Sharp, Bushwacker Stomp For String Orchestra

Sharp, Bushwacker Stomp For String Orchestra

$99.00

This fiddle tune has separated cello and double bass parts for melody and harmony, allowing directors to challenge advanced students while keeping others engaged. It's perfect for real-world scenarios, with fun elements such as a slide from D# to E and a countermelody for balance.

Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.

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Bushwacker Stomp for String Orchestra by Keith Sharp

This fiddle tune is sure to become a favourite among your students. The cello and double bass parts are divided into melody and harmony, allowing directors to challenge advanced students while keeping less advanced players engaged. It's ideal for real-world situations. Everyone gets to try a fun slide from D# to E, and there's even a countermelody that balances out the musical excitement.

Keith Sharp graduated with a Bachelor of Music degree in 1984. After that, he accepted a position as a string educator in the Gap region of Brisbane, Australia, where he continues to teach. In 1995, Keith completed a postgraduate diploma in education. Throughout his teaching career, Keith has produced award-winning string programs and ensembles while pursuing his passion for composition. His beautifully crafted and imaginative musical works are highly popular throughout Australia and have recently been discovered by teachers in the United States, Great Britain, and Germany. Keith is actively involved as a clinician, guest conductor, and guest lecturer.

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Sharp, Bilge Rat Blues For String Orchestra- Out Of Print

Chromatic glissandi, walking bass, and piano accompany a slow blues melody played by violins. The tune encourages vibrato and sounds excellent in the third or first position. The third violin/viola part is simple, while cellists can enjoy their chromatic pizzicato. The piano line is crucial. It's an original "concert novelty" that generates interest.

Keith Sharp is a renowned composer and string educator based in Brisbane, Australia. He has produced award-winning string programs and ensembles while pursuing his passion for composition. Unfortunately, his work "Bilge Rat Blues for String Orchestra" is currently out of print and unavailable.

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Sharp, Melancholy Polly for String Orchestra (Grade 1.5)

Polly, a sick cockatoo, feels lonely as her friends avoid her. This Eastern European-inspired composition is ideal for Grade 1.5 students and has a melancholic melody with a haunting piano accompaniment that lasts 2 minutes and 6 seconds.

Keith Sharp is a renowned music teacher and co-author of the beginner series Encore On Strings - Music Maestros. He has over 35 years of experience teaching string music, a Bachelor of Music Degree, and a Graduate Diploma in Further Education. Keith has received several awards for his contributions to music education and regularly appears at schools, music camps, and workshops.

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Sharp, Glendalough For String Orchestra (Grade 3)

Keith Sharp, a composer who loves Celtic music, has arranged several titles for string students that reflect the folk styles of the British Isles. Glendalough is one of his Irish compositions, inspired by a historic site south of Dublin. It's a beautiful piece graded level 3, with memorable tunes that appeal to middle and high school students. The piece is approximately 3 minutes and 10 seconds long, in B minor and G Major.

Keith Sharp is a Brisbane-based string educator with a Bachelor of Music degree (1984) and a postgraduate diploma in education (1995). He produces award-winning ensembles and compositions that are popular globally. Keith is also active as a clinician, guest conductor, and lecturer.

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Sharp, Fiddle O'Finnigan (Grade 2- 2.5)

This piece has an Irish essence and features lively fiddle-style themes contrasting with lyrical countermelodies. As you play, pass the melodic interest between the sections and experiment with different articulations, dynamics, and timbres inherent in the music. The 1st Violins get to show off with a fun yet playable fiddle break. The piece ends with an energetic, “all-in-together” finish that will leave the audience feeling roused. Fiddle O’Finnigan is popular with students, teachers, and audiences alike! The folio includes parts for the String Orchestra (8-8-4-4-6-2), the Conductor’s score, and an optional Piano accompaniment.

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Sharp, Prelude & Fantasia On County Down (Grade 4) For String Orchestra

This 8.5-minute musical piece for an advanced high school string ensemble explores different tempos, textures, and styles based on the Celtic theme 'Flower of County Down'. The composition features a fugato, river dance, sentimental waltz, and grand finale, with the piano and percussion adding to the sound.

Keith Sharp is a successful string educator from Brisbane's Gap region. He earned a Bachelor of Music degree in 1984 and a postgraduate diploma in education in 1995. Keith is renowned for his award-winning string programs and creative compositions that are popular in Australia and internationally. He remains active as a clinician, guest conductor, and guest lecturer.

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Sharp, Crocodile Hornpipe For String Orchestra (Grade 2.5)

The Crocodile Hornpipe is a piece of music for varying skill levels. Upper strings play in 1st position; lower strings play an easy chromatic walking bass—lively crocodile theme played by 3rd violins, violas, and cellos with a spiccato texture. Later, a 1st violin fiddle-style descant is added. Bass line anchors arrangement—optional piano part for more support.

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This piece, titled "Arianna," is openly romantic and expressive in its theme. It features an energetic introduction with a commanding cello/bass subject and a lyrical theme presented by the first violins. The composition invites the string ensemble to explore phrasing and balance in a bel canto setting. It also includes a foreboding middle section with a haunting B minor melody. The composition concludes with diminishing lines that may feature solos or front desks, bringing the listener and player satisfaction.

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