Chromatic glissandi, walking bass, and piano accompany a slow blues melody played by violins. The tune encourages vibrato and sounds excellent in the third or first position. The third violin/viola part is simple, while cellists can enjoy their chromatic pizzicato. The piano line is crucial. It's an original "concert novelty" that generates interest.
Keith Sharp is a renowned composer and string educator based in Brisbane, Australia. He has produced award-winning string programs and ensembles while pursuing his passion for composition. Unfortunately, his work "Bilge Rat Blues for String Orchestra" is currently out of print and unavailable.
Chromatic glissandi, walking bass, and piano accompany a slow blues melody played by violins. This tune is perfect for encouraging vibrato and sounds great when played in the third position, but it can also be played in the first. The third violin/viola part is simple enough for elementary instrumentalists to manage, while cellists can enjoy their chromatic pizzicato and play the rich, smooth melody. The piano line is an essential component and should not be omitted. This is an original "concert novelty" that provides excellent programming interest.
Keith Sharp, an accomplished composer and string educator, completed his Bachelor of Music degree in 1984 and has taught in the Gap region of Brisbane, Australia, ever since. In 1995, he completed a postgraduate diploma in education. Throughout his teaching career, Keith has produced award-winning string programs and ensembles while pursuing his passion for composition. His imaginative and finely crafted works have gained widespread popularity in Australia and beyond, with teachers in the United States, Great Britain, and Germany discovering his music. Keith continues to be active as a clinician, guest conductor, and guest lecturer. However, his work "Bilge Rat Blues for String Orchestra" is currently out of print and out of stock.
This piece involves repeated upper-half staccato with crescendo and decrescendo, along with an exciting countermelody. The parts are evenly balanced, and all players get the chance to play the tune at some point. Upper violinists may choose to play in the third position as recommended. You can enjoy exploring the possibilities with the old saying, "It's worse than a curse!"
Fernando’s Tango is a rhythmic piece featuring a dotted rhythm throughout. The cello, Double bass, and Violin 3/violin treble parts offer beat stability, while the first Violins have an easy-to-play tango descant. The ensemble pack includes Unison Melody parts for Violin, Viola, and Cello and can be tailored to suit different playing standards.
Keith Sharp is a string music teacher in Brisbane, Australia. He earned his Bachelor of Music degree in 1984 and a postgraduate diploma in education in 1995. He creates award-winning string programs and compositions popular in Australia, the United States, Great Britain, and Germany. Keith is also an active clinician, guest conductor, and guest lecturer.
Keith Sharp's "Song Lines for String Orchestra" is an appealing musical composition that showcases Keith's love for vocal arrangements. This piece is primarily designed to help players improve their musical bow division and associated melodic direction while focusing on creating tonal beauty. The piece is graded at 2.5, making it suitable for primary school A/high school B or C. It lasts 3 minutes and 10 seconds, set in D Major and related keys.
A Celtic Gathering For String Orchestra (Grade 3) by Keith Sharp captures the essence of Celtic music with its traditional rhythms, haunting melodies, and catchy tunes. The piece is skillfully arranged for young performers and showcases their virtuosity using technical elements. It will surely delight audiences of all ages and challenge young performers to improve their skills.
Mamba Samba is a fun and unique piece for string ensembles. It offers swing without technical difficulty, accommodates different skill levels, has optional parts for violin and viola, and includes lyrics. A MIDI backing track is also available.
Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.
This piece has an Irish essence and features lively fiddle-style themes contrasting with lyrical countermelodies. As you play, pass the melodic interest between the sections and experiment with different articulations, dynamics, and timbres inherent in the music. The 1st Violins get to show off with a fun yet playable fiddle break. The piece ends with an energetic, “all-in-together” finish that will leave the audience feeling roused. Fiddle O’Finnigan is popular with students, teachers, and audiences alike! The folio includes parts for the String Orchestra (8-8-4-4-6-2), the Conductor’s score, and an optional Piano accompaniment.
"Far From Home" is a beautiful 1.45-minute piece by Keith Sharp for string orchestra. It is suitable for Grade 2 players and has a wistful melody that explores rich G-string sounds. The harmony/descant and bass parts are optional, and there's an optional vocal line too. This flexible piece is an excellent addition to your library.
Keith Sharp is an award-winning string educator and composer in Brisbane, Australia. He received his Bachelor of Music degree in 1984 and a postgraduate diploma in education in 1995. Keith is also involved in the music education community as a clinician, guest conductor, and lecturer.
Polly, a sick cockatoo, feels lonely as her friends avoid her. This Eastern European-inspired composition is ideal for Grade 1.5 students and has a melancholic melody with a haunting piano accompaniment that lasts 2 minutes and 6 seconds.
Keith Sharp is a renowned music teacher and co-author of the beginner series Encore On Strings - Music Maestros. He has over 35 years of experience teaching string music, a Bachelor of Music Degree, and a Graduate Diploma in Further Education. Keith has received several awards for his contributions to music education and regularly appears at schools, music camps, and workshops.
