March of the Metro-Gnome for Orchestra by John Caponegro

"Masque of Arne" is a musical piece with a quasi-renaissance style featuring two different dance types. The first section is lively and upbeat, while the second is more ambient and tonal. The two can be performed separately or in succession, with a return to the first dance using da Capo to end the performance.

Keith Sharp is a string educator in the Gap region of Brisbane, Australia. He completed his Bachelor of Music in 1984 and a postgraduate diploma in education in 1995. Keith is an award-winning composer and highly regarded clinician, guest conductor, and lecturer, with his works being popular in Australia and internationally.

"A Little Summer Suite for String Orchestra" by Keith Sharp features three unique parts. "Sun Bleached" is bright and cheerful, "Rain Come Down: A Prayer" is peaceful, and "Downpour!" is fast-paced and exciting. Perfect for grade 1 level musicians.

Keith Sharp is a string educator who earned his Bachelor of Music degree in 1984. He has produced award-winning string programs and ensembles while pursuing his passion for composition. Keith's works are famous in Australia and have been discovered by teachers in the United States, Great Britain, and Germany. He is also active in conducting workshops, guest conducting, and delivering lectures.

Want a unique addition to your concert? This piece uses vocal "boks" to create the sound of a frantic chicken in a kitchen. It has separate parts for cellos and basses, and optional lyrics for your choir are included.

Keith Sharp is a renowned string educator and composer from Brisbane. He has produced award-winning string programs and ensembles, and his works are highly popular worldwide. Keith is also an active clinician, guest conductor, and lecturer.

Night Folk is a 3-sketch musical piece inspired by Enid Blyton’s playful storytelling. It features mischievous creatures making fun of marching gnomes, riding Queen Caterpillar, and dancing in an enchanted ring. The composition has carefully designed educational elements for musical ensembles, a manageable length of 2 min 52 sec, and is in the key of A Aeolian mode.

Keith Sharp is a music educator from Brisbane, Australia, with over 35 years of experience. He currently teaches at Brisbane State High School, focusing on ensemble and group tuition. Keith’s ensemble pieces have won awards, and he’s a co-author of Encore on Strings. He regularly appears as a guest clinician, composer, teacher, and conductor.

This music is inspired by the Tudor era's early style, where music and dance were central to courtly life. It has a melodious quality, suitable for all players, with opportunities for technical development. The piano accompaniment helps balance rhythm and pitch. It's suitable for Grade 2 and written in D Major and related keys. The authentic setting is in the style of medieval dance, providing a glimpse into the time of Henry VIII.

The Wild West and contemporary US composers inspired this piece. It has an idiomatic cowboy feel, with lively lines and a pleasing middle section. The outer sections have a dynamic ensemble energy, and there are opportunities for bowing techniques and position work.

Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.

"Quasi Jig" is a piece for middle- to high-school string players. It features light-hearted accompaniments, Celtic-style fiddle themes, and syncopations. The piece is technically challenging and engaging for players with various skill levels, with melody, harmony, obligato, and accompanying roles shared among the players. Graded 3 lasts 4 minutes and 30 seconds, and it is in the key of G major/C major.

Keith Sharp is a highly experienced string educator from Brisbane, Australia. He has produced award-winning string programs and composed imaginative works famous in Australia, the US, the UK, and Germany. He remains active as a guest conductor, clinician, and lecturer.

This piece, titled "Arianna," is openly romantic and expressive in its theme. It features an energetic introduction with a commanding cello/bass subject and a lyrical theme presented by the first violins. The composition invites the string ensemble to explore phrasing and balance in a bel canto setting. It also includes a foreboding middle section with a haunting B minor melody. The composition concludes with diminishing lines that may feature solos or front desks, bringing the listener and player satisfaction.