Polly, a sick cockatoo, feels lonely as her friends avoid her. This Eastern European-inspired composition is ideal for Grade 1.5 students and has a melancholic melody with a haunting piano accompaniment that lasts 2 minutes and 6 seconds.

Keith Sharp is a renowned music teacher and co-author of the beginner series Encore On Strings - Music Maestros. He has over 35 years of experience teaching string music, a Bachelor of Music Degree, and a Graduate Diploma in Further Education. Keith has received several awards for his contributions to music education and regularly appears at schools, music camps, and workshops.

This piece is upbeat and features two contrasting themes - a rhythmic fiddling-style section and a warm Celtic air. It's engaging and encourages cohesive energy in the ensemble with clever bow techniques and fun challenges like rapid string crossings and syncopation.

Keith Sharp is a string educator in Brisbane, Australia, where he teaches and has produced award-winning string programs and ensembles. He is also a composer whose works are famous in Australia and internationally. Keith is an active clinician, guest conductor, and lecturer.

In 1700, the Last Dodo danced The Last Waltz on Mauritius Island. Valse Triste is a B minor waltz tribute to the extinct bird. It’s a tuneful and balanced piece with a soulful cello, a lyrical first violin, and various melodies, harmonies, and rhythms for inner players. It’s an excellent practice for waltz strokes and rhythms.

Keith Sharp is a Brisbane-based string educator, composer, and guest lecturer. He earned a Bachelor of Music degree in 1984 and has created award-winning programs and popular compositions worldwide.

Mamba Samba is a fun and unique piece for string ensembles. It offers swing without technical difficulty, accommodates different skill levels, has optional parts for violin and viola, and includes lyrics. A MIDI backing track is also available.

Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.

It is a catchy tune that blends Eastern harmonies with Western rhythms. It features fiddling, alternating time signatures, and pentatonic patterns. Each part takes turns playing one of the main themes, providing various musical experiences. The violins have the option to play in ottava and third position. It is ideal for students to play and enjoy.

Keith Sharp is a music teacher who earned his Bachelor's degree in Music in 1984. He has been teaching as a string educator in Brisbane, Australia, for over 30 years. Keith completed a post-graduate diploma in education in 1995 and is active as a clinician, guest conductor, and guest lecturer. He has won awards for his string programs and compositions, which are popular worldwide.

Winter Sunshine is a musical composition created for a junior string ensemble. It has a warm vocal style that features three essential lines played in unison, opening up into a satisfying harmony and bass line. The piano part adds tonal and harmonic depth to the texture, making it easier for younger players to rehearse and perform confidently. Keith Sharp, a renowned string educator in Brisbane, composed the piece and has been recognised globally. He has a Bachelor of Music Degree and a Graduate Diploma in Further Education, is a past president of AUSTA Queensland, and is co-author of Encore on Strings - Music Maestros.

This music features rich cello and viola lines with harmonics and pizzicatos. Playing with an optional 2-part choir score and piano accompaniment is enjoyable. Add a massed choir and strings for a school concert performance. It is a 'Music House' classic.

Keith Sharp is a well-established string educator in Brisbane, Australia, who has worked in the Gap region since 1984. He has produced award-winning string programs and compositions that have gained recognition worldwide. In addition to his teaching career, he is active as a clinician, guest conductor, and lecturer.

This piece involves repeated upper-half staccato with crescendo and decrescendo, along with an exciting countermelody. The parts are evenly balanced, and all players get the chance to play the tune at some point. Upper violinists may choose to play in the third position as recommended. You can enjoy exploring the possibilities with the old saying, "It's worse than a curse!"