This flexible musical piece is perfect for directors with musicians of different abilities. It offers easy melody parts for every instrument, making it inclusive. It's also an excellent opportunity to work on tone quality and musicianship.

Keith Sharp earned his Bachelor of Music in 1984 and is a string educator in Brisbane, Australia. He completed a postgraduate diploma in education in 1995. Keith has produced award-winning ensembles and compositions popular in Australia, the USA, the UK, and Germany. He is also active as a clinician, guest conductor, and lecturer.

"Sharp, Stormbird" is a musical piece published in 2011 by Music House String Publications, specifically for string orchestra. It is in the key of D minor and has eight pages and parts for eight violins, eight violas, four cellos, four double basses, six violins II, and two violas II. Classified as a Level 2 difficulty, it lasts around 2 minutes and 30 seconds. The publication includes a composer's biography.

Keith Sharp earned his Bachelor of Music degree in 1984 and has been a string educator in Brisbane's Gap region ever since. He completed a postgraduate diploma in education in 1995 and has produced award-winning string programs and compositions. He is a renowned clinician, guest conductor, and lecturer, with his works gaining popularity globally.

This Pavane, written in the style of entrance music for an Elizabethan masque, wedding or other festive occasion, has a characteristic 2/2 swing with the occasional injection of 3/2 meter for rhythmic variety and spice. It is lyrical in essence, featuring long melodic lines passed between the parts. Technically straightforward and playable in the first position, the musical and tonal scope of the piece affords interest to a broad spectrum of ensemble standards.

Keith Sharp is a Brisbane-based string educator, composer, and guest lecturer. He earned a Bachelor of Music degree in 1984 and has created award-winning programs and popular compositions worldwide.

Keith Sharp’s musical masterpiece, Restless, is now available for Grade 4 String Orchestra. The arrangement includes a conductor’s score and multiple string parts, making it easy to perform. Published by Music House String Publications, it offers an unparalleled musical experience. Keith has been a renowned string educator in Brisbane since 1985, and his educational ensemble pieces are recognised globally. He is a past president of AUSTA Queensland and co-author of Encore on Strings.

This flexible arrangement has a challenging violin extension, optional two-part vocals, and a groovy bass part. It is written in a jazz/swing style with the sounds of Randy Newman, Nat King Cole, and George Gershwin.

Keith Sharp is a string educator who earned his Bachelor of Music in 1984. He still teaches in the Gap region of Brisbane, Australia. Keith is also a composer whose works are famous in Australia and gaining recognition worldwide. He is actively involved as a clinician, guest conductor, and guest lecturer.

This music piece is inspired by the bandicoot's playful rhythm and light texture. It's suitable for advanced Primary to junior high ensembles and allows the practice of various stroke techniques. The theme is evenly distributed, making it enjoyable for all.

This is a 2-minute string orchestra piece in E minor, graded at levels 2-3. It is a fantasia on the Irish reel 'Drowsy Maggie' and can be played for violins and piano. It includes two challenging descant lines, piano accompaniment, tambourine, and a simple cello line. The conductor's score has arranger info.

Keith Sharp is a notable string educator from Brisbane, Australia. He holds a Bachelor of Music degree and a postgraduate diploma in education. Keith is an award-winning composer whose works are famous in Australia and have gained recognition internationally. He is also an active clinician, guest conductor, and lecturer.

This piece involves repeated upper-half staccato with crescendo and decrescendo, along with an exciting countermelody. The parts are evenly balanced, and all players get the chance to play the tune at some point. Upper violinists may choose to play in the third position as recommended. You can enjoy exploring the possibilities with the old saying, "It's worse than a curse!"