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This music is inspired by the Tudor era's early style, where music and dance were central to courtly life. It has a melodious quality, suitable for all players, with opportunities for technical development. The piano accompaniment helps balance rhythm and pitch. It's suitable for Grade 2 and written in D Major and related keys. The authentic setting is in the style of medieval dance, providing a glimpse into the time of Henry VIII.
Fernando’s Tango is a rhythmic piece featuring a dotted rhythm throughout. The cello, Double bass, and Violin 3/violin treble parts offer beat stability, while the first Violins have an easy-to-play tango descant. The ensemble pack includes Unison Melody parts for Violin, Viola, and Cello and can be tailored to suit different playing standards.
Keith Sharp is a string music teacher in Brisbane, Australia. He earned his Bachelor of Music degree in 1984 and a postgraduate diploma in education in 1995. He creates award-winning string programs and compositions popular in Australia, the United States, Great Britain, and Germany. Keith is also an active clinician, guest conductor, and guest lecturer.
Night Folk is a 3-sketch musical piece inspired by Enid Blyton’s playful storytelling. It features mischievous creatures making fun of marching gnomes, riding Queen Caterpillar, and dancing in an enchanted ring. The composition has carefully designed educational elements for musical ensembles, a manageable length of 2 min 52 sec, and is in the key of A Aeolian mode.
Keith Sharp is a music educator from Brisbane, Australia, with over 35 years of experience. He currently teaches at Brisbane State High School, focusing on ensemble and group tuition. Keith’s ensemble pieces have won awards, and he’s a co-author of Encore on Strings. He regularly appears as a guest clinician, composer, teacher, and conductor.
"Riders of Rohan" is an exciting, grade 2.5-3 piece for string orchestra in B minor. It features galloping rhythms and sonorous cello/bass melodies, with an approximate duration of 2:20. The composer, Keith Sharp, is a string educator in Brisbane, Australia, and an active clinician, guest conductor, and lecturer.
The "Soul to Keep for String Orchestra" by Keith Sharp was published by Music House String in 2007. The score and parts are 30 cm in folio and classified as a "Concert novelty" for a string ensemble with optional vocals. The conductor's score grade is 1, and the publisher's website grade is 1.5-2. The key is D major, and the duration is 1:40. Natalie Sharp's composer bio is included.
Keith Sharp has been teaching as a string educator in the Gap region of Brisbane since his graduation with a Bachelor of Music degree in 1984. He also obtained a post-graduate diploma in education in 1995. Keith is a renowned composer whose works are popular in Australia, the United States, Great Britain, and Germany. He is also an active clinician, guest conductor, and lecturer.
This music features rich cello and viola lines with harmonics and pizzicatos. Playing with an optional 2-part choir score and piano accompaniment is enjoyable. Add a massed choir and strings for a school concert performance. It is a 'Music House' classic.
Keith Sharp is a well-established string educator in Brisbane, Australia, who has worked in the Gap region since 1984. He has produced award-winning string programs and compositions that have gained recognition worldwide. In addition to his teaching career, he is active as a clinician, guest conductor, and lecturer.
Keith Sharp, a composer who loves Celtic music, has arranged several titles for string students that reflect the folk styles of the British Isles. Glendalough is one of his Irish compositions, inspired by a historic site south of Dublin. It's a beautiful piece graded level 3, with memorable tunes that appeal to middle and high school students. The piece is approximately 3 minutes and 10 seconds long, in B minor and G Major.
Keith Sharp is a Brisbane-based string educator with a Bachelor of Music degree (1984) and a postgraduate diploma in education (1995). He produces award-winning ensembles and compositions that are popular globally. Keith is also active as a clinician, guest conductor, and lecturer.