The Dancing Peppers is a charming and light-hearted piece featuring repeated figures reminiscent of a familiar Mexican theme. The work is fun to play, yet teachers will find it packed with wonderful elementary string teaching points that help encourage both left- and right-hand technical development and refinement.
“Stringosaurus” is a fun and dynamic musical piece in G major, perfect for young musicians. It includes five string parts, each with its unique character. The cello part is noteworthy as it adds excitement to the composition with a chromatic movement. An optional piano accompaniment is also available. Overall, it encourages creativity and exploration in young musicians.
Keith Sharp is a renowned music educator in Brisbane, teaching at Brisbane State High School since 1985. He’s a composer, conductor, and teacher who’s received numerous awards for his contributions to music education. Keith co-authors the beginner string method, Encore on Strings - Music Maestros.
"Explorers" has a majestic main theme and catchy accompanying figures. It portrays the determination and resilience of explorers as they face the unknown and the joy of new discoveries. The central chorale is in G Major, and all parts share the melodic interest. It lasts 3 minutes and 20 seconds.
Keith Sharp is a string educator based in Brisbane, Australia since 1984. He completed a postgraduate diploma in education in 1995 and has produced award-winning string programs and ensembles. Keith is a composer, and his works are famous in Australia and internationally. He is an active clinician, guest conductor, and lecturer.
The Crocodile Hornpipe is a piece of music for varying skill levels. Upper strings play in 1st position; lower strings play an easy chromatic walking bass—lively crocodile theme played by 3rd violins, violas, and cellos with a spiccato texture. Later, a 1st violin fiddle-style descant is added. Bass line anchors arrangement—optional piano part for more support.
One Voice is a Grade 1.5 piece for string orchestra composed by Keith Sharp. It features a hauntingly beautiful melody and rich harmonies. Despite its simplicity, the piece is profoundly moving and engaging. Keith Sharp's use of dynamics and phrasing creates a sense of tension and release that leaves a lasting impression on the listener.
Keith Sharp is a string educator in Brisbane, Australia. He completed his Bachelor of Music degree in 1984 and a postgraduate diploma in education in 1995. Keith has produced award-winning string programs and compositions popular in Australia and internationally throughout his career. He also remains active as a clinician, guest conductor, and lecturer.
This flexible arrangement has a challenging violin extension, optional two-part vocals, and a groovy bass part. It is written in a jazz/swing style with the sounds of Randy Newman, Nat King Cole, and George Gershwin.
Keith Sharp is a string educator who earned his Bachelor of Music in 1984. He still teaches in the Gap region of Brisbane, Australia. Keith is also a composer whose works are famous in Australia and gaining recognition worldwide. He is actively involved as a clinician, guest conductor, and guest lecturer.
Fiddlers greet the king as he enters his court. This Elizabethan-style piece is perfect for creating a royal ambience. All instruments have exciting parts, and low strings are divided into melody and harmony, providing flexibility for directors. It's an excellent choice for any occasion!
Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.
This piece, titled "Arianna," is openly romantic and expressive in its theme. It features an energetic introduction with a commanding cello/bass subject and a lyrical theme presented by the first violins. The composition invites the string ensemble to explore phrasing and balance in a bel canto setting. It also includes a foreboding middle section with a haunting B minor melody. The composition concludes with diminishing lines that may feature solos or front desks, bringing the listener and player satisfaction.
