This piece involves repeated upper-half staccato with crescendo and decrescendo, along with an exciting countermelody. The parts are evenly balanced, and all players get the chance to play the tune at some point. Upper violinists may choose to play in the third position as recommended. You can enjoy exploring the possibilities with the old saying, "It's worse than a curse!"
"Terrifying the living daylights out of people makes for a hard night's work. Peace and quiet in a favorite sarcophagus at the museum is just the tonic needed to soothe the soul...but sadly, not to be! Busloads of rowdy, riotous children armed with sticky fingers and felt-tipped pens stampede the place. It's enough to chill even my cold bones - why it's worn than a curse!"
This piece features repeated upper-half staccato with crescendo and decrescendo, combined with an exciting countermelody. The parts are evenly balanced, and all players have the opportunity to play the tune at some point. Upper violinists may choose to play in the third position as recommended. You can enjoy exploring the possibilities with the old saying, "It's worse than a curse!"
Keith Sharp received his Bachelor of Music degree in 1984 and later became a string educator in the Gap region of Brisbane, Australia. He has been teaching in the same region ever since. In 1995, he completed a postgraduate diploma in education. Throughout his teaching career, Keith has created award-winning string programs and ensembles while pursuing his passion for composition. His beautifully crafted and imaginative works are highly popular throughout Australia and, more recently, in the United States, Great Britain, and Germany. Keith is an active clinician, guest conductor, and guest lecturer.
Caulderon was renowned for its magical prowess. Alchemy saved the city from imminent collapse into the sea and raised it into the air. According to Elfin legends, the floating city would occasionally visit other lands, carried by the winds. During these visits, the people of Caulderon would trade their magical wares with the locals. However, the visits were always short, and the city’s movements depended on the winds.
Two contrasting dances are linked, creating a classic ternary form. The first dance has a driving rhythm and repeated accents. A four-bar solo bridge leads to the succeeding dance with a graceful, modal theme. The Two Courtly Dances are easy to play yet catchy and appealing to various ages. The piece has four string lines and an optional piano. The viola doubles either the first or second violins throughout.
Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.
This piece is upbeat and features two contrasting themes - a rhythmic fiddling-style section and a warm Celtic air. It's engaging and encourages cohesive energy in the ensemble with clever bow techniques and fun challenges like rapid string crossings and syncopation.
Keith Sharp is a string educator in Brisbane, Australia, where he teaches and has produced award-winning string programs and ensembles. He is also a composer whose works are famous in Australia and internationally. Keith is an active clinician, guest conductor, and lecturer.
Mamba Samba is a fun and unique piece for string ensembles. It offers swing without technical difficulty, accommodates different skill levels, has optional parts for violin and viola, and includes lyrics. A MIDI backing track is also available.
Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.
"The Wild Colonial Boy" is a ballad about Jack Doolan, an Irish-Australian bushranger who was captured and killed by troopers. The song's nostalgic character is portrayed through lyrical part-writing, pizzicato, and tremolo effects. This arrangement, set in D major, features interesting lines for all players. Adding it to your concert line-up is a great way to introduce an Australian classic.
This flexible musical piece is perfect for directors with musicians of different abilities. It offers easy melody parts for every instrument, making it inclusive. It's also an excellent opportunity to work on tone quality and musicianship.
Keith Sharp earned his Bachelor of Music in 1984 and is a string educator in Brisbane, Australia. He completed a postgraduate diploma in education in 1995. Keith has produced award-winning ensembles and compositions popular in Australia, the USA, the UK, and Germany. He is also active as a clinician, guest conductor, and lecturer.
This musical score offers a charming escape to old-time dancing during World War I, with lovely Mexican touches. Shared themes between sections, informed educational design and a manageable length make it perfect for ensembles. Duration: 2:50 in D major.
Keith has been teaching at Brisbane’s state schools since 1985. He composes imaginative pieces for string students, some of which have been published by The FJH Music Company and Alfreds. Keith has received multiple awards and recognition for his contributions to music education. He appears as a guest clinician, composer, teacher, and conductor at schools, music camps, and workshops. Additionally, Keith co-authors the beginner series Encore On Strings - Music Maestros.
