"Emu Rag" by Keith Sharp is a fun and lively music piece for a grade 3 string orchestra. Its catchy rhythms and melodies make it an excellent choice for young musicians looking for upbeat and joyful music. It's popular among music educators and offers an opportunity to learn about different playing techniques and musical styles. Overall, it's a fantastic addition to any string orchestra's playlist.

Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.

This flexible musical piece is perfect for directors with musicians of different abilities. It offers easy melody parts for every instrument, making it inclusive. It's also an excellent opportunity to work on tone quality and musicianship.

Keith Sharp earned his Bachelor of Music in 1984 and is a string educator in Brisbane, Australia. He completed a postgraduate diploma in education in 1995. Keith has produced award-winning ensembles and compositions popular in Australia, the USA, the UK, and Germany. He is also active as a clinician, guest conductor, and lecturer.

This piece has an Irish essence and features lively fiddle-style themes contrasting with lyrical countermelodies. As you play, pass the melodic interest between the sections and experiment with different articulations, dynamics, and timbres inherent in the music. The 1st Violins get to show off with a fun yet playable fiddle break. The piece ends with an energetic, “all-in-together” finish that will leave the audience feeling roused. Fiddle O’Finnigan is popular with students, teachers, and audiences alike! The folio includes parts for the String Orchestra (8-8-4-4-6-2), the Conductor’s score, and an optional Piano accompaniment.

This music piece is inspired by the bandicoot's playful rhythm and light texture. It's suitable for advanced Primary to junior high ensembles and allows the practice of various stroke techniques. The theme is evenly distributed, making it enjoyable for all.

This piece involves repeated upper-half staccato with crescendo and decrescendo, along with an exciting countermelody. The parts are evenly balanced, and all players get the chance to play the tune at some point. Upper violinists may choose to play in the third position as recommended. You can enjoy exploring the possibilities with the old saying, "It's worse than a curse!"

The Yangtze River flows through the pentatonic soundscape, bringing ancient Asian music to life. Its exotic and simple modal textures enchant younger students. This masterpiece captures the essence of the East and resonates with the soul.

Keith Sharp earned a Bachelor of Music degree in 1984 and has taught strings in the Gap region of Brisbane, Australia. He completed a postgraduate diploma in education in 1995. Keith produces exceptional string programs and compositions that are popular worldwide. He is also a guest conductor, clinician, and lecturer.

This Pavane, written in the style of entrance music for an Elizabethan masque, wedding or other festive occasion, has a characteristic 2/2 swing with the occasional injection of 3/2 meter for rhythmic variety and spice. It is lyrical in essence, featuring long melodic lines passed between the parts. Technically straightforward and playable in the first position, the musical and tonal scope of the piece affords interest to a broad spectrum of ensemble standards.

Keith Sharp is a Brisbane-based string educator, composer, and guest lecturer. He earned a Bachelor of Music degree in 1984 and has created award-winning programs and popular compositions worldwide.

This music features rich cello and viola lines with harmonics and pizzicatos. Playing with an optional 2-part choir score and piano accompaniment is enjoyable. Add a massed choir and strings for a school concert performance. It is a 'Music House' classic.

Keith Sharp is a well-established string educator in Brisbane, Australia, who has worked in the Gap region since 1984. He has produced award-winning string programs and compositions that have gained recognition worldwide. In addition to his teaching career, he is active as a clinician, guest conductor, and lecturer.