This piece is upbeat and features two contrasting themes - a rhythmic fiddling-style section and a warm Celtic air. It's engaging and encourages cohesive energy in the ensemble with clever bow techniques and fun challenges like rapid string crossings and syncopation.

Keith Sharp is a string educator in Brisbane, Australia, where he teaches and has produced award-winning string programs and ensembles. He is also a composer whose works are famous in Australia and internationally. Keith is an active clinician, guest conductor, and lecturer.

Click Go the Shears is a delightful adaptation of a traditional Australian folk song for beginner players. It features an optional and exquisitely crafted piano accompaniment. Simple violin lines can be played singly with the piano.

Keith Sharp is a string educator in Brisbane, Australia. He received his degree in 1984 and a post-graduate diploma in 1995. Keith produces award-winning string programs and compositions popular in Australia and internationally. He is also active as a guest conductor, clinician, and lecturer.

Katie O'Hara LaBrie,  Snow Day! for String Orchestra (Alfred Music)

Waking up on a cold winter day. Sledding. Hot chocolate. It's a snow day! Written by Katie O'Hara LaBrie, Snow Day! is craftily designed only using the notes of a D major scale. This highly accessible piece, with its bright melodies and jingle bell accompaniment will delight students and audiences.

"Far From Home" is a beautiful 1.45-minute piece by Keith Sharp for string orchestra. It is suitable for Grade 2 players and has a wistful melody that explores rich G-string sounds. The harmony/descant and bass parts are optional, and there's an optional vocal line too. This flexible piece is an excellent addition to your library.

Keith Sharp is an award-winning string educator and composer in Brisbane, Australia. He received his Bachelor of Music degree in 1984 and a postgraduate diploma in education in 1995. Keith is also involved in the music education community as a clinician, guest conductor, and lecturer.

This lively fiddle-style tune with a fun melody and bright harmonies will surely please any crowd. Advanced violin players can try the optional octave extension included in the piece. As the toe-tapping tune develops, the melody is traded around the ensemble, making it memorable and fun!

Keith Sharp is a renowned string educator who completed his Bachelor of Music degree in 1984. He has been teaching in Brisbane since then and holds a postgraduate diploma in education. Keith is also a composer and produces award-winning string programs and ensembles. Additionally, he serves as a clinician, guest conductor, and lecturer.

This flexible arrangement has a challenging violin extension, optional two-part vocals, and a groovy bass part. It is written in a jazz/swing style with the sounds of Randy Newman, Nat King Cole, and George Gershwin.

Keith Sharp is a string educator who earned his Bachelor of Music in 1984. He still teaches in the Gap region of Brisbane, Australia. Keith is also a composer whose works are famous in Australia and gaining recognition worldwide. He is actively involved as a clinician, guest conductor, and guest lecturer.

This 8.5-minute musical piece for an advanced high school string ensemble explores different tempos, textures, and styles based on the Celtic theme 'Flower of County Down'. The composition features a fugato, river dance, sentimental waltz, and grand finale, with the piano and percussion adding to the sound.

Keith Sharp is a successful string educator from Brisbane's Gap region. He earned a Bachelor of Music degree in 1984 and a postgraduate diploma in education in 1995. Keith is renowned for his award-winning string programs and creative compositions that are popular in Australia and internationally. He remains active as a clinician, guest conductor, and guest lecturer.

This piece involves repeated upper-half staccato with crescendo and decrescendo, along with an exciting countermelody. The parts are evenly balanced, and all players get the chance to play the tune at some point. Upper violinists may choose to play in the third position as recommended. You can enjoy exploring the possibilities with the old saying, "It's worse than a curse!"