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March of the Metro-Gnome for Orchestra by John Caponegro

March of the Metro-Gnome for Orchestra by John Caponegro

$132.00

March of the Metro-Gnome for Orchestra by John Caponegro-** Prelase pre- Order**

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Sharp, Celtic Lullaby For String Orchestra

Celtic Lullaby is a 2-minute musical piece by Keith Sharp for a string orchestra in D major. The folio cover on the publisher's website has string parts, a conductor's score, and piano accompaniment. Natalie Sharp designed, edited and engraved the Music.

Keith Sharp, a string educator and composer from Brisbane, Australia, has won awards for his string programs, ensembles and compositions. He is also a popular clinician, conductor and lecturer.

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Sharp, River Song For String Orchestra

River Song is a Celtic-style programmatic piece that musically follows the course of a river. It features contrasting sections with a rustic middle part. It's approachable and highly memorable, ideal for high school ensembles and appealing to students and audiences. The strings are beautifully written, adding overall charm.

Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.

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Sharp, Click Go The Shears (Grade 2) For String Orchestra

Click Go the Shears is a delightful adaptation of a traditional Australian folk song for beginner players. It features an optional and exquisitely crafted piano accompaniment. Simple violin lines can be played singly with the piano.

Keith Sharp is a string educator in Brisbane, Australia. He received his degree in 1984 and a post-graduate diploma in 1995. Keith produces award-winning string programs and compositions popular in Australia and internationally. He is also active as a guest conductor, clinician, and lecturer.

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Sharp, March Triumphant (Grade 2) For String Orchestra

"March Triumphant" in G major is a majestic piece suitable for special occasions. Its stirring rhythmic motifs provide satisfying melodies for all instrumentalists. Rehearse ensemble tone, dynamic contrasts, and rhythmic precision for uniformity. Confirm G major finger patterns within the ensemble.

Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.

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Sharp, Boots And Saddle (Grade 2) For String Orchestra

This lively fiddle-style tune with a fun melody and bright harmonies will surely please any crowd. Advanced violin players can try the optional octave extension included in the piece. As the toe-tapping tune develops, the melody is traded around the ensemble, making it memorable and fun!

Keith Sharp is a renowned string educator who completed his Bachelor of Music degree in 1984. He has been teaching in Brisbane since then and holds a postgraduate diploma in education. Keith is also a composer and produces award-winning string programs and ensembles. Additionally, he serves as a clinician, guest conductor, and lecturer.

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Sharp, Fernando's Tango (Grade 2) For String Orchestra

Fernando’s Tango is a rhythmic piece featuring a dotted rhythm throughout. The cello, Double bass, and Violin 3/violin treble parts offer beat stability, while the first Violins have an easy-to-play tango descant. The ensemble pack includes Unison Melody parts for Violin, Viola, and Cello and can be tailored to suit different playing standards.

Keith Sharp is a string music teacher in Brisbane, Australia. He earned his Bachelor of Music degree in 1984 and a postgraduate diploma in education in 1995. He creates award-winning string programs and compositions popular in Australia, the United States, Great Britain, and Germany. Keith is also an active clinician, guest conductor, and guest lecturer.

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Sharp, Worse Than a Curse for String Orchestra

This piece involves repeated upper-half staccato with crescendo and decrescendo, along with an exciting countermelody. The parts are evenly balanced, and all players get the chance to play the tune at some point. Upper violinists may choose to play in the third position as recommended. You can enjoy exploring the possibilities with the old saying, "It's worse than a curse!"

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