Sharp, Bamboo Cowboy (Grade 2) For String Orchestra

"Far From Home" is a beautiful 1.45-minute piece by Keith Sharp for string orchestra. It is suitable for Grade 2 players and has a wistful melody that explores rich G-string sounds. The harmony/descant and bass parts are optional, and there's an optional vocal line too. This flexible piece is an excellent addition to your library.

Keith Sharp is an award-winning string educator and composer in Brisbane, Australia. He received his Bachelor of Music degree in 1984 and a postgraduate diploma in education in 1995. Keith is also involved in the music education community as a clinician, guest conductor, and lecturer.

Chromatic glissandi, walking bass, and piano accompany a slow blues melody played by violins. The tune encourages vibrato and sounds excellent in the third or first position. The third violin/viola part is simple, while cellists can enjoy their chromatic pizzicato. The piano line is crucial. It's an original "concert novelty" that generates interest.

Keith Sharp is a renowned composer and string educator based in Brisbane, Australia. He has produced award-winning string programs and ensembles while pursuing his passion for composition. Unfortunately, his work "Bilge Rat Blues for String Orchestra" is currently out of print and unavailable.

This piece has an Irish essence and features lively fiddle-style themes contrasting with lyrical countermelodies. As you play, pass the melodic interest between the sections and experiment with different articulations, dynamics, and timbres inherent in the music. The 1st Violins get to show off with a fun yet playable fiddle break. The piece ends with an energetic, “all-in-together” finish that will leave the audience feeling roused. Fiddle O’Finnigan is popular with students, teachers, and audiences alike! The folio includes parts for the String Orchestra (8-8-4-4-6-2), the Conductor’s score, and an optional Piano accompaniment.

This flexible arrangement has a challenging violin extension, optional two-part vocals, and a groovy bass part. It is written in a jazz/swing style with the sounds of Randy Newman, Nat King Cole, and George Gershwin.

Keith Sharp is a string educator who earned his Bachelor of Music in 1984. He still teaches in the Gap region of Brisbane, Australia. Keith is also a composer whose works are famous in Australia and gaining recognition worldwide. He is actively involved as a clinician, guest conductor, and guest lecturer.

Haydn’s Lost Chorale is a revised version of The Abbey, inspired by Haydn’s St. Anthony’s Chorale. It’s scored for string orchestra with optional piano, including violin 3 (treble viola) and violin parts. It features a dotted rhythm, quasi-classical textures and singing themes.

Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.

"Masque of Arne" is a musical piece with a quasi-renaissance style featuring two different dance types. The first section is lively and upbeat, while the second is more ambient and tonal. The two can be performed separately or in succession, with a return to the first dance using da Capo to end the performance.

Keith Sharp is a string educator in the Gap region of Brisbane, Australia. He completed his Bachelor of Music in 1984 and a postgraduate diploma in education in 1995. Keith is an award-winning composer and highly regarded clinician, guest conductor, and lecturer, with his works being popular in Australia and internationally.

This piece, titled "Arianna," is openly romantic and expressive in its theme. It features an energetic introduction with a commanding cello/bass subject and a lyrical theme presented by the first violins. The composition invites the string ensemble to explore phrasing and balance in a bel canto setting. It also includes a foreboding middle section with a haunting B minor melody. The composition concludes with diminishing lines that may feature solos or front desks, bringing the listener and player satisfaction.