"The Wild Colonial Boy" is a ballad about Jack Doolan, an Irish-Australian bushranger who was captured and killed by troopers. The song's nostalgic character is portrayed through lyrical part-writing, pizzicato, and tremolo effects. This arrangement, set in D major, features interesting lines for all players. Adding it to your concert line-up is a great way to introduce an Australian classic.
This is a 2-minute string orchestra piece in E minor, graded at levels 2-3. It is a fantasia on the Irish reel 'Drowsy Maggie' and can be played for violins and piano. It includes two challenging descant lines, piano accompaniment, tambourine, and a simple cello line. The conductor's score has arranger info.
Keith Sharp is a notable string educator from Brisbane, Australia. He holds a Bachelor of Music degree and a postgraduate diploma in education. Keith is an award-winning composer whose works are famous in Australia and have gained recognition internationally. He is also an active clinician, guest conductor, and lecturer.
"March Triumphant" in G major is a majestic piece suitable for special occasions. Its stirring rhythmic motifs provide satisfying melodies for all instrumentalists. Rehearse ensemble tone, dynamic contrasts, and rhythmic precision for uniformity. Confirm G major finger patterns within the ensemble.
Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.
This music piece is inspired by the bandicoot's playful rhythm and light texture. It's suitable for advanced Primary to junior high ensembles and allows the practice of various stroke techniques. The theme is evenly distributed, making it enjoyable for all.
This music features rich cello and viola lines with harmonics and pizzicatos. Playing with an optional 2-part choir score and piano accompaniment is enjoyable. Add a massed choir and strings for a school concert performance. It is a 'Music House' classic.
Keith Sharp is a well-established string educator in Brisbane, Australia, who has worked in the Gap region since 1984. He has produced award-winning string programs and compositions that have gained recognition worldwide. In addition to his teaching career, he is active as a clinician, guest conductor, and lecturer.
This music is inspired by the Tudor era's early style, where music and dance were central to courtly life. It has a melodious quality, suitable for all players, with opportunities for technical development. The piano accompaniment helps balance rhythm and pitch. It's suitable for Grade 2 and written in D Major and related keys. The authentic setting is in the style of medieval dance, providing a glimpse into the time of Henry VIII.
It is a catchy tune that blends Eastern harmonies with Western rhythms. It features fiddling, alternating time signatures, and pentatonic patterns. Each part takes turns playing one of the main themes, providing various musical experiences. The violins have the option to play in ottava and third position. It is ideal for students to play and enjoy.
Keith Sharp is a music teacher who earned his Bachelor's degree in Music in 1984. He has been teaching as a string educator in Brisbane, Australia, for over 30 years. Keith completed a post-graduate diploma in education in 1995 and is active as a clinician, guest conductor, and guest lecturer. He has won awards for his string programs and compositions, which are popular worldwide.
Two contrasting dances are linked, creating a classic ternary form. The first dance has a driving rhythm and repeated accents. A four-bar solo bridge leads to the succeeding dance with a graceful, modal theme. The Two Courtly Dances are easy to play yet catchy and appealing to various ages. The piece has four string lines and an optional piano. The viola doubles either the first or second violins throughout.
Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.
