Chromatic glissandi, walking bass, and piano accompany a slow blues melody played by violins. The tune encourages vibrato and sounds excellent in the third or first position. The third violin/viola part is simple, while cellists can enjoy their chromatic pizzicato. The piano line is crucial. It's an original "concert novelty" that generates interest.

Keith Sharp is a renowned composer and string educator based in Brisbane, Australia. He has produced award-winning string programs and ensembles while pursuing his passion for composition. Unfortunately, his work "Bilge Rat Blues for String Orchestra" is currently out of print and unavailable.

M. Bernotas, Strings of Fire for String Orchestra (Alfred)

"A Little Summer Suite for String Orchestra" by Keith Sharp features three unique parts. "Sun Bleached" is bright and cheerful, "Rain Come Down: A Prayer" is peaceful, and "Downpour!" is fast-paced and exciting. Perfect for grade 1 level musicians.

Keith Sharp is a string educator who earned his Bachelor of Music degree in 1984. He has produced award-winning string programs and ensembles while pursuing his passion for composition. Keith's works are famous in Australia and have been discovered by teachers in the United States, Great Britain, and Germany. He is also active in conducting workshops, guest conducting, and delivering lectures.

“The Spaniard” is a piece of WSSO’s commissioned music that premiered in 2018. It tells three parts of a heroic captain’s valiant exploits. The captain survives a shipwreck, is rescued by an Irish maiden he marries, and returns to his seafaring life. The piece has lyrical melodies and is enjoyed by audiences and middle/high school students.

Keith Sharp has been teaching string music in Brisbane’s regional state schools since 1985. He holds a Bachelor of Music Degree and a Graduate Diploma in Further Education. Keith is an accomplished musician, a Rotary Paul Harris Fellow, and a recipient of several awards. He is a guest clinician, composer, teacher, and conductor at schools, music camps, and workshops. Additionally, he co-authors Encore on Strings - Music Maestros.

Fiddler's Farewell is a beautiful Gaelic-style music piece for middle and high school string players. It allows expressive playing with emphasis on phrasing and dynamics. Keith Sharp's arrangement involves all players with melody, harmony, and accompaniment roles. The music has technical challenges and lyrical possibilities to keep all ensemble members engaged. An optional piano part is available, but it is not essential. Graded at level 2.5, it's 3 minutes and 15 seconds long in E Aeolian Mode and related keys.

"Emu Rag" by Keith Sharp is a fun and lively music piece for a grade 3 string orchestra. Its catchy rhythms and melodies make it an excellent choice for young musicians looking for upbeat and joyful music. It's popular among music educators and offers an opportunity to learn about different playing techniques and musical styles. Overall, it's a fantastic addition to any string orchestra's playlist.

Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.

This Pavane, written in the style of entrance music for an Elizabethan masque, wedding or other festive occasion, has a characteristic 2/2 swing with the occasional injection of 3/2 meter for rhythmic variety and spice. It is lyrical in essence, featuring long melodic lines passed between the parts. Technically straightforward and playable in the first position, the musical and tonal scope of the piece affords interest to a broad spectrum of ensemble standards.

Keith Sharp is a Brisbane-based string educator, composer, and guest lecturer. He earned a Bachelor of Music degree in 1984 and has created award-winning programs and popular compositions worldwide.

This piece, titled "Arianna," is openly romantic and expressive in its theme. It features an energetic introduction with a commanding cello/bass subject and a lyrical theme presented by the first violins. The composition invites the string ensemble to explore phrasing and balance in a bel canto setting. It also includes a foreboding middle section with a haunting B minor melody. The composition concludes with diminishing lines that may feature solos or front desks, bringing the listener and player satisfaction.