This flexible musical piece is perfect for directors with musicians of different abilities. It offers easy melody parts for every instrument, making it inclusive. It's also an excellent opportunity to work on tone quality and musicianship.
Keith Sharp earned his Bachelor of Music in 1984 and is a string educator in Brisbane, Australia. He completed a postgraduate diploma in education in 1995. Keith has produced award-winning ensembles and compositions popular in Australia, the USA, the UK, and Germany. He is also active as a clinician, guest conductor, and lecturer.
Kings of Stone for String Orchestra by Keith Sharp
This warm and lyrical selection is perfect for any director who has musicians with varying abilities. The incredible performance flexibility allows for optional, easy melody parts for every instrument so that you can involve your less experienced musicians without any worry. This is also an excellent opportunity to work on tone quality and musicianship.
Keith Sharp earned his Bachelor of Music degree in 1984 and later became a string educator in the Gap region of Brisbane, Australia, where he still teaches today. In 1995, he completed a postgraduate diploma in education. Throughout his teaching career, Keith has produced award-winning string programs and ensembles and pursued his passion for composition. His beautifully crafted and imaginative works are highly popular throughout Australia and have recently gained attention from teachers in the United States, Great Britain, and Germany. In addition to his teaching and composing, Keith is also active as a clinician, guest conductor, and guest lecturer.
This piece, titled "Arianna," is openly romantic and expressive in its theme. It features an energetic introduction with a commanding cello/bass subject and a lyrical theme presented by the first violins. The composition invites the string ensemble to explore phrasing and balance in a bel canto setting. It also includes a foreboding middle section with a haunting B minor melody. The composition concludes with diminishing lines that may feature solos or front desks, bringing the listener and player satisfaction.
Night Folk is a 3-sketch musical piece inspired by Enid Blyton’s playful storytelling. It features mischievous creatures making fun of marching gnomes, riding Queen Caterpillar, and dancing in an enchanted ring. The composition has carefully designed educational elements for musical ensembles, a manageable length of 2 min 52 sec, and is in the key of A Aeolian mode.
Keith Sharp is a music educator from Brisbane, Australia, with over 35 years of experience. He currently teaches at Brisbane State High School, focusing on ensemble and group tuition. Keith’s ensemble pieces have won awards, and he’s a co-author of Encore on Strings. He regularly appears as a guest clinician, composer, teacher, and conductor.
Two contrasting dances are linked, creating a classic ternary form. The first dance has a driving rhythm and repeated accents. A four-bar solo bridge leads to the succeeding dance with a graceful, modal theme. The Two Courtly Dances are easy to play yet catchy and appealing to various ages. The piece has four string lines and an optional piano. The viola doubles either the first or second violins throughout.
Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.
In 1700, the Last Dodo danced The Last Waltz on Mauritius Island. Valse Triste is a B minor waltz tribute to the extinct bird. It’s a tuneful and balanced piece with a soulful cello, a lyrical first violin, and various melodies, harmonies, and rhythms for inner players. It’s an excellent practice for waltz strokes and rhythms.
Keith Sharp is a Brisbane-based string educator, composer, and guest lecturer. He earned a Bachelor of Music degree in 1984 and has created award-winning programs and popular compositions worldwide.
Fernando’s Tango is a rhythmic piece featuring a dotted rhythm throughout. The cello, Double bass, and Violin 3/violin treble parts offer beat stability, while the first Violins have an easy-to-play tango descant. The ensemble pack includes Unison Melody parts for Violin, Viola, and Cello and can be tailored to suit different playing standards.
Keith Sharp is a string music teacher in Brisbane, Australia. He earned his Bachelor of Music degree in 1984 and a postgraduate diploma in education in 1995. He creates award-winning string programs and compositions popular in Australia, the United States, Great Britain, and Germany. Keith is also an active clinician, guest conductor, and guest lecturer.
Fiddle Fever by Keith Sharp is a lively country-style music piece for string orchestra. It has memorable intertwining lines passed among the sections, supported by a bass line and an optional piano accompaniment. Perfect for all ages, this piece will make you tap your toes and enjoy some real toe-tappin' fiddlin' with your partner!
Keith Sharp is a celebrated music teacher in Brisbane, Australia. He has a Bachelor of Music degree and a postgraduate diploma in education. Keith is known for his exceptional string programs, ensembles and compositions. His music is popular in Australia and internationally. Keith is often invited to work as a clinician, guest conductor, and lecturer.
Chromatic glissandi, walking bass, and piano accompany a slow blues melody played by violins. The tune encourages vibrato and sounds excellent in the third or first position. The third violin/viola part is simple, while cellists can enjoy their chromatic pizzicato. The piano line is crucial. It's an original "concert novelty" that generates interest.
Keith Sharp is a renowned composer and string educator based in Brisbane, Australia. He has produced award-winning string programs and ensembles while pursuing his passion for composition. Unfortunately, his work "Bilge Rat Blues for String Orchestra" is currently out of print and unavailable.
This piece has an Irish essence and features lively fiddle-style themes contrasting with lyrical countermelodies. As you play, pass the melodic interest between the sections and experiment with different articulations, dynamics, and timbres inherent in the music. The 1st Violins get to show off with a fun yet playable fiddle break. The piece ends with an energetic, “all-in-together” finish that will leave the audience feeling roused. Fiddle O’Finnigan is popular with students, teachers, and audiences alike! The folio includes parts for the String Orchestra (8-8-4-4-6-2), the Conductor’s score, and an optional Piano accompaniment.
