waltz strokes and rhythms.

Keith Sharp is a Brisbane-based string educator, composer, and guest lecturer. He earned a Bachelor of Music degree in 1984 and has created award-winning programs and popular compositions worldwide.

This piece involves repeated upper-half staccato with crescendo and decrescendo, along with an exciting countermelody. The parts are evenly balanced, and all players get the chance to play the tune at some point. Upper violinists may choose to play in the third position as recommended. You can enjoy exploring the possibilities with the old saying, "It's worse than a curse!"

The Wild West and contemporary US composers inspired this piece. It has an idiomatic cowboy feel, with lively lines and a pleasing middle section. The outer sections have a dynamic ensemble energy, and there are opportunities for bowing techniques and position work.

Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.

"Snapdragons" is a Grade 1.5 music piece by Keith Sharp for string orchestra. It's eight pages long, 30 cm long, and includes a conductor's score and parts. Its duration is 2:40. Published in 2010 by Music House String Publications Pty Ltd, it's known for its catchy tunes and provides young string orchestra players an excellent opportunity to showcase their skills.

Keith Sharp is a distinguished string educator based in the Gap region of Brisbane, Australia. He has produced award-winning string programs and ensembles and is passionate about composition. Keith has gained recognition from teachers in the United States, Great Britain, and Germany. He also maintains an active schedule as a clinician, guest conductor, and guest lecturer.

Enjoy Keith Sharp's captivating piece - energetic music with an exciting rhythm. It includes flexible scoring for cello, bass, and an optional extension violin part. Optional percussion adds to the rich sound. Perfect for young ensembles!

Keith Sharp is a highly accomplished string educator and composer from Brisbane, Australia. He completed his Bachelor of Music degree in 1984 and has been teaching in the Gap region since then. Keith has produced award-winning string programs and ensembles while pursuing his passion for composition. His works are popular in Australia and have also gained recognition internationally. Keith is also an active clinician, guest conductor, and lecturer.

This piece, titled "Arianna," is openly romantic and expressive in its theme. It features an energetic introduction with a commanding cello/bass subject and a lyrical theme presented by the first violins. The composition invites the string ensemble to explore phrasing and balance in a bel canto setting. It also includes a foreboding middle section with a haunting B minor melody. The composition concludes with diminishing lines that may feature solos or front desks, bringing the listener and player satisfaction.