This fiddle tune has separated cello and double bass parts for melody and harmony, allowing directors to challenge advanced students while keeping others engaged. It's perfect for real-world scenarios, with fun elements such as a slide from D# to E and a countermelody for balance.
Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.
Bushwacker Stomp for String Orchestra by Keith Sharp
This fiddle tune is sure to become a favourite among your students. The cello and double bass parts are divided into melody and harmony, allowing directors to challenge advanced students while keeping less advanced players engaged. It's ideal for real-world situations. Everyone gets to try a fun slide from D# to E, and there's even a countermelody that balances out the musical excitement.
Keith Sharp graduated with a Bachelor of Music degree in 1984. After that, he accepted a position as a string educator in the Gap region of Brisbane, Australia, where he continues to teach. In 1995, Keith completed a postgraduate diploma in education. Throughout his teaching career, Keith has produced award-winning string programs and ensembles while pursuing his passion for composition. His beautifully crafted and imaginative musical works are highly popular throughout Australia and have recently been discovered by teachers in the United States, Great Britain, and Germany. Keith is actively involved as a clinician, guest conductor, and guest lecturer.
Haydn’s Lost Chorale is a revised version of The Abbey, inspired by Haydn’s St. Anthony’s Chorale. It’s scored for string orchestra with optional piano, including violin 3 (treble viola) and violin parts. It features a dotted rhythm, quasi-classical textures and singing themes.
Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.
Angharad’s Feast," composed to celebrate the 30th anniversary of Brisbane’s Western Suburbs String Orchestra and honor founder Andrea Messenger, premiered in November 2019. The piece represents a family gathering, with each string section symbolizing different family members: first violins as energetic children, second violins as guiding parents, violas as aunties and uncles, and double basses and cellos as wise grandparents. With a warm and charming folk-style theme, the composition beautifully encapsulates the spirit of family, music, and life.
Fiddlers greet the king as he enters his court. This Elizabethan-style piece is perfect for creating a royal ambience. All instruments have exciting parts, and low strings are divided into melody and harmony, providing flexibility for directors. It's an excellent choice for any occasion!
Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.
Fiddle Fever by Keith Sharp is a lively country-style music piece for string orchestra. It has memorable intertwining lines passed among the sections, supported by a bass line and an optional piano accompaniment. Perfect for all ages, this piece will make you tap your toes and enjoy some real toe-tappin' fiddlin' with your partner!
Keith Sharp is a celebrated music teacher in Brisbane, Australia. He has a Bachelor of Music degree and a postgraduate diploma in education. Keith is known for his exceptional string programs, ensembles and compositions. His music is popular in Australia and internationally. Keith is often invited to work as a clinician, guest conductor, and lecturer.
"Mota Moas for String Orchestra" by Keith Sharp is a playful musical composition inspired by the extinct Giant Moas of New Zealand. It is aimed at students in late primary to early high school levels and emphasizes detache and staccato strokes. The piece is composed in D major and includes a ragtime break towards the end. It's a delightful piece that everyone can enjoy!
Keith Sharp is a string educator in Brisbane, Australia. He earned a Bachelor of Music degree in 1984 and a postgraduate diploma in education in 1995. Keith creates award-winning string programs, composes beautiful works, and is a popular clinician, guest conductor, and lecturer in Australia and abroad.
The Yangtze River flows through the pentatonic soundscape, bringing ancient Asian music to life. Its exotic and simple modal textures enchant younger students. This masterpiece captures the essence of the East and resonates with the soul.
Keith Sharp earned a Bachelor of Music degree in 1984 and has taught strings in the Gap region of Brisbane, Australia. He completed a postgraduate diploma in education in 1995. Keith produces exceptional string programs and compositions that are popular worldwide. He is also a guest conductor, clinician, and lecturer.
In 1700, the Last Dodo danced The Last Waltz on Mauritius Island. Valse Triste is a B minor waltz tribute to the extinct bird. It’s a tuneful and balanced piece with a soulful cello, a lyrical first violin, and various melodies, harmonies, and rhythms for inner players. It’s an excellent practice for waltz strokes and rhythms.
Keith Sharp is a Brisbane-based string educator, composer, and guest lecturer. He earned a Bachelor of Music degree in 1984 and has created award-winning programs and popular compositions worldwide.
This piece, titled "Arianna," is openly romantic and expressive in its theme. It features an energetic introduction with a commanding cello/bass subject and a lyrical theme presented by the first violins. The composition invites the string ensemble to explore phrasing and balance in a bel canto setting. It also includes a foreboding middle section with a haunting B minor melody. The composition concludes with diminishing lines that may feature solos or front desks, bringing the listener and player satisfaction.
